Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.Acompanha Elphaba, a futura Bruxa Má do Oeste, e seu relacionamento com Glinda, a Bruxa Boa do Norte. O segundo de uma adaptação cinematográfica em duas partes do musical da Broadway.
- Direção
- Roteiristas
- Estrelas
- Prêmios
- 15 vitórias e 84 indicações no total
Ariana Grande
- Glinda
- (as Ariana Grande-Butera)
Colman Domingo
- The Cowardly Lion
- (narração)
Aaron Teoh Guan Ti
- Avaric
- (as Aaron Teoh)
Sharon D. Clarke
- Dulcibear
- (narração)
Resumo
Reviewers say 'Wicked: For Good' delves into friendship, truth, and moral courage, featuring strong performances by Cynthia Erivo and Ariana Grande. Critics commend the film's visuals, costumes, and music, though many note uneven pacing, a rushed story, and less memorable songs. Some find it lacks the original's emotional depth and charm, while others appreciate deeper character development and 'The Wizard of Oz' integration. The darker tone receives mixed reactions, making it a generally well-received but less impactful sequel.
Avaliações em destaque
"Wicked: For Good" aims high with its musical ambitions, but the final result feels surprisingly hollow. It's the kind of film that promises grandeur - rich songs, emotional storytelling, a sweeping theatrical tone - yet delivers something that rarely rises above mediocre. For me, in contraposition with the previous very well done production, this movie is carried only by a few scattered moments of charm but weighed down by far too many shortcomings.
The biggest disappointment is the music. In a film where songs should carry emotion, character, and narrative weight, they instead feel weak, repetitive, and strangely uninspired. Most numbers come and go without leaving any impression, lacking both melodic strength and thematic purpose. Rather than elevating the story, the music often slows it down.
The script doesn't help. It feels thin, undercooked, and far too reliant on broad strokes rather than meaningful character development. Emotional turns arrive without buildup, conflicts lack impact, and the dialogue rarely adds depth. It's a story with potential, but very little of that potential makes it to the screen.
The pacing is equally problematic - inconsistent to the point of distraction. Some scenes drag without offering substance, while others rush through moments that should carry dramatic weight. The result is a film that feels both bloated and oddly empty, never finding its rhythm.
"Wicked: For Good" isn't without effort or intention, but it never manages to bring its ideas together into something compelling. It's underwhelming, forgettable, and a far cry from the magical musical experience it tries to be.
The biggest disappointment is the music. In a film where songs should carry emotion, character, and narrative weight, they instead feel weak, repetitive, and strangely uninspired. Most numbers come and go without leaving any impression, lacking both melodic strength and thematic purpose. Rather than elevating the story, the music often slows it down.
The script doesn't help. It feels thin, undercooked, and far too reliant on broad strokes rather than meaningful character development. Emotional turns arrive without buildup, conflicts lack impact, and the dialogue rarely adds depth. It's a story with potential, but very little of that potential makes it to the screen.
The pacing is equally problematic - inconsistent to the point of distraction. Some scenes drag without offering substance, while others rush through moments that should carry dramatic weight. The result is a film that feels both bloated and oddly empty, never finding its rhythm.
"Wicked: For Good" isn't without effort or intention, but it never manages to bring its ideas together into something compelling. It's underwhelming, forgettable, and a far cry from the magical musical experience it tries to be.
Despite Cynthia stealing every scene with her amazing presence, voice and acting, for me part 2 just didn't work. Weak plot, what was there was rushed through, squeezed in Dorothy etc with no explanation or context, Nessa story not explained (although she's annoying so glad she wasn't on screen any more than needed), very little on the wizard, quick spoiler reveal and then he flew off, and Michelle yeoh is just dreadful throughout. The passion between fiyaro and elpheba was a bit awkward and unbelievable, which is a shame. But the friendship between Glinda and Elpheba was strong and emotional, by far the outstanding performance, but nothing else came close. And the music was just a bit rubbish, perhaps we were spoilt in the first.
I think I would've given Wicked for Good a full extra star is Madam Morrible hadn't been performed by an actress as miscast as could be.
Now, I'm not a Wicked Nerd nor am I the biggest fan of musicals per se and neither is Michelle Yeoh, I have found out.
I actually liked the first Wicked, even though I wasn't a fan of Yeoh's performance; it was not as bad as could be.
Wicked part II was always going to be the lesser of the two films, simply because the first act of the musical has a more enjoyable plot and way nicer songs.
However, I wanted to give this film a fair chance.
Sure, the characters are, and their development is, quite questionable, but the film overall is enjoyable. Except whenever Madam Morrible opens her mouth.
And don't get me wrong; I think Michelle Yeoh is a wonderful and amazing actress. Just not in this role.
The sets and costumes are great. Lighting is good, but not as good as the first and the performances are excellent (apart from one).
Now, I'm not a Wicked Nerd nor am I the biggest fan of musicals per se and neither is Michelle Yeoh, I have found out.
I actually liked the first Wicked, even though I wasn't a fan of Yeoh's performance; it was not as bad as could be.
Wicked part II was always going to be the lesser of the two films, simply because the first act of the musical has a more enjoyable plot and way nicer songs.
However, I wanted to give this film a fair chance.
Sure, the characters are, and their development is, quite questionable, but the film overall is enjoyable. Except whenever Madam Morrible opens her mouth.
And don't get me wrong; I think Michelle Yeoh is a wonderful and amazing actress. Just not in this role.
The sets and costumes are great. Lighting is good, but not as good as the first and the performances are excellent (apart from one).
The pacing in this film doesnt quite hold attention like the first. For some reason the set pieces still look good but also seem a bit smaller somehow? Or less detailed maybe? Not sure but there felt like a lot of more obvious cgi in this one. There was no real main hit song like the first one had and they were all a bit less memorable so that was disappointing, possibly aside from no place like home. I was personally happy with the ending. All of these 10s are embarrassing this film was not at all visually stunning and was hard to hear regularly. Obviously die hard wicked fans who would give anything wicked a 10. If youre not a serious man wicked fan this isnt a good movie.
Wicked: For Good (2025)
Directed by Jon M. Chu
Adapted for the screen by Winnie Holzman and Dana Fox, from the Broadway musical by Stephen Schwartz and Winnie Holzman , based on the novel by Gregory Maguire, from a story by L. F. Baum.
-
Even at the onset of production on the film adaptation of "Wicked" back in December 2022, it was beset by criticisms as to why there was a need to expand the 2hr and 45-minuter smash Broadway play into two movies with about more or less the same runtime.
But last year's "Wicked:Part One" was such a critical and commercial smash, these concerns fell by the wayside. Its 2hr 17 minute runtime flew swiftly by like a witch on a broom on a mission of doom. It left audiences wanting for more, seemingly proving that there may have been some wisdom splitting Acts 1 and 2 of the source material into separate films.
Alas, the much-anticipated conclusion of the Ozian saga might prove the naysayers right, after all.
"Wicked: For Good" opens and ends with many callbacks to the first film - a fairly standard aspect of sequels and remakes. While it isn't distracting, it is also obvious that "For Good" is retreading grounds already covered.
"For Good" also feels bloated and sluggish as it lumbers toward a genuinely heartbreaking scene between Elphaba and Glinda near the end. However, none of the other supposedly-emotional numbers, particularly the titular "For Good," tugged at my heartstrings the way the Broadway original did. I think it was because the singing and phrasings felt a little off in places. The simpler renditions of the Broadway versions followed a straight line to the feels; Grande and Erivo's emotional recitatives and line breaks don't feel like contrivances, but they felt like needless detours that did take me out of the moment.
Sometimes, simpler truly is better.
The two brand-new Stephen Schwartz songs, created for Oscar consideration - "No Place Like Home" and "The Girl in The Bubble" - are forgettable ballads that lack the instant musical hooks of the rest of the original songs. They also don't fit organically into the story.
Visually, "For Good" has nothing fresh or new to offer, due to the fact that both installments were shot at the same time and must necessarily hew to a consistent visual palette. Jon M. Chu's fantastical sets, costumes, and CGI remain impressive, but with the possible exception of the Kiamo Ku castle environs - where we spend too little time in - and Glinda's sumptuous Art Deco Ozian apartments, we've seen everything before.
Familiarity, contempt.
"Wicked: Part One" had far more energy, verve, and delight overall. Yes, it's fairly common knowledge that Act 1 contains much of the fun, whimsy, and musical bangers of "Wicked: The Musical," and Act 2 is more somber and dark but features the more emotionally-wrenching numbers. But I could feel the padding in the first half of "For Good," before it rushed to its conclusion in the second half.
The characters from "The Wizard of Oz" appear briefly here same as in the musical, but their presence in the film somehow feels even less substantial yet more intrusive than in the source material. I understand Dorothy is necessary for the story's denouement, and featuring her as a new fleshed-out character would bog down the film even more, but still.
The film also missed the chance to address some of the musical's plot holes, which are made even more glaring on the big screen. Like, why did the Cowardly Lion fear Elphaba, his original rescuer? There was likewise no resolution to the Tin Man's displaced rage at his creator. Neither were the Witch Hunters a credible threat whatsoever. All of them were just there for one musical number, then vanish from the narrative.
The addlepatedness of certain character decisions also become magnified on the big screen. In the famous wheat field standoff between Elphaba, Glinda, Fiyero, and the Emerald City Guardsmen, the Witch - now commanding the Flying Monkeys - could've made short work of the troops. Instead, they all fly off after Fiyero trades for Elphaba's release and simply leave him to his fate.
Now, I adore both Grande and Erivo, and Jon M. Chu - who I didn't think much of previously - made a believer out of me. But I don't think "Wicked: For Good" is going to get them their Oscar flowers, for many reasons. One is that the momentum of the thrill of finally seeing "Wicked" realized on screen has largely abated; 2025 featured many other movies that have stolen potential Oscar thunder and audience buzz. If Chu had compressed the story into a 3.5 or even 4-hour film, "Wicked" would've felt like a truly epic film in scope and duration, rather than two discrete installments, one of which will always be stronger than the other. And the Oscar chances for him and his two leads would've been much more great and powerful.
Grande and Erivo still convey an authenticity that informs their performances, undoubtedly as a result of their real-life friendship over the course of making these films three years past. But as far as characterizations go, I felt Glinda's changes of heart and character growth were more compelling in Part 1. Ditto Elphaba's character arc.
Here, the pair have pretty much settled into their roles as dueling leads, albeit tempered by a sincere love and palpable affection for each other. The passage of an entire year in real time - with its genuine real-world drama and challenges - hasn't dampened my desire to see the resolution of this fictional but fantastic friendship, because I did ugly cry at THAT door scene ( you'll know when you see it. )
But it's a little too little, and a little too late in the film, for me.
"Wicked: Part One" will always be one of my favorite all-time movies, the same way "Wicked The Musical" will always be in my Top Three.
I wouldn't say "Wicked: For Good" isn't any good.
It's just not as good as the first time.
-
Even at the onset of production on the film adaptation of "Wicked" back in December 2022, it was beset by criticisms as to why there was a need to expand the 2hr and 45-minuter smash Broadway play into two movies with about more or less the same runtime.
But last year's "Wicked:Part One" was such a critical and commercial smash, these concerns fell by the wayside. Its 2hr 17 minute runtime flew swiftly by like a witch on a broom on a mission of doom. It left audiences wanting for more, seemingly proving that there may have been some wisdom splitting Acts 1 and 2 of the source material into separate films.
Alas, the much-anticipated conclusion of the Ozian saga might prove the naysayers right, after all.
"Wicked: For Good" opens and ends with many callbacks to the first film - a fairly standard aspect of sequels and remakes. While it isn't distracting, it is also obvious that "For Good" is retreading grounds already covered.
"For Good" also feels bloated and sluggish as it lumbers toward a genuinely heartbreaking scene between Elphaba and Glinda near the end. However, none of the other supposedly-emotional numbers, particularly the titular "For Good," tugged at my heartstrings the way the Broadway original did. I think it was because the singing and phrasings felt a little off in places. The simpler renditions of the Broadway versions followed a straight line to the feels; Grande and Erivo's emotional recitatives and line breaks don't feel like contrivances, but they felt like needless detours that did take me out of the moment.
Sometimes, simpler truly is better.
The two brand-new Stephen Schwartz songs, created for Oscar consideration - "No Place Like Home" and "The Girl in The Bubble" - are forgettable ballads that lack the instant musical hooks of the rest of the original songs. They also don't fit organically into the story.
Visually, "For Good" has nothing fresh or new to offer, due to the fact that both installments were shot at the same time and must necessarily hew to a consistent visual palette. Jon M. Chu's fantastical sets, costumes, and CGI remain impressive, but with the possible exception of the Kiamo Ku castle environs - where we spend too little time in - and Glinda's sumptuous Art Deco Ozian apartments, we've seen everything before.
Familiarity, contempt.
"Wicked: Part One" had far more energy, verve, and delight overall. Yes, it's fairly common knowledge that Act 1 contains much of the fun, whimsy, and musical bangers of "Wicked: The Musical," and Act 2 is more somber and dark but features the more emotionally-wrenching numbers. But I could feel the padding in the first half of "For Good," before it rushed to its conclusion in the second half.
The characters from "The Wizard of Oz" appear briefly here same as in the musical, but their presence in the film somehow feels even less substantial yet more intrusive than in the source material. I understand Dorothy is necessary for the story's denouement, and featuring her as a new fleshed-out character would bog down the film even more, but still.
The film also missed the chance to address some of the musical's plot holes, which are made even more glaring on the big screen. Like, why did the Cowardly Lion fear Elphaba, his original rescuer? There was likewise no resolution to the Tin Man's displaced rage at his creator. Neither were the Witch Hunters a credible threat whatsoever. All of them were just there for one musical number, then vanish from the narrative.
The addlepatedness of certain character decisions also become magnified on the big screen. In the famous wheat field standoff between Elphaba, Glinda, Fiyero, and the Emerald City Guardsmen, the Witch - now commanding the Flying Monkeys - could've made short work of the troops. Instead, they all fly off after Fiyero trades for Elphaba's release and simply leave him to his fate.
Now, I adore both Grande and Erivo, and Jon M. Chu - who I didn't think much of previously - made a believer out of me. But I don't think "Wicked: For Good" is going to get them their Oscar flowers, for many reasons. One is that the momentum of the thrill of finally seeing "Wicked" realized on screen has largely abated; 2025 featured many other movies that have stolen potential Oscar thunder and audience buzz. If Chu had compressed the story into a 3.5 or even 4-hour film, "Wicked" would've felt like a truly epic film in scope and duration, rather than two discrete installments, one of which will always be stronger than the other. And the Oscar chances for him and his two leads would've been much more great and powerful.
Grande and Erivo still convey an authenticity that informs their performances, undoubtedly as a result of their real-life friendship over the course of making these films three years past. But as far as characterizations go, I felt Glinda's changes of heart and character growth were more compelling in Part 1. Ditto Elphaba's character arc.
Here, the pair have pretty much settled into their roles as dueling leads, albeit tempered by a sincere love and palpable affection for each other. The passage of an entire year in real time - with its genuine real-world drama and challenges - hasn't dampened my desire to see the resolution of this fictional but fantastic friendship, because I did ugly cry at THAT door scene ( you'll know when you see it. )
But it's a little too little, and a little too late in the film, for me.
"Wicked: Part One" will always be one of my favorite all-time movies, the same way "Wicked The Musical" will always be in my Top Three.
I wouldn't say "Wicked: For Good" isn't any good.
It's just not as good as the first time.
'Wicked: For Good' Stars Through the Years
'Wicked: For Good' Stars Through the Years
From Harriet and The Legend of Sleepy Hollow to "Scream Queens," check out the TV and movie roles of Cynthia Erivo, Jeff Goldblum, Ariana Grande, and more stars of Wicked: For Good.
Você sabia?
- CuriosidadesWicked (2024) first announced it would be split into two films in April 2022, with composer Stephen Schwartz explaining: "The truth is we tried for some time to make it one movie (which) required us to cut or omit things we wanted to include that we believe fans of the show and story will appreciate." He added, "We found it very difficult to get past 'Defying Gravity' without a break. That song is written specifically to bring a curtain down, and any scene that follows it without a break just seemed hugely anti-climactic."
- Erros de gravaçãoWhen Elphaba takes Fiyero to her hideout and starts singing "As Long as You're Mine", he unbuttons his shirt. In some shots the shirt is unbuttoned down to his chest, in others, it's closed to his neck.
- Cenas durante ou pós-créditosThe Universal Pictures logo used is the 1937-47 version, in tribute to the era when O Mágico de Oz (1939) was released, appearing in a zoom-out shot used by the current logo. The logo is also in green and pink, the colors of the main characters Elphaba and Glinda.
- ConexõesFeatured in Animat's Crazy Cartoon Cast: Chip n' Dale: A New Legacy (2022)
- Trilhas sonorasEvery Day More Wicked
from the Broadway Musical "Wicked"
Music and Lyrics by Stephen Schwartz
Copyright (c) 2003 Stephen Schwartz
All Rights Reserved. Used by permission of Grey Dog Music (ASCAP)
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- How long is Wicked: For Good?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Wicked: For Good
- Locações de filme
- Inglaterra, Reino Unido(location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 333.008.650
- Fim de semana de estreia nos EUA e Canadá
- US$ 147.004.640
- 23 de nov. de 2025
- Faturamento bruto mundial
- US$ 505.922.446
- Tempo de duração
- 2 h 17 min(137 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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