Memória

I really liked this one. I'm sure other's will have their ideas of what it's about but it's really about love and broken people. And really isn't everyone broken to some degree?

I found the movie tackled the subject matter and characters in a very intimate way, it's almost a meditation on how people deal with trauma and prevail and how even broken people can love.

One character can't remember the other can't stop remembering. I'm sure there is something there, I'll have to think on that more- but they find each other and it turns out they have a lot to offer each other.

Marvelous film in my opinion.

Whilst the subject matter here is quite interesting, the execution isn't especially. "Sylvia" (Jessica Chastain) is working in the social care system whilst bringing up her daughter "Anna" (Brooke Taylor). Her life, as effectively illustrated by her door locking and burglar alarm routine each day, is a structured affair with little variation. She has a strong relationship with her sister but is completely estranged from her mother. The two women attend a school reunion one night and, leaving early, she is followed home. It's a miserable night and next morning she discovers him asleep outside her door. Inspecting his wallet, she discovers his identity and calls his brother "Isaac" (Josh Charles) who explains that "Saul" (Peter Sarsgaard) has memory issues. Was he stalking her or is there more to this rather meandering scenario? Chastain does work quite well, but I found the story seemed to randomly inject way too many "incidents" along the way that seemed designed to enliven or empower the plot. Many seemed a little too disaster-scenario prone and are used to enhance purely for dramatic purposes. The culminating scenes lacked plausibility and at times the whole thing came across as little better than an A-list soap opera. Coincidence underpins just a bit too much of the film and the delivery of information about the characters to the audience is all delivered in just too sporadically a fashion. I felt sorry for just about everyone involved, but I didn't feel particularly engaged.

Sylvia is a social worker who leads a simple and structured life. This is blown open when Saul follows her home from their high school reunion. Their surprise encounter will profoundly impact both of them as they open the door to the past.

The roles are played admirably by all of the main actors and with little prompt or background or character development, we slowly get to understand the main players and what drives them.

Sylvia is affected deeply by past memories that people try to convince her are untrue and that she is a liar and a bad person.

Saul cannot remember much at all as he has dementia. Polar opposites and yet attracted to one another leaning on each others strengths, whilst supporting each others weaknesses.

It's a little insight into dealing with people with dementia, and a glimpse of how people with a traumatic background can suffer right through life.

It's the friends and family who have to stand by them in times of stress.

It's a very quiet film with little meaningful dialogue, and some scenes where you have to fill in the blanks for yourself so if you're not getting what the film is about, you'll probably dislike it intensely.

If you do understand the work, family and personal dynamics you'll probably stick with it and love it by the end despite it being a hard watch.

I do believe Jessica Chastain can take any role, any role at all and turn it into something beautiful.

Main drawback: big chunks of dialogue are muttered so you don't hear what's aid. Watch this film with subtitles or you miss nuances.

It's a drama of two persons with damaged memories seeking solace. The film is set in New York City in the early 2000s. Sylvia (Jessica Chastain) is a single mom who is overly protective of her 12-13-year-old daughter, Anna (Brooke Timber). Sylvia, an alcoholic who has been sober for 12 years, relates to her younger sister, Olivia (Merritt Wever), but is estranged from her mother, Samantha (Jessica Harper). The viewer soon learns of Sylvia's memories of abuse as a pre-teen.

Saul (Peter Sarsgaard) lives with his brother, Issac (Josh Charles). Saul's wife died some time ago. He has early-onset dementia that displays in unusual ways. Sylvia and Saul encounter each other at a reunion at the high school they both attended.

The film follows their improbable relationship that evolves despite a very rocky start. Their families react in different ways to what they observe in the relationship, and the ending is, in my mind, ambiguous.

Chastain is marvelous in her character. Sarsgaard is good, but the nature of his role makes for a relatively narrow personality. The role of Anna seems a tad unrealistic, but Timber plays it well. I found the film's editing to be superb. And I've always loved the Procul Harum song, "A Whiter Shade of Pale," that repeats as a theme throughout. Although the story feels improbable, I loved it.

A peaceful cinematic retreat. A portrayal of the challenges that must be overcome when human minds have crossed the threshold. He forgets, belittled and preyed upon. She has a daughter who she clings on to desperately while dark bedrooms and irrelevant therapy groups. It's actually an excellent story of shared redemption. A great portrayal of mother daughter bond that navigates the fears and hopes. Precise acting makes the story heartwarming. Great cinematography and visuals to tell what's unspoken. Good background music and audio effects. It's a well written thought-provoking story that's well worth your time.