Rei Arthur: A Lenda da Espada

Will keep it short and simple. If you don't get/understand the (British) humour (i.e you don't think the jokes are funny), dialogue and fast "flashbacky" editing style presented in Lock Stock and Snatch, you will hate this movie. Easy as that. For us who understand what constitutes a Ritchie movie will be more likely than not, like the movie.

Let's be clear: this contains very few aspects of the actual Arthur legend. They probably should have just gone for a wacky original medieval fantasy film instead. That being said, I didn't expect Ritchie's style to work this well here. And he hasn't been this crazy since Snatch. Some montages are so breathless, fast and innovative as far as editing and soundtrack go, it's a pleasure. Sure, the plot follows the genre conventions more or less, and the finale is a bit heavy on CGI. On the other hand the assassination attempt sequence is fantastic and the portrayal of magic pretty cool. Hell, I had fun with this.

I believe this movie would have been a master piece of a series due to the huge amount of event packed into 2 hours, but this is no criticism on how great the movie is and how the numbers of this site doesn't do it justice. 90% of the negative reviews comes under the lame excuse of "that's not how king Arthur is supposed to be". If you actually want a movie where you know everything already starting from the story, characters and twists then I'd call you the stupidest ever. Yes this isn't your typical king Arthur movie, and that adds even more to the awesomeness of it.amnt saying the movie is flawless, no movie is, but it was great starting from acting, animation, story, music tracks, everything. Again would have been better off it was a series and I hope there would be a sequel including the knights of the round table, sure Lancelot and some dramatic betrayal or even Arthur's betrayal himself to the kingdom.

The elephant in the room is... well, there are lots of elephants in the room; let's be honest.

Before I expound further, let me say this: if you like the movie's trailers, like a fair bit of action but don't particularly care about how every bit of it fits into a story, don't particularly care about the traditional legend(s) of King Arthur, like a bunch of fantasy mixed in, and plenty of (now run-of-the-mill) CGI, you might like this movie. Reading further may unnecessarily dissuade you from watching it.

Of course, if you've seen the trailers, you know that there really are (ridiculously large, CGI) elephants in the film. The other, proverbial, elephants in the room are how far the movie strays from the legendary King Arthur story.

Now, in fairness, legends (King Arthur, in this case) being what they are, it is difficult to know where reality ends and fantasy begins. Nonetheless, even though the legend has changed somewhat over the years (as legends are wont to do), this movie bears little resemblance to the story that moviegoers familiar with Arthur will expect.

Merlin? Rendered unimportant and replaced by a (gender-PC?) beautiful female mage, who remains nameless. (I suppose the lack of a name was supposed to lend some air of irresistible mystery to her. It failed, miserably.) (sigh)

Bedivere, the handsomest of Arthur's knights (almost in the entire land), one-handed, he of the muscular build? Well, at least he had the build. Some, including Bedivere, were obviously cast in a fit of PC multiculturalism. Please. Save it for where it makes sense.

Guinevere? Lancelot? Missing. David Beckham managed to land a spot, though. Go figure.

I read Ritchie's bio here on IMDb. It's stated there that Ritchie thought film school graduates made "boring and unwatchable" films. His disdain for the work of others seems to go beyond those who've studied film art. Huh. That doesn't stop Ritchie from leaning on the creations of others to sell a flick.

Ritchie has a flashy -- often manic -- presentation style. I'll give him some benefit of doubt in presuming that he does so in an effort to create a sense of action. Unfortunately, it often serves more to make stories incoherent.

In watching Richie's Sherlock Holmes re-imaginings, I couldn't shake a feeling of Ritchie's lack of respect for Doyles' Holmes. I get the same sense of lack of respect for traditional tales of King Arthur.

I could go on and on, picking the film apart, but all of it boils down to the simple appearance that Ritchie is simply capitalizing on the popularity of someone else' story -- King Arthur and the legend of Excalibur -- by using the name in the title, then remaking the entire story to suit a flight of his fancy.

Ritchie might as well have just left the sword out of the story and dropped the name of Arthur from the story -- and title. Then he could have gone anywhere he wanted with the story without disappointing moviegoers drawn in by the title. It might have stood on its own as a fair (by no means great) action/fantasy film. As a retelling of the King Arthur legend, it is a disappointment.

On second thought, considering Richie sold the idea to the movie studio as King-Arthur-meets-The-Lord-of-the-Rings, perhaps he should have just named the movie accordingly. Then the Tolkien influence (and the use of Tolkien's oliphants) would make much more sense. Then, too, moviegoers would know better than to expect a movie simply about the King Arthur legend, which the current title implies.

'King Arthur: Legend of the Sword' left me somewhat on the fence. It is much better than some critics have said, being nowhere near among the worst films seen so far this year, but it to me doesn't quite warrant the vehement defence it's garnered too.

Guy Ritchie's best? Not by a long shot. His worst? Nowhere near, nothing is worse than 'Swept Away'. 'King Arthur: Legend of the Sword' could have been much better but it's hardly a film with no redeeming qualities and there are far worse films around. Then again this is coming from somebody who tries to observe and talk about redeeming qualities even in really bad films (for instance 1 and 2 out of 10 ratings are pretty rare, and am generally giving out 10/10s a little less).

There are strengths with 'King Arthur: Legend of the Sword'. The costumes, scenery and production design are pretty audacious while never having a fake or too clean look, one does get sucked into the atmosphere and setting of the film and can feel the authenticity. The rousing, rich in energy and thrilling music score is a strong contender for the film's best asset.

Some nice humorous lines, some exciting and innovatively choreographed action and a mix of coarse realism and a mythic touch are further things to like. The story is never dull, actually mostly having a vibrant energy, as such and is just about easy to follow if not perfect in execution, do admire it though for putting a new spin on a timeless but old story sometimes in need of more freshness when adapted.

Charlie Hunnam has an easy-going and steely charisma in the title role, and he is perfectly matched by dignified Dijimon Hounsou and particularly a sinister but surprisingly rootable Jude Law as the villain of the piece.

However, Ritchie's direction has a tendency to be chaotic and overdone, while the shaky camera work is some of the most excessive of any film to use it seen recently and the editing has an awkward jerkiness that can feel nauseating. Special effects are a mixed bag, some are good, others are very artificial looking and reminiscent of a low-budget video game.

While there are good performances here, Astrid Bergès-Frisbey is pretty wasted in an underwritten role and David Beckham is dreadfully out of place with his amateurish acting standing out like a sore thumb. Generally the characters could have been better written, some needed more development and others needed their motivations expanded upon and made much clearer (particularly the titular character). The most interesting in fact is Vortigen.

Parts of the story do work well, but there are other times where the pacing could have slowed down and that there could have been less going on, some of it felt too frenetic and bloated.

In conclusion, better than expected but less than legendary. 6/10 Bethany Cox