Uma garota tímida, rejeitada por seus colegas de classe e protegida por sua mãe religiosa, desencadeia o terror telecinético em sua pequena cidade após sofrer uma brincadeira de mal gosto du... Ler tudoUma garota tímida, rejeitada por seus colegas de classe e protegida por sua mãe religiosa, desencadeia o terror telecinético em sua pequena cidade após sofrer uma brincadeira de mal gosto durante o baile de formatura.Uma garota tímida, rejeitada por seus colegas de classe e protegida por sua mãe religiosa, desencadeia o terror telecinético em sua pequena cidade após sofrer uma brincadeira de mal gosto durante o baile de formatura.
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- 6 vitórias e 7 indicações no total
Eddie Max Huband
- Harry Trenant
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Carrie White is somewhat a loner; raised by a fanatical mother who believes just about everything is sinful and bullied at school. She hasn't been told about what it means to become a woman so when she has her first period, in the shower after gym class, she is terrified. The other girls mock her and one, Christine "Chris" Hargensen, even films her on a phone. This lead to Chris being suspended and being banned from attending the upcoming prom; she determines to have her revenge on Carrie. As well as becoming a woman Carrie starts to develop telekinetic powers. Another girl, feeling guilty, asks her boyfriend to take Carrie to the prom... when Chris puts her revenge into action Carrie's powers erupt in a deadly way.
The original 1976 film is rightly considered a horror classic; even those who have never seen it, or read the book, are likely to know what happens at Carrie's prom... which slightly lessens the impact of the scene in this film. Trying to judge this film on its own is difficult but I'll try. It starts well with the characters being introduced and developed and no real violence before the infamous prom scene. Chloë Grace Moretz is the right age for the role and her acting is impressive; unfortunately she doesn't feel as vulnerable as Sissy Spacek did in the original. Julianne Moore is suitably disturbing as Carrie's overbearing mother and the rest of the cast are solid enough. The special effects are pretty good and there are some impressive shocks. Overall I don't think this remake was needed but it turned out better than I expected... certainly worth the 50p I paid for the DVD.
The original 1976 film is rightly considered a horror classic; even those who have never seen it, or read the book, are likely to know what happens at Carrie's prom... which slightly lessens the impact of the scene in this film. Trying to judge this film on its own is difficult but I'll try. It starts well with the characters being introduced and developed and no real violence before the infamous prom scene. Chloë Grace Moretz is the right age for the role and her acting is impressive; unfortunately she doesn't feel as vulnerable as Sissy Spacek did in the original. Julianne Moore is suitably disturbing as Carrie's overbearing mother and the rest of the cast are solid enough. The special effects are pretty good and there are some impressive shocks. Overall I don't think this remake was needed but it turned out better than I expected... certainly worth the 50p I paid for the DVD.
Disclaimer: this movie can prove to be "scarrie" for those who are not a fan of the horror genre in general. For those of us who are, at least for me, this movie was everything but scary. First of all, when I heard that Chloe Moretz will be taking the role of Carrie, I was afraid that she might not be able to pull it off. In fact, the only thing I was pleased to hear was that Julianne Moore will be playing Carrie's mother. She is a great choice for the role but the way she handled it, as well as everything else about this movie is - over the top. I could sense the idea of wanting to make a good remake of a classic, but in the end they just missed it... Chloe Moretz is a very good, promising young actress, I don't even wanna talk about acting abilities of Julianne Moore, but they just didn't seem real here. What makes the original Carrie truly disturbing is that it's really slow paced. In its essence, it's a drama about a teenage girl that is being deprived of an ordinary teenage life and experiences that come with it due to her fanatically religious and psychologically extremely questionable mother, to put it lightly. And yes, the plot is pretty much the same and everything, but the general feel is that they rushed it. As I said, everything is over the top, the acting is exaggerated, the relationships between the characters are unconvincing, but it's biggest flaw is that you KNOW what's coming. You have Carrie doing her telekinesis stunts from the very beginning. It's almost as if she was practicing this skill from waaaaaay back, making pencils float around the room, flying the bread over to the toaster - you know, the usual stuff. So when the real thing was supposed to happen, the x was out of the equation making it quite frustrating to watch. It seems to me that, to make a remake of such a classic film you need to put so much thought and effort into every little detail to make it at least convincing enough, if you're not aiming to top the original. This movie seemed like someone got the idea "hey let's make a remake of some classic horror movie... hmmm... which one should we pick... the Exorcist? no, that's to heavy. hey, how about Carrie? Sure! it has a young girl as a lead, we sure have plenty of those, and there's a mother - oh, no, don't tell me? are you thinking what I'm thinking? JULIANNE freakin' MOORE!" And off they went with their brilliant idea and messed it all up. It was to hasty, it was thoughtless, unconvincing and at the end all I could to was to pick the flaws as I was comparing it to the original. I could go on and on about which aspects of the movie I disliked the most, instead I'll just give it a 4/10 and never watch it again. The 2013 version, at least.
This movie is hardly a scene-by-scene account of Brian De Palma brilliantly 'Carrie'. Yes, it impossible not to compare any remake to its original version, especially when the original is considered a classic. It is sad that with these days' shortage of originality, even a seemingly talented director such as Kimberly Peirce, succumbs to the commercial appeal of movie-making in the sole interest of monetary gain resulting in watered-down quality. Well, I'm not even sure if this movie will make its money back, given the mediocrity in all aspects of its quality. But then again, there are a lot of junks out there that make tons of money. All the efforts for the reimagining, whether it be an attempt to create a franchise or sequel or to modernize the narrative has totally undermined the essence of this otherwise compelling story. The destructiveness of social isolation, religious fanaticism, BULLYING, to name a few, underlined in Stephen King's novel were in no way conveyed effectively in this movie. There is a lack of connection in Moretz's performance and she is unconvincing as a socially deprived and awkward girl. Julianna Moore as always delivers a competent performance. But she can only carry the movie so far. As talented as Moretz is, she is a miscast for this movie. As such, the movie is moderately entertaining at best.
A reimagining of the classic horror tale about Carrie White (Chloe Grace Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother (Julianne Moore), who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
This film is criticized pretty harshly by audiences, especially horror fans. And for the most part, these criticisms are unfair. One minor problem with the film is the use of CGI when it was not necessary. And the major problem was remaking a classic. As it is impossible to improve on a classic, any attempt will be met with strong resistance.
But there are many strengths. First and foremost, Chloe Moretz, who is easily the best actress of her generation. Horror fans are lucky she has worked extensively in the genre, because her roles have brought much strength to otherwise average films. While perhaps not as awkward as Sissy Spacek, she handles the role well.
There are some aspects that are closer to the novel, including the more violent and intense climax, and the pregnancy subplot. This version has a more sympathetic Sue and Tommy as well as a more self-confident Carrie. These are different takes on characters that make an important, nuanced difference and allows for different interpretations. The updating of technology adds a different angle, too. This is its own movie in many respects.
Is the original better? Of course. It is a classic and directed by the legendary Brian DePalma. It probably should not have been tampered with (although it has been before). But if it had to be done, the people involved could have done much worse than this.
This film is criticized pretty harshly by audiences, especially horror fans. And for the most part, these criticisms are unfair. One minor problem with the film is the use of CGI when it was not necessary. And the major problem was remaking a classic. As it is impossible to improve on a classic, any attempt will be met with strong resistance.
But there are many strengths. First and foremost, Chloe Moretz, who is easily the best actress of her generation. Horror fans are lucky she has worked extensively in the genre, because her roles have brought much strength to otherwise average films. While perhaps not as awkward as Sissy Spacek, she handles the role well.
There are some aspects that are closer to the novel, including the more violent and intense climax, and the pregnancy subplot. This version has a more sympathetic Sue and Tommy as well as a more self-confident Carrie. These are different takes on characters that make an important, nuanced difference and allows for different interpretations. The updating of technology adds a different angle, too. This is its own movie in many respects.
Is the original better? Of course. It is a classic and directed by the legendary Brian DePalma. It probably should not have been tampered with (although it has been before). But if it had to be done, the people involved could have done much worse than this.
Some might remember this for it's viral marketing (putting a woman with powers into a café as a teaser to this was almost geniuses) or for the fact that it tried to recreate a classic horror movie. Whatever your point is or was coming into this, you will see a very solid horror movie that updated a classic and took it into the current time. There are themes explored here, that weren't touched upon in the original, which is a smooth move.
Other than that Moretz delivers one strong lead performance. If you know the original or have read the description you will know where this is heading. It won't spoil too much or take too much away from it though, because it is well directed. It might be too neat in places, but overall this does have punches and it's not afraid to deliver them. Overall not as good as the classic, but way better than one could expect it to be
Other than that Moretz delivers one strong lead performance. If you know the original or have read the description you will know where this is heading. It won't spoil too much or take too much away from it though, because it is well directed. It might be too neat in places, but overall this does have punches and it's not afraid to deliver them. Overall not as good as the classic, but way better than one could expect it to be
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Você sabia?
- CuriosidadesBecause Chloë Grace Moretz was a minor, she was limited to eight hours of work per day. When she was unavailable, director Kimberly Peirce substituted; she would be off-screen. This was only done with scenes that Julianne Moore would talk to Carrie.
- Erros de gravaçãoWhen Tommy collapses on the stage, he is facing Carrie, but when Carrie tries to cradle Tommy, he is facing the backdrop.
- Citações
Sue Snell: No! Carrie please don't hurt me.
Carrie White: Why not? I've been hurt my whole life.
- Versões alternativasThe theatrical version ends with a brief scene of Sue in court for the White Investigation (an integral part of the Stephen King novel otherwise omitted from the film) and then laying a flower on Carrie White's grave, which cracks as she walks away. The alternate Blu-ray cut omits the courtroom scene and features a different edit of Sue placing the flower on Carrie's grave. This scene is followed with Sue in the delivery room giving birth, but instead of a baby, Carrie's arm emerges from between her legs and grabs her. There is then a quick cut to Sue's mother, who is holding and trying to awaken her hysterical, pregnant daughter from this nightmare.
- Trilhas sonorasEnd of the Earth
Written by Ben Schneider
Performed by Lord Huron
Courtesy of IAMSOUND Records
By arrangement with Sony Music Licensing
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Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 35.266.619
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.101.552
- 20 de out. de 2013
- Faturamento bruto mundial
- US$ 84.790.678
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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