Minha Pátria Amada

Ae Watan Mere Watan beautifully captures the essence of sacrifice and patriotism, shedding light on the forgotten heroes of India's independence movement. Inspired by Usha Mehta's story, the film is a poignant reminder of the untold sacrifices made for our freedom. With compelling storytelling and stellar performances, it leaves a lasting impact on the audience, igniting a sense of gratitude and reverence for those who fought for our nation's freedom. Additionally, the masterpiece background music enhances the emotional depth of the film, weaving seamlessly with the narrative to evoke a powerful sense of pride and reverence.

The story itself is bold, intriguing, and offers an important glimpse into history. It's a story that should be told and brought to light.

Unfortunately, the writing and way the story was told fell flat for me. Despite the close-ups, deep glimpses into the character's eyes, and creation of atmosphere, there was only one scene that stands out to me. One were Usha hides under a burka when the police search for her and Kaushik shows her his shaking hands when she reappears. The rest of the movie felt like the same message and image on repeat: stand up for revolution and freedom. After a while, the same scene and message on repeat is just flogging a dead horse.

What I found frustrating was the message, despite coming from the right place, did not shed any new ideas or perspectives on the plight against colonialism. Instead, it amplified stereotypes. It was the stereotyping in the film and the characters that unsettled me the most. John Lyre, the British man hunting down the revolutionaries, is portrayed as ruthless, cold-hearted, and intense to the point that he feels more like a cartoon than a human man bred to view himself as superior (pure) and take pride in his country (points that could have been paralleled and contrasted with Usha's purity and pride in country, but were entirely missed). Usha, on the other hand, is portrayed as self-righteous, ego-centric (her ideas being the purest above all others'), naive about the impact she had on relationships with family and friends, and ruthless in her intensity to revolutionize India.

The most unsetting point was the way the movie glossed over radicalization. The ability to influence and spread one's beliefs (such as through a radio) comes with intense responsibility. Usha never questions once the possible myriad of outcomes that could happen... including igniting a rebellion that may fail/may lead to needless loss of lives and bloodshed. Especially since the film stated (but did not show) that she was a Gandhian.

Overall, I look forward to learning more about Usha and appreciate the movie from bringing her plight to light.

Was eagerly awaiting Ae Watan Mere Watan, but am terribly disappointed. The lead actor's dialogue delivery is unbearable. Sara Ali Khan needs to go back to acting school. And maybe stay there as a receptionist or marketing executive. After Gaslight & Murder Mubarak, this is a hatrick of poor performances by the actress.

Emraan Hashmi did well.

The director had a good plot but messed it up midway.

Ae Watan Mere Watan is totally avoidable. Viewers may spend there time watching Maamla Legal Hai or Maharani season 3.

A better casting may have saved AWMW. The director needed someone who can act in the lead.

This movie is likely to be enjoyed by cinegoers who have in interest in the politics at that time. I have little knowledge of the subject to so it was hard to resonate with the story. The movie is shot in sepia and was kinda boring tbh, it took me a few times to finish watching it. Sara's gives probably her best performance to date, however there is still something lacking on screen. She doesnt emit the passion for the character/movie. Her acting is relagated to her face and it seems she puts a lot of effort to portray her emotions through. I think if she tries to act with her body then her performance will be much better.

The film starts with anticipation and promises, and halfway through it looks like the plot is building to something good in the middle somewhere it loses its touch and becomes a repeated freedom struggle movie with few good actors and other bad. After all, it is Sara Ali Khan's movie, it revolves around her character Usha, there are parts when her acting looks real but mostly every other co-actor overshadows her work. The movie gets more predictable over time, so much could have been done with this type of plot but it has been wasted with poor writing. The climax is another expected bore and after completing the movie there is nothing much of a takeaway other than knowing these freedom fighters, who deserved a better movie than this.