AVALIAÇÃO DA IMDb
5,7/10
18 mil
SUA AVALIAÇÃO
Um grupo de soldados russos luta para manter um edifício estratégico em sua cidade devastada contra um exército alemão impiedoso e, no processo, se conectam profundamente com duas mulheres r... Ler tudoUm grupo de soldados russos luta para manter um edifício estratégico em sua cidade devastada contra um exército alemão impiedoso e, no processo, se conectam profundamente com duas mulheres russas que lá vivem.Um grupo de soldados russos luta para manter um edifício estratégico em sua cidade devastada contra um exército alemão impiedoso e, no processo, se conectam profundamente com duas mulheres russas que lá vivem.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 9 vitórias e 13 indicações no total
Thomas Kretschmann
- Kapitan Kan
- (as Tomas Krechmann)
Heiner Lauterbach
- Khenze
- (as Khayner Lauterbakh)
Anna von Haebler
- Nina
- (as Anna von Abler)
Yuriy Nazarov
- V roli navodchika
- (as Yuriy Vladimirovich Nazarov)
Petar Zekavica
- Yurgens
- (as Petar Zekavitsa)
Georges Devdariani
- Kloze
- (as Zhorzh Devdariani)
Philippe Reinhardt
- Gotfrid
- (as Filipp Reynkhardt)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
When I seen the trailers for this movie, I was gob-smacked. The superb VFX suggested an epic movie about the battle for Stalingrad. Great, this was going to be like "The Longest Day" or one of the other huge classic World War II movies. After the initial opener set in another part of the world, we get to Stalingrad. After some opening battle scenes which are very well done indeed, the realization sets in that what looks like an epic movie is in fact one set around a square in the city, and mainly on the now famous Pavlov's House. The events depicted are set before The Russians encircled The Germans, so we don't get to see the sight of half starved Germans. The movie settles into segments where the Russian heroes all seem to be obsessed with gaining the attentions or affections of 15 year old Russian civilian girl (Natashka) who bravely stayed in her home despite the carnage visited on the city. The apparent intention of the movie to show a love story set in Stalingrad isn't properly thought-through, simply because the hero who eventually wins Natashka's heart is a bolt out of the blue, with little in the way of cluing-in the viewer as it develops. We are left disengaged and wondering what and why about this. Thomas Kretschmann plays German officer Peter Kahn, whose main priority seems to be with a Russian woman (Masha) who reminds him of his wife who died in an air raid back in Germany. He literally puts aside all common sense and military discipline with his obsession for Masha. He defies orders, displaying little interest in the battle and risking court-martial and the firing squad. There are many good things about this movie. The VFX and sound are amazing, absolutely first class and up there with the very best. The realism they crammed into the VFX just has to be seen and appreciated. The German Panzer tanks are in fact a single Russian T34 disguised as a Panzer IV and then replicated by the VFX team into several more Panzers. Others have mentioned that Panzer IV tanks of 1942 didn't have the protective metal skirts shown in the movie, but to me that is nit-picking. The German aircraft flying overhead and the flak coming up at them is an amazing scene, as is the one where we see a damaged plane coming in and crash landing in the square. The hand to hand fight scenes are very realistic. The period uniforms seem to be quite accurate, especially the German ones. The general appearance of the uniforms is welcome and shows them grubby and dusty, which makes a welcome change from the unrealistically shiny boots and helmets in the thick of battle that we see in many war movies. Great attention to detail has been given to this. We get some aerial views of the banks of the Volga and the VFX period-recreated city damaged and on fire, which is very satisfying. They give the viewer a tantalizing glimpse and feel of how close the Germans came to victory. While overall I don't think this was a bad movie at all, I do think an opportunity to expand it more was lost. I watched this with sub-titles and the quality of translation is pretty poor in places, with small mistakes that I found annoying. There really is little excuse for this. For me, the VFX team saved the day. Their work and that of the make-up people is a credit to them and helps make this movie visually better than it otherwise deserves to be. I am giving this movie a 7 as a mark of respect and appreciation for the work the VFX and make-up team did. There is a short (about 9 minutes I think) "VFX Making Of" on Youtube that I highly suggest watching as it shows how the VFX was done.
I liked the movie! It shows ordinary people that became heroes within extraordinary circumstances. The battle scenes are astonishing and professionally shot. I watched many documentaries about Stalingrad defense and even the German veterans admitted that the Russian soldiers crashed them in combats. Kretschmann was perfect in his decadent role also. Movies about Russian heroic resistance could be made only by Russians themselves. As a total I don't think that this movie deserves worse rating than "Saving private Ryan" or "Enemy at the gates". In fact, the movie shows the Russian perception of the war. Some could find it propaganda, but having experienced in documentary literature and movies about Stalingrad siege and defense, for me the movie shows the real status of the war with modern cinema weapons!
Unfortunately, this movie turned out to be what I expected from a Russian produced film about the Great Patriotic War. The film depicts the heroic soldiers and sailors of the Soviet Union fighting to the death the barbaric fascist invaders. The Soviet defenders are almost all saintly; one is even nicknamed Angel. The Germans are all beastly underlined by the atrocities they commit on screen against the surprisingly large number of Russian civilians living in the middle of the battlefield. This movie compares unfavorably with the German produced movie Stalingrad and Enemy at the Gates because of its simplicity. The only scenes that I found interesting showed the Germans preparing to attack and those which depicted the Soviets crossing the Volga. I have great difficulty recommending this movie especially considering alternatives.
In the present days, a Russian rescue team is saving lives in Japan after a tsunami. They find survivors and their leader calm a youngster down telling the story of his five fathers.
In 1942, a group of Russian soldiers hold a strategic building in Stalingrad against the German troops to protect the Volga River for the crossing of their comrades. They meet the seventeen year-old teenager Katya (Mariya Smolnikova) and she becomes the pride and joy of the band. Meanshile, the German Captain Koln (Tomas Krechmann) falls in love with the Russian Masha (Yanina Studilina), who resembles his deceased wife. But love in time of war may be tragic.
The impressive German war movie "Stalingrad" (1993) is one of the best of the genre ever, depicting the bloody Battle of Stalingrad. The Russian "Stalingrad" (2013) is not a remake of the German movie but a melodramatic and corny love story in the environment of the devastated city and heroic attitudes of the Russian soldiers. The CGI, scenarios and battle scenes are top-notch but part of the dialogs may be lost in translation since there are long sentences in Russian that are resumed in one sentence in the subtitle. My vote is six.
Title (Brazil): "Stalingrado" ("Stalingrad")
In 1942, a group of Russian soldiers hold a strategic building in Stalingrad against the German troops to protect the Volga River for the crossing of their comrades. They meet the seventeen year-old teenager Katya (Mariya Smolnikova) and she becomes the pride and joy of the band. Meanshile, the German Captain Koln (Tomas Krechmann) falls in love with the Russian Masha (Yanina Studilina), who resembles his deceased wife. But love in time of war may be tragic.
The impressive German war movie "Stalingrad" (1993) is one of the best of the genre ever, depicting the bloody Battle of Stalingrad. The Russian "Stalingrad" (2013) is not a remake of the German movie but a melodramatic and corny love story in the environment of the devastated city and heroic attitudes of the Russian soldiers. The CGI, scenarios and battle scenes are top-notch but part of the dialogs may be lost in translation since there are long sentences in Russian that are resumed in one sentence in the subtitle. My vote is six.
Title (Brazil): "Stalingrado" ("Stalingrad")
As others have stated here what we though we were going to get with this film was finally an epic film about the battle of Stalingrad on the scale of the likes of A Bridge Too Far - Unfortunately of the three big budgeted movies made of this battle (The other two being the somewhat mishandled Enemy At The Gates and the Excellent German Stalingrad film) this is the worst, which is a shame as it had so much potential.
A group of Russian soldiers find themselves hanging onto a junction house blocking the way to the river which they must defend at all costs, and the Germans occupy the street across from them and continually fail to take it. The Russians all fall for the same girl, Katya, who is the only civilian survivor in the house. The German semi-senior officer (Kretchman) finds himself falling for a Russian woman who reminds him of his dead wife. After a promising start the film settles into over stated Russian melodrama with a huge intrusive score bashing its way into almost every scene making the moments in the film when its actually needed less effective. The film is narrated by the off spring of one of the main characters but I can't but wonder if this was an after thought to actually fill in for the lack of character that everyone seems to possess. Any real meant to fill out the characters bones is really missing from the script and while the acting is not at fault here the blame must lay with the writing and over concept here. True, by this time in the war, men are reduced to all but shadows of their former selves and having them revealed to be more human in fragile moments works at times and is one of the films few strengths but its not enough to save the film from being predictable, hollow and at times frankly boring.
What is out standing about the film is the VFX and Production design which is really first rate. The costumes and details of the period are incredibly accurate and everyone looks like they have been through several years of war already. the look of the film feels great but this cannot save the films many weak points. The Germans are all fairly one dimensional bad guys while the Russians are a little more redeemable but most of their back story always comes in the form of narration and not in their actual actions or dialogue. Some of the characters are a little more interesting than others but on the whole they're a pretty forgettable bunch. The big ending is rather an anti climax and there is no real pay off other than we know someone survived and had a kid who went on to tell the tale of their five fathers, being five characters in this film. (Even though at one point there's clearly six but never mind!)
The battle itself isn't put into any kind of historical context in the film in terms of the impact it had on the war or the change of history that followed. I mean this might as well have taken place in Kharkov or Rostov, save for the shots of the river, it really could have been anywhere, but we're reminded its Stalingrad because of some statues.
Films like A Bridge Too Far, The Longest Day and even the Historically inaccurate but far more watchable Battle Of The Bulge work because they tell the story of a large sweeping battle from beginning to end with and still manage to keep you interested with real characters and interesting moments. Here we have a film that can't make up its mind if its an action film or a love story - it tries to be both and succeeds at neither.
A shameful waste as the talent was clearly there.
A group of Russian soldiers find themselves hanging onto a junction house blocking the way to the river which they must defend at all costs, and the Germans occupy the street across from them and continually fail to take it. The Russians all fall for the same girl, Katya, who is the only civilian survivor in the house. The German semi-senior officer (Kretchman) finds himself falling for a Russian woman who reminds him of his dead wife. After a promising start the film settles into over stated Russian melodrama with a huge intrusive score bashing its way into almost every scene making the moments in the film when its actually needed less effective. The film is narrated by the off spring of one of the main characters but I can't but wonder if this was an after thought to actually fill in for the lack of character that everyone seems to possess. Any real meant to fill out the characters bones is really missing from the script and while the acting is not at fault here the blame must lay with the writing and over concept here. True, by this time in the war, men are reduced to all but shadows of their former selves and having them revealed to be more human in fragile moments works at times and is one of the films few strengths but its not enough to save the film from being predictable, hollow and at times frankly boring.
What is out standing about the film is the VFX and Production design which is really first rate. The costumes and details of the period are incredibly accurate and everyone looks like they have been through several years of war already. the look of the film feels great but this cannot save the films many weak points. The Germans are all fairly one dimensional bad guys while the Russians are a little more redeemable but most of their back story always comes in the form of narration and not in their actual actions or dialogue. Some of the characters are a little more interesting than others but on the whole they're a pretty forgettable bunch. The big ending is rather an anti climax and there is no real pay off other than we know someone survived and had a kid who went on to tell the tale of their five fathers, being five characters in this film. (Even though at one point there's clearly six but never mind!)
The battle itself isn't put into any kind of historical context in the film in terms of the impact it had on the war or the change of history that followed. I mean this might as well have taken place in Kharkov or Rostov, save for the shots of the river, it really could have been anywhere, but we're reminded its Stalingrad because of some statues.
Films like A Bridge Too Far, The Longest Day and even the Historically inaccurate but far more watchable Battle Of The Bulge work because they tell the story of a large sweeping battle from beginning to end with and still manage to keep you interested with real characters and interesting moments. Here we have a film that can't make up its mind if its an action film or a love story - it tries to be both and succeeds at neither.
A shameful waste as the talent was clearly there.
Você sabia?
- CuriosidadesStalingrad is the first Russian movie made completely in 3D IMAX and the first non-North American film in the IMAX format. However, it is not the first 3D movie to come out of Russian territory. The honor goes to "Concert" produced in 1940-1941 in USSR, directed by Alexander Andrievsky, and released on February 4th, 1941.
- Erros de gravaçãoCaptain Kan mentions how he had once been invited to meet Field Marshal Paulus. The problem is the movie takes place in November 1942 and Paulus was only a General at that time. Adolf Hitler didn't promote him to Field Marshal until January 1943, thinking that a Field Marshal would never surrender...He was quite wrong about that, Paulus surrendered to the Russians the very next day.
- ConexõesFeatured in Being George Clooney (2016)
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- How long is Stalingrad?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Stalingrad
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.013.945
- Fim de semana de estreia nos EUA e Canadá
- US$ 510.846
- 2 de mar. de 2014
- Faturamento bruto mundial
- US$ 68.316.452
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