Rush: No Limite da Emoção

This is an amazing film. I can't recommend it highly enough for F1 fans like me, sports fans, or anyone interested in a story of rivalry i.e. something different to the unoriginal junk movies which get churned out each year.

All the crew involved should pat themselves on the back. They've done a fabulous job making this film critique, explore and honour two memorable F1 drivers.

James Hunt's fun, party lifestyle along with his brash and raw driving talent. This is contrasted against Niki Lauda's methodical thinking, technical brilliance and professional lifestyle. These two characters are total opposites but as their lives are explored it also acknowledges the value of an enemy, i.e. something to beat. I believe this is a commentary on human nature in that the best of us shines when we have something to beat or overcome.

Do yourself a favour and see it now.

Despite not being an auto racing fan, the stories of the rivalry between James Hunt and Niki Lauda and Lauda's accident are well known and on research was big news in the 70s.

'Rush' did seem intriguing, Ron Howard has done some good work in the past and my sister and her boyfriend absolutely raving about it. However having no knowledge of auto racing and having never found it my cup of tea there was a touch of intrepidation. As well as the worry as to whether there was going to be any bias and whether it was going to stray from the facts. After watching 'Rush', this viewer is so glad that she gave it a chance because it was a gripping and entertaining film from start to finish, and quite easily Howard's best work in some time.

Some occasional rushed pacing and some weak dialogue, that lacked flow, sounded awkward and stuck out like a sore thumb against everything else that was done to such a professional level, were the only drawbacks to overall one of 2013's better films. The time period is very evocatively depicted, there is a real sense of time and place, there is wonderful vibrant colour throughout, the editing is slick, clever and gives the race scenes the thrills they need and the photography is similarly audaciously slick and like the cinematographer was part of the action itself, especially good in the climactic Japanese race sequence. Hans Zimmer's score is not his best work by all means, but it went with the racing theme remarkably well and does capture the mid-70s time period and the atmosphere of the sport to such great effect (again the final race in Japan stood out). The sound effects also help, having a real authenticity.

For a film about auto racing, one does have to talk about how 'Rush' deals with the race sequences. The good news is that they are absolutely thrilling and keeps one to the edge of their seat, while all of them are brilliantly done, showing how glamorous and also dangerous the sport is (not many sports films I've seen have properly and fully captured the spirit of the sport it's portraying in the way Rush did) the highlight is the climactic Japanese race, which was both exhilarating and moving (masterful if having to sum it up in one word). Howard not only depicts the mid- 70s as if the viewer were transported back in time and part of the period (such was the evocativeness of the atmosphere) and adopts a visual style that never looks cheap and as said like the cinematographer was there part of the action, but he shows here that he knows how to tell a story. The storytelling is always compelling, thoughtful, informative and thrilling with a surprising amount of emotional impact, found myself really identifying with Lauda.

The film is faithful to the facts, the rivalry between Hunt and Lauda is genuinely engaging and are shown a lot of respect and dimension here. Neirher Hunt or Lauda are one-dimensional here and, although Lauda is the more sympathetically drawn of the two, one does not takes sides with one or the other. It also is tightly paced and assured, never getting bogged down in too much back story, too much soap- opera, too much sentimentality or technical jargon/minutiae (that would likely have gone over the heads of first-time viewers or non-fans of the sport). All the supporting performances are well-done, though some with not much to do, with Olivia Wilde and Christian McKay faring the strongest.

It is however the two leads that carry 'Rush' cast wise, both of them as close to perfect as one can get. Daniel Brühl gives Niki Lauda a real brooding intensity and genuine poignancy, making it very easy to feel sorry for him, while swaggering Chris Hemsworth has never been better as Hunt.

All in all, a gripping and hugely entertaining film. Has its imperfections but they are far outweighed by the number of things 'Rush' does right. 9/10 Bethany Cox

Mr. Ron Howard is a great story teller, this movie is about human nature, love and tears.

It is difficult to make a good movie about car racing, especially to make one for the time period from 1970 to 1976. I don't know how they did it to bring those old F1 cars back to life. You will feel like you are really there watching the racing, it's really unbelievable.

It is truly touching to see each character played their perfect role for this movie, Chris Hemsworth did a great performance, he is such a talented and devoted actor. Daniel Brühl also did a great job on portraying the eccentric and unsociable legendary F1 driver Niki Lauda.

A great movie is like having a great meal, a good starter, a good soup/salad, a good main course and a good dessert, well balanced. Rush is that good meal, it's a fun ride!

I have to say I really enjoyed watching this movie. Thank you Mr. Ron Howard for making this masterpiece.

I never thought I would ever watch a Ron Howard movie again much less write a good review of one.

Howard hasn't made a movie since "Parenthood" that has not bored me to tears and almost angered me with its pedestrian refusal to take any risks. He's turned into a lesser version of Steven Spielberg -- his films are just as maudlin and emotionally manipulative, but they lack Spielberg's technical panache.

However, the great reviews of "Rush" and the awards attention that swirled briefly around Daniel Bruhl got my butt in the seat for it, and I was surprised by actually liking it. It's a lean, mean telling of the intense rivalry between race car drivers James Hunt and Niki Lauda. You don't need to care much about race car driving (I certainly don't) to enjoy the story, particularly that of Lauda, who overcame a devastating accident to return to the track. Bruhl is as good as everyone said he was at the time, and Chris Hemsworth, as Hunt, is serviceable if nothing special. This is still a Ron Howard film, so don't expect it to push any boundaries, but it's much more technically daring than anything else he's made, the cinematography and editing putting the audience in the driver's seat more than once.

Grade: A-

A super cool movie Beautiful story and wonderful acting main actors