Nas Profundezas do Solo

The attempt to look like a real documentation got me for about time, until an actor appears, that is presented as a former police officer. I must admit, that the style got me for a few minutes. But it wasn't completely bad from that point. I liked how the story developed. It's a sake that this story doesn't fill 1 and half an hour. It's kept short and that makes it more taut. After all it is not the worst idea horror movie makers had over the decades.

Adam Green, the upstart horror fan boy filmmaker behind Frozen and the Hatchet movies, directs this mockumentary about his love of monsters and how it leads to a strange old man called Decker (Ray Wise of Twin Peaks and Jeepers Creepers 2). Green plays himself as himself, not as a cartoonish parody as he did on his now defunct TV series Holliston. And we follow Green and his trusty cameraman as they record Decker's ramblings about the secret, subterranean society of monsters that lives beneath our world. Decker (a name presumably referencing David Cronenberg's legendary monster hunter from Clive Barker's Nightbreed) even claims to have found an entrance to this other world, a hole in the ground near a cemetery which he calls the Marrow.

Digging Up the Marrow is a fast paced, entertaining little movie that functions as a sort of subversion of the done to death found footage sub genre. But that also brings me to my main problem with the movie. I just am not sure what Adam Green intended to do here.

By playing himself, and having several other notable genre names cameo as themselves, people like Kane Hodder and Tom Holland, it seems that he wants to blur the lines between fact and fiction. However, by casting recognizable character actor Ray Wise as the fictional character at the center of all this, he completely ruins the illusion making it obvious from the start that this is wholly a work of fiction. So why make the movie in this fashion? I honestly have no idea.

But, I did enjoy watching the movie and Green does manage to prove at least two things here. The first is that he actually can "act" although he is playing himself, he plays himself as a likable, slightly awkward dreamer whose desperation to believe leads him down a rabbit hole into increasingly dangerous situations. The second is his wholehearted and rather admirable dedication to practical special effects. There is no cheesy CG here and what you see is obviously tangible and quite well designed to boot. Digging in the Marrow may feel a tad disposable, more like a time killing side project than a true feature, but it's still more entertaining and engaging than a lot of low budget crap out there. So check it out and have a good time.

This was honestly a very different type of film. I am not very conversant with Adam Green's films (I surely PLAN to become that way though...) so I didn't really know what to expect.

Since I usually look at movies from the standpoint of 'film making', I think that I can see what he was trying to do with this one. A very unusual approach indeed... I think what I liked about it (other than the bloody FANTASTIC Ray Wise, of course) is the change in tone as you watch it. At the beginning it actually is quite funny and as the 'Trivia' section mentions, the entire film was very carefully scripted, although it does NOT come across that way at all. So, with that in mind, I really appreciated the genuine and natural humour that he drew out of the movie, especially with many of his own reactions to what was being said by others. He is really funny. But, I liked that as you became more engrossed in the story and began to see Adam's interest in the reality of the stories he was being told have an effect on him, I really liked the change in tone as things got more serious. I very much liked that and thought that they did an excellent job in switching gears, as it were...

Whether you suspend disbelief enough to become invested in the story or not, I truly found the film in it's entirety to be very entertaining. A LOT of the entertainment value come from Adam's own life and real friends and family being portrayed and his excellent interaction with them when talking about this 'Project'. Most of the rest of the entertainment value comes directly from the always awesome Ray Wise. He was frigg'n GREAT the whole way, in my lowly and wretched opinion. His VERY subtle turns at absolute DEADPAN humour were totally hilarious! And Adam's reaction to them was just as great. As far as the actual story being told and the 'Documentary' approach, sure, if you have an active imagination like I do, you can get caught up in that too...

I think that people who automatically dismiss the film because Ray Wise, a very well known actor, is in it, are missing the point of the movie. As mentioned in the 'Trivia' section here, they REALLY agonized on whether to use someone well known as the main guy or not. But, after giving it a lot of thought and getting audience's reactions, they realized that to approach the movie as a fully genuine 'True' story and then LATER likely disappoint the audience or make them feel 'fooled' was something that they did not want to do, as some other 'Mockumentaries' have fallen victim to. So, this way, the audience KNOWS right from the start that it is fiction, but at the same time by cleverly using Adam and his family and friends as REAL people along with their choice of Ray Wise, they came up with a very unique and interesting balance for this kind of movie.

So, this is quite honestly an EXTREMELY difficult film to recommend to people in general. As you can see from the many varied reviews here, that the reactions are truly all OVER the place. I personally think that if you are a film maker yourself, OR if you look at films from a film maker or director's perspective, OR if you have a real love and affection for the Horror Genre itself, THEN you will have a much greater chance at really enjoying this unique and entertaining film.

A documentary exploring genre based monster art takes an odd turn when the filmmakers are contacted by a man (Ray Wise) who claims he can prove that monsters are indeed real.

At first, the concept of a monster documentary is good and the first few minutes are really enjoyable. The footage of asking convention guests about monsters seems genuine, and it could have been a story worth pursuing if a narrative could be built around the interviews.

But once we shift, it becomes obvious that casting Ray Wise is the biggest mistake. Rue Morgue said it (and then let it slide). Aaron Christensen came down hard on Adam Green for this. I am somewhere between the two. I think the concept is really clever, and my admiration for Green lets me be a bit more open-minded. But there really is no getting around it: Wise, who is incredible in this role, simply cannot be anyone other than Ray Wise in a "documentary".

We also learn that Mick Garris is a terrible actor. That should probably come as no surprise, but it is amusing to see that Garris cannot even play Mick Garris for less than five minutes without goofing it up.

a documentary-style found footage film by the writer/director of Holliston and the Hatchet slasher series. i'd heard good things about the monster design and make-up, but wasn't very impressed. the monsters get only a few seconds a piece of shaky-camera screen time and are actually pretty cartoonishly goofy-looking if you pause on them

the movie suffers a bit from the shaky camera syndrome typical of its genre — there's a point where the crew is sitting in the woods at night, waiting for a monster to appear, and when one of them points to a shape moving through the trees, the camera guy focuses literally everywhere but where the character is pointing. i can only imagine it was done on purpose to parody the genre style, and the actors were laughing about it behind the scenes

the story is imaginative and compelling, and Ray Wise, as detective William Dekker who invites director Adam Green to witness and record proof of the existence of monsters, is a great actor and storyteller. my favourite scenes are the ones where Adam and the film crew are just sitting in Dekker's house, recording his stories of past encounters with and illustrations of monsters from a subterranean metropolis he calls The Marrow

i like the film despite it's flaws and wouldn't mind a sequel picking up exploration, where this one ends rather abruptly, of The Marrow and its inhabitants. recommended for fans of found footage monster movies