Pyaar Ka Pehla Naam: Radha Mohan

To writers & makers please focus the story more on Rahan versus Damini. We want light family drama or atleast give us this between major tracks, not back to back drama. I love Radha and Mohan characters & the actors are working so hard to bring nok jok, romance, friendship, love but it's rarely shown. Focus story on building trust in their relationship & let their love grow & develop you have beautiful story to tell. The name is Radha Mohan so let the names lead the story & they should be winning not villain winning & them playing survival. Give some alone time to our Rahan to just even talk!!

The only reason I came here and bothered myself to write this, is because my mom made me watch this series with her. And wow I have no words. First of all I would like to ask the directors of this series, guys have you no sense of reality or how things happen in real life?

Watched this episode where the little girl has fallen in a narrow well or something and then series of things start to happen. Few award winning instances i have noticed are below only in one episode.

1. a little girl fits barely in this narrow well, but a grown woman jumps to save her and switch positions with her.

2. there is a whole lot of military/trained guys standing right beside, but no one is pulling the rope but the hero.

3. Electricity wire is cut by the villain, but no one tried to remove it using a stick or something?

4. Heroine managed to save the girl, but when she herself is out of the well, no one is giving her a hand but the only guy who is pulling the rope,

Dear guys, please dont make such nonsense stuffs, you guys make this nonsense and then my mom watches it, and everytime i am in the living room i have to watch it. And then my brain starts exploding and my heart starts burning.

Please I beg you , do something nice.

Audience of the TV show Payaar ke Phela naam Radha Mohan is tired of watching Damini's role and all the stupidity she is doing, it's time to show real life story, make it interesting by removing Damini or make her pay for all the wrong she has done so far. Don't bring us to the point that we switch to another channel to view something better.

There are many such loop holes in the way a scene is projected eg Parents standing on one side of the road and allowing their daughter to cross alone, no sensible person will do that they walk with their child. Damini tries to kill Radha in front of the police and lawyer and no action taken, this is fantasy island not real life.

And I want to say this show is one of the best show in currunt zee tv shows really happy to see this . But I want to say some time makers was drag one track too much it's too irritating to watch just like currunt bhagyas shows I also bhagya fan before not now I love only abhigya . But my point is I don't want to see another bhagya anymore we fed up with that . That's why want to tell don't drag the show . In this show good cast and crew was their don't wast that . They do lots of hard work it's really nice too for doing entertine for us . I start to watch this show only for my fav shabir becoues I like him very much his comic romantic action everything I love to see becoues he is suite for every thing and makers give his funny seens we are really miss to see that . But now I like every cast specially reeza and niharika their acting was awesome. Before this show most of them told RaHan / NeeSha Jodi was not become match but it's fake now this jodi become fame more and more ❤❤❤❤

If you're looking for a TV show that tests your patience, insults your intelligence, and somehow still manages to get renewed endlessly, Radha Mohan might just be your perfect punishment. What started as a potentially spiritual love story has devolved into a chaotic, repetitive, and brain-numbing rollercoaster of clichés and bad writing. And the worst part? It doesn't even pretend to try anymore.

Let's get one thing out of the way: Radha Mohan had potential. The idea of a young, idealistic girl (Radha) and a brooding, guilt-ridden man (Mohan) finding healing through love could've been something beautiful. But the execution? It's a masterclass in how to drag a show for hundreds of episodes without moving the plot an inch.

The writing is painfully formulaic. Every conflict feels artificially inserted just to delay resolution. For example, when a character could simply say, "I love you" and clear up 15 episodes of misunderstandings, they instead stand around dramatically with tears in their eyes while thunder roars in the background. It's not suspenseful-it's exhausting.

Radha, as a protagonist, might be one of the most infuriatingly one-dimensional characters on television today. She's written to be the perfect woman-morally flawless, endlessly forgiving, always smiling through betrayal and humiliation. But in practice, she feels more like a lifeless statue of sanskaar than a real human being. She doesn't grow, she doesn't question, and she doesn't learn. She just exists-usually to cry, pray, or deliver the same speech about love and devotion.

Mohan, on the other hand, is stuck in a permanent state of emotional constipation. He's angry. All. The. Time. Sometimes it's justified, but more often, it's just repetitive. You could replace his lines with random grunts and nobody would notice the difference. His character has had more "moments of realization" than most shows have episodes, yet somehow, he's still as emotionally stunted as he was on day one.

Then there's the supernatural angle-the spirits, black magic, and near-death experiences that conveniently show up every time the writers run out of ideas (which is often). At first, these elements are intriguing. But after the fifth resurrection or haunted temple twist, it just feels lazy. There's no consistency, no internal logic, and certainly no subtlety.

The villains? Don't get me started. They're so cartoonishly evil it's almost comedic. They monologue, they scheme loudly in public, and they somehow keep escaping justice no matter how many crimes they commit. One has to wonder if the town has any law enforcement at all-or if the writers just decided, "Who needs logic when you have dramatic music?"

Production-wise, Radha Mohan is standard fare: excessive slow motion, zoom-ins on shocked faces, and enough background music to fill a concert hall. Subtlety is a foreign language to this show. Every emotion is exaggerated to the point of parody.

In conclusion, Radha Mohan isn't just a bad show-it's a tiring one. It drains your mental energy, demands emotional investment, and gives you absolutely nothing in return. What little progress happens is undone five episodes later, ensuring the story remains stuck in the same miserable loop. Unless you're a die-hard fan of the most over-the-top melodrama Indian television has to offer, you're better off rewatching literally anything else.

Watch only if you're into slow torture with loud background music.