Farang

I had waited months for this to come be available in North America. I had high expectations given the episodes from Gangs of London and Frontieres. The last 20 mins was well choreographed and as violent as I would have expected the rest of the movie to be, in the end felt like some missed opportunities to ratchet up the action. Some of the locations were amazing. Overall worth it fro the elevator scene! The story felt way too dramatic when in reality it was a cookie cutter revenge story. Not sure about the lead actor - he was good in the action scenes but the dramatic parts were too drawn out.

The European problem is not really a European problem. And one of these problems as an embodied problem solver, difficult fare? Had I considered this film choice carefully?

France, the country of origin, is probably at the top of the Lost Countries, bearing the rotten fruits of its dirty-golden years like no other nation. Fortunately, despite the bitterness, a change of scenery. Thailand. A little martial arts, even more idyllic holiday atmosphere. Everything could be fine now, but unfortunately the cobbler sticks to his last. Prototype: it has to be a lot very quickly, with as little effort as possible. So let's say impatience is in this blood, only evil tongues speak of criminal energy.

Enough negative energy, after the first quarter we get to see a real action pearl, a dramatic 90s Van Damme story build-up, which then leads to a 2010s The Raid-style battle. Yes, the finale is the same as always with these films, but it's somehow essential fan service. Comparisons with the current "Sixty Minutes" are legitimate, but France can do it better than Germany, wild Bangkok versus overrated Berlin is also self-explanatory, and so are learned martial arts skills versus martial arts history. However, it's nice that films like this still exist.

This is a seriously good film.

I read a few reviews and one reviewer had a good point, for a film also known as Mayhem, the action could have been more ongoing, like Wick 2,3,4 and Extraxtion 2. 'He' mentioned that you have to wait a bit for the action to get going. That is true, with some small action pieces and then BANG its on for young and old.

The fights are full on uncompromising, bloody and make your jaw hit the floor as you process what you are looking at.

So good!!

I eagerly await more from Xavier Gens and hope he works with Nassim Lyes again as this pairing was a winner from start to finish :)

The cinematography of the movie is really good it has all the things that a good action movie needs but just a GOOD action movie not amazing or anything better than that because I could predict every single thing in this movie not just the general idea but every action that was happening in this movie The acting is pretty good Music didn't catch me that much as a composer editing was good The actual action scenes themselves were also pretty good I accept the fact that director was trying to use the general structure of a action / drama movie but it could have been better than that Overall I think It worth a shot .

Been awhile. The last film I saw from Gens was Frontier(s) some years back which was eye opening and fiersome.

Fast forward, and here we are. He's done some "smaller" projects I believe since my indoctrination into Euro horror and thrillers, abd this one did not disappoint.

All too familiar tropes won't work if you don't have the atmospheres, the cinematography, and in this particular case, the extreme violent sequences. So beware, this film was far away from the faint of heart, but he did pay over and above homage to some of the better directors in the subgenre---Takashi Miike, Perk Chan Wook and the more recent to join in this clan, Gareth Evans.

It's bleak, it's realistic and graphic at the core of the violence. But when you have a solid lead protagonist---the violence comes through that character rather easily. It's a story of redemption in its infancy that turns on its heels into one of the best revenge films of the the past 10 years. Gritty, beautifully shot, and gripping enough to hold you, and even hard to look away when its at it most challengingly disturbing.

Bring on the XG shark film...