Jogos Vorazes: Em Chamas

There are two types of sequels. On one side you have The Empire Strikes Back (1980) and The The Dark Knight (2008), and on the other you have Jaws II (1978) and Terminator Genysis (2015). Thankfully, Catching Fire falls squarely in the first category. After an exciting, if not entirely fleshed out, first film, Catching Fire delivers on all the promises of intense action, compelling and intriguing story-line and dynamic relationships between the characters that we were all waiting for. The Hunger Games is a series which, conceptually, deserves a well put-together film series. It is a fun and interesting concept which matures with the audience from a usual action-filled romp into a political thriller which can inspire almost anyone. We got what we needed thanks to this wonderful sequel.

In the first film, one of the key issues was the pacing. Many things felled rushed, especially the backstory for the characters which was more or less only seen in brief flashbacks and allusions. The lead up to The Games felt like a formality that they needed to get through so they could show us the action. This is understandable. Everyone wants to see people fighting, not sappy emotional moments from characters we don't even know yet. In Catching Fire, we get a much more fluid arc which gives us the perfect amount of set-up before dropping us into the second installment of The Games, which now have considerably more meaning than just staying alive. In some ways, it is allowed to because now we are familiar with the premises and characters, but the film goes beyond that to an extra level.

Take for example the character of President Snow. In the first film, we get only fleeting glimpses of this menacing character (which, I should add, does mimic the books). In the novel, this is okay because it's from Katniss' point of view. In the film, we need an antagonist, and Donald Sutherland puts on a menacing performance in this role. In Catching Fire, we get to see that in its full development. Snow is at the same time fatherly and forbidding, gentle but powerful. He has that same appeal as Emperor Palpatine or Xerxes, ones who have no accountability and all the power and thus are beholden to no law or morality but their own. This comes through perfectly thanks to the phenomenal acting and fitting script.

At the end of the day though, we get out of the house and go to the theater for a movie like this because we want to see action. It's not shameful to want to see a bit of blood and battling every now and then. Well, let's just say we are not left disappointed. The Games have taken on a whole new life in this installment, and it feels that way. In the first film, The Games are nearly quaint. It is just a simple scenario for the combatants to do what they will, free mostly from egregious deus ex situations. Primitive and effective. In the sequel, it doesn't just seem like person against person, but instead the heroes versus the machine. It is the spark of the rebellion even before it is fully revealed to us. There are enough tricks and surprises of The Games to keep you on the edge of your seat the whole time, wondering how our protagonists will get out of this one.

Predictability is something that a film can suffer or thrive on. Have too much and your audience becomes bored, but too little and you risk raising the brow too high and going over too many heads. Catching Fire seems to find that perfect balance. I found myself often saying "Ah, I know what's going to happen here." and nearly immediately having it happen. I am not saying that as if I have some clairvoyant ability. What this film does it set the scenes up so tightly that you are rewarded for making guesses and allowed to feel like you've won by seeing the action in advance. It is not a cheap tactic either. They hit the mark here by giving you enough to work with but still leaving room for you to be excited and cheer when Katniss does the right thing. At the end, we are given enough of a cliffhanger leave us wanting more from the next sequel.

Catching Fire is what sequels should strive to be. It didn't fall into any of the traps of a well-known series with a good original. It took what made the books and the original great and built on them. It helps that the actors seem to feel natural in their roles and with each other, likely the product of much more time working together. A perfect mix of action, thrills, mystery and socio-political drama, Catching Fire is simply altogether a great film. With this trend in the series, I am excited to see what Mockingjay has in store for me.

Ever since I first saw it in theaters, Catching Fire has been one of my favorite movies of all time. It's so much better than the first one. It explores the story's political conflict more deeply and greatly expands on the dystopian universe.

The new director gives it a fresh and improved vision. The first one had audiences criticizing the shaky and desaturated camerawork and this sequel fixed it. Even though one this movie involves Katniss and Peeta competing in the games again, it never feels like a repeat of the first one. They understand that viewers already know how the games work and take advantage of the chance to explore new concepts with it.

Catching Fire should be an example to all filmmakers of how to do a good sequel.

This could easily have been a repeat of the first story; what this film does well is act as a bridge from the battle royale gimmick towards the politics and rebellion coming to the forefront.

Immediately the cinematography is better. The capitol looks vibrant, stunning and disturbing. The shaky cam is thankfully gone. It's rare for such a drastically positive leap in presentation inside a franchise. The scene that transitions into IMAX ratio is really quite incredible.

The caliber of actors also increases with the addition of Plutarch, played by Phillip Seymour Hoffman, continuing the solid casting of this series.

The writing and editing are a step up as well; scenes flow into each other logically and no cuts feel as jarring as the other entries in the franchise.

I do however find the love triangle still incredibly tedious and unnecessary. Sad Gale is a super boring character, and all time spent with him feels wasted to me.

The score also feels pretty perfunctory - nothing wows me like Harry Potter's incredible soundtracks (sue me, it's the gold standard for young adult film series).

The CGI mandrills didn't look great and my last complaint (I did quite like the film, honest) is that the reasoning for the selection of champions felt rather contrived.

Overall Catching Fire really does elevate its source material, and justifies its existence by taking logical steps into becoming something more than a battle royale.

I must say, I was worried about this one. Catching Fire is my favorite book of the trilogy, but cinematically it makes absolutely no sense. The Hunger Games reads like a screenplay--Catching Fire is a meandery epic full of worldbuilding and exposition for a war that won't even begin until Mockingjay. So I was pleasantly surprised to find that this installment of the hit franchise, directed by industry rookie Francis Lawrence, was maybe even more engaging than its predecessor.

Visually, it is a feat. The attention to detail is remarkable. Lawrence, along with screenwriters Michael Hardt and Suzanne Collins herself, manages to weave in all of the necessary set up to the upcoming war against The Capitol without it feeling tedious or heavy-handed. The new additions to the cast, most notably Philip Seymor Hoffman's Plutarch Heavensbee and Sam Claflin's Finnick O'Dair, are excellent, and the dialogue is much less wooden than, forgive me, the dialogue in the books sometimes is. Moreover, it is impressive that even with so many new people and so many moving parts, the central thread of Rebellion shines through.

Of course, with so much plot, so much to set up, one can hardly blame Catching Fire for falling short in the emotional department--as is, it clocks in at 2 hours and 26 minutes--but I did find myself wanting some steamier Peeta/Katniss action. I was disappointed by Lawrence's apparent disregard for the relationship between Katniss (Jennifer Lawrence, no relation) and Peeta (the incomparable Josh Hutcherson). To me, Catching Fire is about Peeta. It's the Peeta show.

Here's the thing: Katniss is supposed to be conflicted, not indifferent about Peeta. In the paper version, the reader, and by extension Katniss herself, feels truly torn between Gale and Peeta. She can't help but slowly fall in love with Peeta, who is so charming and funny and relentlessly Good. In this iteration, Katniss and Peeta have little to no chemistry, and Peeta only speaks when it is necessary to move the plot forward. Gale, on the other hand, is 6'4 and literally a Hemsworth. That he is a Hemsworth is no one's fault, I guess, but maybe Peeta should have been allowed to say some of the cute stuff he says in the books.

The "adults" in the cast--Woody Harrelson's Haymitch and Donald Sutherland's President Snow have much meatier roles than they do in the books. To their credit, they are fantastic. But I can't help but wonder how much more potent this movie could have been if Lawrence had trusted his young stars a bit more with the emotional heavy lifting.

Though it fell a bit short of exceptional, Catching Fire is by no means a Sophomore Slump, and I look forward to watching Mockingjay Part 1 on the big screen when it comes out!

I wouldn't exactly call myself a fan of the books, but I did enjoy Hunger Games, despite it's tweenie appeal. I'm a sucker for these kinds of things. Maybe it's the Battle Royale and Lord of the Flies fan in me. I did enjoy the first movie. It was a very well done adaptation. However, having read the entire trilogy, I feared that adapting the rest of the material would result in something similar to the books: terrible follow ups. As someone who takes the content of these books and the things that themes and stories they are trying to tell just a bit more seriously than the target age group might, I groaned and moaned throughout the novels, especially the last one. However, the film has done something I didn't think it could do: not suck.

That's right, the movie does not suck. In fact, it's actually quite good. So good that it out does The Hunger Games in nearly every way, something that is quite the opposite of the novel. Where the original movie, while good, also came off feeling like it was feeding that tweenie audience it was aimed at, something about Catching Fire feels far more serious and far more mature. The film picks up right where we left off. Katniss and Peeta are on their victory tour, while the rest of the districts are showing signs of civil unrest due to Katniss defiance of The Capitol, that oppressive government regime that forces districts to send their children to die. To send a message to the districts that the capitol is still evil, they devise a new Hunger Games, this time forcing past victors back into the arena. Because what is a Hunger Games movie without the Hunger Games.

The first film, at times, felt like it was doing too much to introduce us into this world. Everything felt like some kind of obvious plot detail. While I enjoyed the film, I often felt disconnected to it and the issues it tried to present. There was so much focus on details of the world and the games, that the presentation of the world seemed to take a back seat. Lawrence was the major saving grace, though even she wasn't perfect. All of this has changed. With the games essentially taking a secondary part in the film, there is a stronger emotional connection. It helps that all the actors involved are not only a bigger part of the film but seem to be more comfortable and are much more convincing in their roles. Where the characters of Effie and Haymitch and even Gale seemed purpose driven, with little more than a role to fill, here they feel more fleshed out. They have a greater impact and there is more of an emotional connection, from Haymitch's clear frustration between his contempt for the Capitol and his attempts to keep Katniss and Peeta alive, to Effie's attempt to keep everyone as a team and sure signs that she is struggling with the facts of Katniss and Peeta once again thrown into turmoil.

The performances are the primary strength here. They do deliver on the emotion that is necessary to drive this story and don't feel like they are catering just to tweens, with the poorly written love triangle of the novel and the more trivial elements that are apart of the kind of writing that comes with novels aimed at tweens. Catching Fire feels like a serious movie with a serious story to tell. At it's heart is Jennifer Lawrence, who seems like a completely different person here. Since the original movie, as an actor, Lawrence has had several projects and has even won an Oscar. And so, it is no surprise that she feels like she is at an entirely different level. She seems more natural as Katniss and her acting is far more convincing. She comes off as someone who is not only conflicted, but scared. Even so, she remains strong and determined. Much like the first movie, as Katniss, she proves to be among the best of role models for young folk.

But beyond the performances, everything just feels elevated. The story has a better focus on the growing revolution that is clearly starting. The themes are more apparent and focused on. Everything feels less obvious and more natural. Gone are introductions to this world and it's elements, replaced by a futuristic vision carried purely by it's story and characters. Even the games are better, with more exciting action, better effects, and better character interaction, helped by a cast of new characters as fellow tributes.

I do seem to be gushing about the film, and it's not one I had expected to like nearly as much as I did, but I have to admit it: this was a very pleasant surprise. My fear now is that the next films won't live up to this sequel. But, I will give them more of the benefit of the doubt, considering how much this film blew me away as far as surpassing expectations. As I said in my review for the first film, fans will love this, and non-fans may also find themselves won over.