Rorschach

This film was not as expected but it is not bad by any means. I loved the whole concept of telling a revenge story in a different manner. It sometimes resembled shutter island here and there. Mammukka was great throughout. But something was missing don't know what, maybe its because i had high hopes. Time jumps was a bit confusing at the beginning but nearing the first half it all made sense. The background score was excellent it kept maintaining the whole vibe of the film. The film starts of with an accident and from there it leads to chain of incidents that all end up being related to each other and gives Luke (Mammukka) his redemption and revenge. But there are many plot holes here and there so there is another problem. But it is entertaining and a different approach that could have been a little more better.... All i can say with out spoiling anything is that it kills an already dead person again.

Rorschach is the kind of experience that will divide viewers into two: ones who believe this revenge story doesn't need such a detailed storytelling and ones who revel in studying the finer, more minute details à la slow-burn Korean revenge dramas. It reimagines a film like The Chaser or I Saw The Devil, psychologically turns it on its head, and weaves an engaging yarn around it. The level of grey shades differ in each character, and you wouldn't believe how the script accommodates this texturing. A collaboration of the finest order between director Nissam Basheer and writer Sameer Abdul, you'll be left wholly intrigued at how each character, the protagonist included, evolves with every passing scene. The closest attempt in Indian cinema would be Sriram Raghavan's Badlapur, but it's still vastly different.

Rorschach is a genre-bender indeed and it seamlessly blends elements from various genres. There's thrills, slasher aspects, psychological warfare, dark humor, and even a tinge of the supernatural. I love how the makers use colors such as white, black, grey, and green in the film. It just has to be seen to be believed - the greyness of the unpainted house melding with that of the Mustang GT driven by Luke, the jackets worn by Luke meshing into the green, forested backgrounds, and more along those lines. Nimish Ravi's (Kurup, Luca) frames are magnificent, taking us through different doors of the protagonist's mind, and shifting perspective often. Kiran Das' edit work also needs praise, as he allows the scenes to breathe and have a natural progression. The astounding winner in the technical department, however, is composer Midhun Mukundan ( Garuda Gamana Vrishabha Vahana), who comes up with a spectacular soundtrack that elevates the film (especially in those character transformation and procedural scenes) to another level altogether.

There's no way I can hold myself back from praising the entire cast who literally compete with each other to provide incredible performances. Leading from the front is Mammootty who continues to surprise us (at 71) and ensures his character Luke Antony is deeply studied by critics and audiences alike. Right alongside him would be Bindu Panicker who is mind-blowing in the role of a subtly fierce Seetha, and Grace Antony who plays the bold-yet-vulnerable Sujatha. It is wonderful to see Jagadeesh, Sharafudheen, and Kottayam Naseer lend gravitas to their respective roles. They're dependable performers if the script has something substantial for them.. new-gen writers, take note.

RORSCHACH

A slow-paced drama thriller from Nissam Basheer. First of all its a slow film. A revenge story. The film on the technically an outstanding film. The background scores, the song, the soundmixing were all nice. The visuals were amazing. When looked upon the acting base everyone did their best especially Bindhu Panikkar she was just amazing and Mammokka's acting was amazing some scenes were creepy as gell The film can be a dual perspective film - A psychological thriller, or a horror drama thriller. The action sequences were breathtaing. Story was also a good one, a revenge story. But the main drawback is the pace itself. It's not everyone's cup of tea. Slow pace may be a bit laggy for some, mainly the first half was a bit too long, but intresting. Unveiling the main plot, it was long, but second half was good. Overall its a good theatre experience but not everyone's cup of tea.

A big request to mamooty Kampany & Wayfarer Films : please don't give remake rights to Bollywood Kollywood or sandalwood they will spoil.

Not at all for a commercial audience who expects comedy and songs

Also it's not at all a usual screenplay with hero introduction heroine villain etc etc

This movie is for the audience who already watched different kind of scripts and screenplay in foreign movies and expecting when can we get the same feeling by seeing our stars on screen.

Bindu panicker and grace Antony acting was outstanding in this screenplay

It's time to make world to see south indian movies are giving quality scripts more than them.

Thanks to director and the whole team

Thanks for the superstar mamooty for choosing this script and giving us your best acting.

Usually, a revenge thriller concludes with the demise or fall of the antagonist, but this movie's plot starts from that point. Which makes this film somewhat distinct from other films.

I don't think so that there's a need to mention about Mammootty's performance in this movie, as usual he nailed. To an extent, we can call this a one-man show of Mammootty.

The making of this film is incredible, the screenplay is gripping and the transition of the character played by Bindu Panicker was something we all have never seen from her before. Glad that they didn't stuff any unnecessary songs in between to cut the flow of the movie. This is not exactly an edge-of-the-seat thriller, this is more of a slow burner.