- Prêmios
- 1 vitória e 19 indicações no total
Nick Nolte
- Samyaza
- (narração)
Mark Margolis
- Magog
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Get your feet wet Upon a terrifying nightmare that is clearly an omen, Noah(a roaring and fanatically determined Crowe), along with his family, begin building an ark. They get some unexpected help, but will it be enough? Especially when the king of the land(Winstone at his most vile, representing the wickedness of our species) shows up with his army, threatening that if that boat is the only safe place, they will board it one way or another.
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
Causing controversy from before anyone had watched it, this is a non-literal update-for-our-times take on the Bible story, that nevertheless seeks to engage with the same, genuinely universal, values – honestly, everything added here is not only critical to even make it a feature length drama(such as adding a present, physical form to the evil that is being drowned out, as it were), it serves to flesh out what was already there. This is aggressively environmental, thus rendering it highly relevant; the Earth(which could be 1000 years in the past, or the future) is here a barren, post-apocalyptic wasteland, and while it could have been made clearer, the idea is that excessive and relentless mining of resources is the cause. Not only are we beyond rescuing, the storm that will come will deliver water sorely needed to reinvigorate nature.
This has everything we've come to expect from Aronofsky: solid production values in every aspect, with a solid, and nicely limited(so that there is room for them all to represent some element endemic to us Homo Sapiens, and this is very much a character study of our titular protagonist, and an examination of humanity) cast, a compelling Clint Mansell score, and, of course, amazing(and all with a distinct purpose, artistically) visuals(the desperation of a dying breed is one of the images that will stick with you, something that is in everything Darren has helmed), employing techniques not often seen in the mainstream, including silhouette(such as a brief and stunning extrapolation of Cain) and time-lapse photography(the construction process itself). If you at all intend to watch this, and your first viewing is not a 3D showing, you will be committing a cardinal sin.
There is a lot of brutal, gory, violent and disturbing content and some sexuality in this, none of it gratuitous. I recommend this to anyone not put off by it being based on a Genesis account or the fact that it takes liberties with it. 7/10
The film reaches a good level of quality. The character interpretations are decent. The story is not exciting. It contains action, drama and biblical teaching from a modern point of view, it's written to approach new audiences. Quite often I find that some of the actors exaggerate when they scream and cry; Ray and Russell are handling very well not to get out of their paths. I would have given more stars but it is very annoying when within the dialogs and the biblical teachings there are actors who impose their presence above the calibration of their colleagues. Very nice photography and intelligent scenery with smooth advanced effects which give life to the narrated story of Noah. Creator and creations, will and desire, all are placed together and in the end it all makes sense.
Just watched this on Pay-Per-View having missed a chance to see in theaters (dithered over whether or not to see it due to wildly mixed reviews). It was visually engaging enough to keep me watching till the end but as the credits began to roll, I found myself feeling dissatisfied.
Some of the scenery and shots featuring animals were really cool, I found myself wishing for more (that is, more time spent on animals...and a closer look at different species as imagined by the creators of this film).
Ray Winstone is a distinguished actor but I found his portrayal at times creepy, at times laughable, overall weak (how much of this was due to direction and/or other factors...not sure, when it comes to this film I didn't get a sense either way). Emma Watson and Jennifer Connelly impressed me, I got a sense of quiet strength from their characters.
Russell Crowe, also one of my favorite actors (I thought his Robin Hood was masterful, a fresh new take), disappointed. Without giving anything away, there were some parts of this film that called for a more dramatic narrative...his timing and (at times) rushed speech took away from the grandeur of what was meant to be an epic film. You find yourself wishing he would deliver certain lines a bit more theatrically, like David Wenham in 300 or one of the greats of classic film (Charlton Heston, perhaps).
I didn't realize when I started watching that Anthony Hopkins was also in the film. When he popped up on screen I laughed and thought: 'Of course...can't make an epic film without Anthony Hopkins!' Probably just me but it seemed a bit tired as far as casting goes.
I might have enjoyed it more on the big screen but don't regret watching at home on my TV. Bottom line, entertaining enough to watch...just a bit of a let-down.
Some of the scenery and shots featuring animals were really cool, I found myself wishing for more (that is, more time spent on animals...and a closer look at different species as imagined by the creators of this film).
Ray Winstone is a distinguished actor but I found his portrayal at times creepy, at times laughable, overall weak (how much of this was due to direction and/or other factors...not sure, when it comes to this film I didn't get a sense either way). Emma Watson and Jennifer Connelly impressed me, I got a sense of quiet strength from their characters.
Russell Crowe, also one of my favorite actors (I thought his Robin Hood was masterful, a fresh new take), disappointed. Without giving anything away, there were some parts of this film that called for a more dramatic narrative...his timing and (at times) rushed speech took away from the grandeur of what was meant to be an epic film. You find yourself wishing he would deliver certain lines a bit more theatrically, like David Wenham in 300 or one of the greats of classic film (Charlton Heston, perhaps).
I didn't realize when I started watching that Anthony Hopkins was also in the film. When he popped up on screen I laughed and thought: 'Of course...can't make an epic film without Anthony Hopkins!' Probably just me but it seemed a bit tired as far as casting goes.
I might have enjoyed it more on the big screen but don't regret watching at home on my TV. Bottom line, entertaining enough to watch...just a bit of a let-down.
I don't understand why people hate this movie. I understand how it's pretty stupid but it still manages to entertain the viewer as well build a great amount of suspense in the 3rd act. Also props to Russell Crowe and Emma Watson for delivering great performance. Everyone else... Meh! The story is about Noah and how he is shown by god that a flood would be arriving soon due to how badly humankind has evolved. Noah and his family then go and visit Methuselah,played wonderfully by Anthony Hopkins who gives Noah his insight to building an ark. On the way Noah finds Ila who is injured badly and is unable to conceive. From there his family takes care of her and one of Noah's sons falls in love with her. 15 or so years later when Noah has almost finished building the ark a king comes and threatens him. Then the flood hits and chaos ensues with a great 3rd act and a suspenseful battle. The animals in the film looked quite unrealistic but the scene where the flood hits is outstanding and awesome. You are also introduced to these rock transformers who look cool but awfully unnecessary for a biblical film. There is also a great battle which includes them in it. The film is also enjoyable but quite slow in parts. The story is very nice and entertaining but has trouble in the 1st act by being way too slow. The 3rd act was awesome though. The script is pretty clichéd and stupid but if you endure these things you can have a good time with this film. The acting is also good but I still think that Logan Lerman is forced and too shy but he was good in the 1st Percy Jackson film. in this he didn't suit the role
I'll start by stating I'm a Christian, and of course the movie is different from the Genesis account, because it also adds a bit from the Apocryphal text of the Book of Enoch, although there are differences there too, and it's a movie and needs embellishing because Noah's story is only like three pages. Artistic license in any film is a given. You think Braveheart is historically accurate? No, but it's a darn good film and nonetheless it's true.
I believe Christians get too caught up in the "letter of the story" and can't accept the Spirit of a story. Noah is a deeply complicated man in this film, as all people prophets of God are. I felt the filmmakers captured the spirit of the man well. I love how it shows his personal struggle to even want to save mankind after witnessing the violence and depravity of most of his fellow beings. Do we deserve to survive? The movie tackles that head on and says unequivocally ,"Yes!" in the end. God loves us and knows we can be good if we choose to follow him.
The story is fun, uplifting, and shows the true difficulty of interpreting and following the will of God. This film shows the power of forgiveness and redemption also, first with the fallen "Watchers" from the Book of Enoch, and then Noah's family as well. The Watchers also gave the film a "Lord of the Rings" vibe which I appreciate. The story is complicated and there are moral dilemmas to be solved.
Is it a perfect film? Heavens no! But it is a good one and made me appreciate what Noah and his family may have gone through in all its richness and complexity, and made me grateful to have Mr. And Mrs. Noah as my ancient covenant parents. I enjoyed it thoroughly and will watch it again one day.
I believe Christians get too caught up in the "letter of the story" and can't accept the Spirit of a story. Noah is a deeply complicated man in this film, as all people prophets of God are. I felt the filmmakers captured the spirit of the man well. I love how it shows his personal struggle to even want to save mankind after witnessing the violence and depravity of most of his fellow beings. Do we deserve to survive? The movie tackles that head on and says unequivocally ,"Yes!" in the end. God loves us and knows we can be good if we choose to follow him.
The story is fun, uplifting, and shows the true difficulty of interpreting and following the will of God. This film shows the power of forgiveness and redemption also, first with the fallen "Watchers" from the Book of Enoch, and then Noah's family as well. The Watchers also gave the film a "Lord of the Rings" vibe which I appreciate. The story is complicated and there are moral dilemmas to be solved.
Is it a perfect film? Heavens no! But it is a good one and made me appreciate what Noah and his family may have gone through in all its richness and complexity, and made me grateful to have Mr. And Mrs. Noah as my ancient covenant parents. I enjoyed it thoroughly and will watch it again one day.
Você sabia?
- CuriosidadesAccording to writer, producer, and director Darren Aronofsky, the animals seen in this movie are "slightly tweaked designs of real existing animals." No real animals were used in the production at all.
- Erros de gravaçãoAll the animals are sedated and are all seen lying down. An elephant normally only sleeps for about four hours a day. If an elephant were to lie on its side for more than a day (for example) the weight of its internal organs would cause them to rupture and fail.
- Citações
Tubal-cain: I have men at my back, and you stand alone and defy me?
Noah: I'm not alone.
- Cenas durante ou pós-créditosBesides the title of the movie, there are no opening credits
- ConexõesEdited into Doom and Salvation (2022)
Principais escolhas
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Detalhes
Bilheteria
- Orçamento
- US$ 125.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 101.200.044
- Fim de semana de estreia nos EUA e Canadá
- US$ 43.720.472
- 30 de mar. de 2014
- Faturamento bruto mundial
- US$ 359.200.044
- Tempo de duração
- 2 h 18 min(138 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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