A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman

A Liars Autobiography is a celebration of the life of the elusive and eccentric Graham Chapman. The film is narrated by Chapman himself (he had recorded audio tapes of his memoirs) and the animation alone is a visual feast. It varies in style which suggests that aside from the obvious comedy, the film is much more perceptive and sophisticated than on first glance.

Chapman led a surreal life and was known by the people that knew him as anything but one dimensional. The film depicts just that as well as the reality that perhaps Chapman himself didn't really know who he was. The sequence I most enjoyed was the one depicting Chapman's alcohol withdrawal symptoms, handled with sensitivity and complemented by the eerie & Burton-Esq animation of insects crawling around Chapman whilst he lies in bed, this is a sequence that adds yet another layer to Chapman's identity.

You don't need to be a Monty Python fan to appreciate this film; its sheer brilliance lies in the animation and it's psychedelic depiction of one of the most iconic Pythons. A pleasurable watch, highly recommend.

Having just read the book days before watching the film i felt it was a fun and entertaining interpretation of Graham Chapman's zany autobiography. The animations were good (even if I liked some more than others) and even gave a better visual context to some of the parts in the book that i got a little lost on. The voice acting was enjoyable but the "Cameron Diaz as Freud" part ran a little long in my opinion. All in all I thought it was a pretty enjoyable and interesting endeavor.

I'm a big Monty Python fan but I haven't yet read A Liar's Autobiography (Volume VI).

I was very disappointed with the film as it lacks any of the Monty Python charm. It feels more like a Spike Milligan book, but lacking that crucial, undefinable charm which draws you into a madman's world. It only made me wistful to watch some actual Monty Python. However there is somewhat of a spooky feel in that the film is narrated by Graham Chapman himself, who became an ex parrot in 1989.

The film is mostly animated using multiple styles of animation. Fans of Terry Gilliam animation will be disappointed to see a lack of this style though. There are a number of very crude jokes and references in this film, again lacking the charm to make them truly funny.

The film is somewhat reminiscent of the film Yellow Submarine (1968) and perhaps a sober state of mind is not recommended when watching this film. I highly recommend the Spike Milligan novels as well as any of the Monty Python films or shows.

Graham Chapman was erratic, flamboyant and, so close friends attest, somewhat unknowable. Before his death in 1989, The comic and Monty Python member completed a bizarre book full of his singular humour, formative experiences recounted in typically skewed fashion, surreal fabrications, and hints towards his struggle with alcohol (he was known to drink several pints of gin daily).

As animation producer Justin Weyers disclosed during the aforementioned workshop, the production team, headed by directors Bill Jones, Jeff Simpson and Ben Timlett, required a certain scope and diverse approach to do justice to the subject matter. What resulted is a patchwork of various animation methods from fourteen different creative teams, helped along the way by vocal contributions from the Pythons, and sewn together with occasional film and interview clips.

The film leaps briskly between animation methods, including cell techniques and stop motion, all converted into stereoscopic 3D. This may sound a jarring and disparate visual style, and it sometimes is. But the piece is helped enormously by the audio narration Chapman recorded of his book, which ties the threads together and drives the whole thing along. There is a clear standout aesthetic, achieved by oil painting every frame onto glass. Wielding rich, textured results, this visual style illustrates the darkest portion of the film, concerning Chapman's attempts to confront his alcoholism. These scenes were so striking it's almost a shame when the section utilising this method drew to a close, other animation styles seeming comparatively flat.

Other highlights arrive in the form of recounted Python meetings in which the comics are for some reason reimagined as monkeys, comically graphic sex scenes, and surreal flights which variously find the comedian wandering around space, and sipping spirits with the Queen. There's an evident attention to craft throughout.

As to be expected from this sort of project, there are sections which don't work as well as others. A stern talking to from a stop motion Sigmund Freud, voiced by Cameron Diaz (who else), is a disappointingly dry episode. On the whole, this is a camp and absurd, sensitively crafted film, at turns irritating, but ceaselessly creative; a fitting tribute to an unpredictable, distinct talent.

www.theframeloop.com

Was this film put together by several committees? What a disappointing 'tribute' to a great talent! The animation styles were all over the place. Nothing cohesive. It was as if multiple committees of individuals, who never met, had decided to produce different parts of the film without consulting each other. It looks like multiple animation 'artists' were trying to show off their styles of animation without respect to the purpose of the film. What a visual mess! Such a disappointing 'tribute'(?!) to one of the greatest talents in British comedy. It is a disappointing example of 'style over content' A thoroughly disappointing film :-(