Vuelve

Excellent thriller with moments of supreme drama, spectacular performances. Exceptional music, photography ... all whole and yet is beautiful dark. Ivan Noel as he usually does to its magnificent productions, which combines situations, images, music, all in a singular excellence. With a superb script, keeps us all looking forward the movie. Great performances from the smallest detail with beautiful places. Once again the genius of director through the screen to the spectator and have him caught from start to finish. A thriller that lovers of director movies not to be missed. Taken with the difficult issues Myor naturality and care. Simply brilliant.

The title, Vuelve, means come back or (he or she) comes back. The storyline: a couple, Sofía and Gregorio live with their son Gabriel in a large property, formerly a convent near the town of Jesus María, Córdoba province. Sofia is mentally disturbed; she suffers of Cotard's syndrome (defined in the initial screen). Gabriel, who is very attached to his mother begins to shows signs of mental deterioration too. The situation is worsened by Gregorio's discovery that he has not clear rights to the property and faces the possibility of expropriation and eviction.

The movie begins auspiciously. It lays out subtly an atmosphere of dread and anxiety. Unfortunately, it veers into horror movie territory near the end. There also inconsistencies in the script (by the director). It is not understandable that Gregorio should leave his child, unsupervised in exclusive care of his mother and then alone. Gregorio seems to take care of a vast building on vast grounds with only one gardener and no domestic help. And so on.

On the positive side, cinematography (by the director) is good, very good in some scenes. Acting is good as well and music (by the director) is unobtrusive and fits the action. On the whole, however, a disappointing movie.

Another masterpiece from Ivan Noel. Beautifully filmed and haunting story that will stay with you long after the closing credits. If you like your movies simple and predictable, this is not the movie for you. But if you are willing to venture outside your comfort zone just a bit and have your senses challenged, you'll be richly rewarded. What seems to be a simple tale of a family living in an old monastery slowly leads you down a path of breath taking twists and turns. A traumatic event sets a chain of tragic events in motion, leading to a magnificent finale. Renzo Sabelli, the young actor who plays the (aptly named) boy Gabriel puts in an amazing, believable performance for one so young.

A raw but a real description of how a sickness can replace a healthy reality. I like how the director manage to show us a dark part of life. Thru the image, dare to bring a taboo subject, to make us realize, that this is to an important aspect that is not proper managed by us, people. In some parts felt like a documentary, or like a visual journal, delivered almost ' umbilical ' by the mother and son. This is how i like mostly the european movies despite us american movies. American movies are to commercial

In the middle of nowhere there is an old monastery, where a boy lives with his parents. His beloved mother is unstable and commits suicide, his father is aloof. At the same time, the real mother of the boy is approaching, but without success...

This is a magnificent, unique film about the torments of a young teenage boy, combined with elements of myth, roots of fairy tales, dream, and incredibly good music. Images and sequences like Caravaggio-paintings.

When you'd ask me how to compare this film, the answer would be really difficult. Trying a personal, clumsy, incomplete answer: Imagine a mixture of some images resulting from Thomas Mann's greatest novels (Buddenbrooks, The Magic Mountain) + the sinister parts of "Fanny and Alexander" by Ingmar Bergman + minor touches of "The Tree of Life" by Terrence Malick + some sketches of da Vinci ...