A atração do dinheiro fácil envia Mary Mason, uma estudante de medicina, para o mundo das cirurgias clandestinas que acabam deixando mais marcas nela do que em seus chamados clientes "monstr... Ler tudoA atração do dinheiro fácil envia Mary Mason, uma estudante de medicina, para o mundo das cirurgias clandestinas que acabam deixando mais marcas nela do que em seus chamados clientes "monstros".A atração do dinheiro fácil envia Mary Mason, uma estudante de medicina, para o mundo das cirurgias clandestinas que acabam deixando mais marcas nela do que em seus chamados clientes "monstros".
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- 15 vitórias e 9 indicações no total
Clay St. Thomas
- Dr. Walsh
- (as Clay St Thomas)
- Direção
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Avaliações em destaque
Worth a watch if your into revenge/slasher movies. Well acted, sexy and dark. Enjoyed it!
Even at this early stage this interesting feature from Canada has the look of a future cult movie. It's decidedly left-field in subject matter. In it a female medical student with financial troubles turns to the shady world of underground surgeries. Before long she is carrying out more and more outlandish procedures. Pleasingly this one is directed by women. It's ridiculous in this day and age how rare it remains for women to be given the director's reigns. This film shows that the female vision can be very twisted and macabre indeed. The directors are identical twins Jen and Sylvia Soska who appear in a cameo as Eastern European sisters who crave bizarre body modifications. Their direction is very stylised but with grit where necessary. I'm not usually queasy when it comes to movies but I can honestly say that one surgical scene left me looking away. The third female presence is star Katherine Isabelle of Ginger Snaps fame. She is very good in a dark and sexy performance. She is a great anti-heroine and her revenge moment on a man who attacked her is one that had me inwardly cheering.
Seeing as this is a Canadian horror film perhaps a comparison with David Cronenberg is inevitable. But in this instance it's a fairly relevant one as in many ways this is another example of the body horror sub-genre. It's a film that combines contemporary sadistic horror with a view of an unusual subculture of people who modify their bodies through surgery. It isn't a very story driven film to be fair and it sometimes lacks a bit of overall dynamism but this is only a relatively minor observation and it is pleasingly original for the most part. Overall the feature could perhaps best be described as what would happen if Clive Barker was to direct a film that combined elements of Hard Candy and Audition.
Seeing as this is a Canadian horror film perhaps a comparison with David Cronenberg is inevitable. But in this instance it's a fairly relevant one as in many ways this is another example of the body horror sub-genre. It's a film that combines contemporary sadistic horror with a view of an unusual subculture of people who modify their bodies through surgery. It isn't a very story driven film to be fair and it sometimes lacks a bit of overall dynamism but this is only a relatively minor observation and it is pleasingly original for the most part. Overall the feature could perhaps best be described as what would happen if Clive Barker was to direct a film that combined elements of Hard Candy and Audition.
Mary is a promising medical student who has a traumatic encounter with a surgeon who is her professor. Things turn bloody when after a few surgical body modifications to earn money, Mary seeks revenge on her attacker. The sadism is pretty stomach turning, and the film uses Schubert's Ave Maria once and Bach's version twice before it is over, a very strange choice of music, indeed. The premise is interesting and Katharine Isabelle is compelling in the lead. The patients seeking bizarre physical alterations is fairly disgusting. Jen and Sylvia Soska are the directors, and judging by this work, they are seriously disturbed women. The movie is extremely dark and it kept me interested to the last scene which was a bit disappointing. As a thriller, it is slightly above average, and a 6/10.
Movie review:The twisted twins, Sylvia and Jen Soska, are back with their second full length feature. Now that people are taking notice to their talent, this time they have a budget (although they did need to take out a second mortgage to get the project off the ground). Anyway, this movie is about Mary, a brilliant med student studying to be a surgeon. Of course, money issues arise, as seems to always happen to college kids, so she decides stripping may be the way to go. While "interviewing" for the job, a strange occurrence puts here in the helm of a situation where she is needed to perform surgery at the club for quick cash. She soon realizes that maybe under the table surgical procedures may become a way to make money, so when a woman tracks her down after finding her resume at the club, she takes on a second patient. Mary finds herself juggling the task of student and surgeon on the side. Well, the life of being a student is crossed when she is invited to a "party" where she is the guest of honor, so to speak, and the world of the actual surgeons take a toll on her as she is drugged and raped. This incident pushes Mary over the edge and she takes matters into her own hands. This movie does a wonderful job weaving the tale of a woman that is forced into a life she wasn't prepared for, that of BME and revenge. It follows her downward spiral balancing reality with the virtually psychotic road she has chosen. The movie is much more polished than it's predecessor and it shows in the quality of camera-work and editing. The acting is very well done by Katherine Isabelle as Mary, and the other actors hold their own in their respective roles. Of course, the blood and gore is there, but not as extensive as their previous effort. It really wasn't needed for the story the twins wrote. American Mary had a limited theater release so you may or may not have had the chance to see it. If not, I again highly suggest that you see this movie. It is good to see new talent emerging with entertaining movies that don't follow the cookie cutter mold Hollywood has been giving us. 6.4/10 IMDb 6.0 . I very much anticipate the next release from these two.
American Mary is a sleek and sexy film that is unpredictable and fairly unique. The story is dark, daring and entertaining, and solid production gives it clean and smooth look. It's body modification theme is edgy yet tasteful, and at times quite thought provoking. Katherine Isobelle plays the lead brilliantly; cold and brutal, but at the same time, empowering and elegant.
As for Faults, well, American Mary is a great film, but it peaks two-thirds of the way in, and by comparison it's ending feels a little timid and noncommittal.
Now, this is a bit over critical on my part, and it's only a minor flaw, but one that stands out as there are so few in the film. It's the cameo from the Soska sisters, I get it, I do, If I made a horror film, I'd want to be in it too, but this just wasn't the parts for them. Although I suspect they probably wrote it with themselves in mind. It's only a short scene but one with so much potential. The Soska sisters play big characters in a scene that could have been wonderfully unsettling, but instead its a bit flat and clumsy. The girls just didn't have the physical presence or screen confidence required to fill out the roles.
American Mary would have been excellent if it wasn't hindered by a few minor flaws and a weak ending. Overall, a delicate, but by no means tame, addition to the torture porn sub-genre. This film could easily become a horror cult classic, and deservingly so. I will be interested to see what the Soska sisters do next.
As for Faults, well, American Mary is a great film, but it peaks two-thirds of the way in, and by comparison it's ending feels a little timid and noncommittal.
Now, this is a bit over critical on my part, and it's only a minor flaw, but one that stands out as there are so few in the film. It's the cameo from the Soska sisters, I get it, I do, If I made a horror film, I'd want to be in it too, but this just wasn't the parts for them. Although I suspect they probably wrote it with themselves in mind. It's only a short scene but one with so much potential. The Soska sisters play big characters in a scene that could have been wonderfully unsettling, but instead its a bit flat and clumsy. The girls just didn't have the physical presence or screen confidence required to fill out the roles.
American Mary would have been excellent if it wasn't hindered by a few minor flaws and a weak ending. Overall, a delicate, but by no means tame, addition to the torture porn sub-genre. This film could easily become a horror cult classic, and deservingly so. I will be interested to see what the Soska sisters do next.
Você sabia?
- CuriosidadesAgnes Soska, Marius Soska: The Soska sisters' parents re-mortgaged their house in order to raise money to finance this film, and both parents appear in this movie.
- Erros de gravaçãoWhen Mary clicks over from Ruby's website rubyrealgirl.com to the body mod site abstrakt.me, the content for abstrakt.me shows in the browser window but the web address in the browser bar still lists a page on rubyrealgirl.com.
- Citações
Mary Mason: I quit med school today, that shouldn't come as a surprise to you. I'm changing specialties Dr. Grant. Have you ever heard of body modification?
- Cenas durante ou pós-créditosAt the end of the credits, it reads "For Eli Roth".
- ConexõesFeatured in An American Mary in London (2012)
- Trilhas sonorasAve Maria
written by Franz Schubert
performed by Alex Cheung & Peter Allen
courtesy Peter Allen Music Publishing
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- How long is American Mary?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Y Nữ Bóng Đêm
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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