The Fire Within: Requiem for Katia and Maurice Krafft
- 2022
- 1 h 24 min
AVALIAÇÃO DA IMDb
7,6/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaMaurice and Katia Krafft dedicated their lives to exploring the world's volcanoes. Their legacy consists of groundbreaking footage of eruptions and their aftermath, composed in this visual s... Ler tudoMaurice and Katia Krafft dedicated their lives to exploring the world's volcanoes. Their legacy consists of groundbreaking footage of eruptions and their aftermath, composed in this visual stunning collage.Maurice and Katia Krafft dedicated their lives to exploring the world's volcanoes. Their legacy consists of groundbreaking footage of eruptions and their aftermath, composed in this visual stunning collage.
- Prêmios
- 6 vitórias e 1 indicação no total
Harry Glicken
- Self
- (cenas de arquivo)
Werner Herzog
- Narrator
- (narração)
Katia Krafft
- Self
- (cenas de arquivo)
Maurice Krafft
- Self
- (cenas de arquivo)
Avaliações em destaque
Werner Herzog is presenting a documentary about French volcanologist couple Katia and Maurice Krafft. I've never heard of this couple and suddenly they get two documentaries in short succession. Herzog has the name and the pedigree, but the other film has the Oscar nomination. It is fascinating to see them back to back and compare the two.
Herzog is using almost exclusively footage shot by the couple. I do notice the classic Mount St. Helens explosion footage. I'm sure that there are other non-Krafft footage to fill out the story. It is very compelling that Herzog tells us that they are about to die on that Japanese mountain early in the film. It's like presenting the dead body early in a murder mystery movie. Both documentaries use the couple's awe-inspiring footage, but this one does not have their voices. It is all Herzog narration as in most of his films. He's the one pontificating. Throughout the movie, I kept wanting to hear the couple voices or at least their words. This is more like a tribute spoken in a funeral and that may be the intention. I just have a better sense of the couple from the other movie. That is the main difference.
Herzog is using almost exclusively footage shot by the couple. I do notice the classic Mount St. Helens explosion footage. I'm sure that there are other non-Krafft footage to fill out the story. It is very compelling that Herzog tells us that they are about to die on that Japanese mountain early in the film. It's like presenting the dead body early in a murder mystery movie. Both documentaries use the couple's awe-inspiring footage, but this one does not have their voices. It is all Herzog narration as in most of his films. He's the one pontificating. Throughout the movie, I kept wanting to hear the couple voices or at least their words. This is more like a tribute spoken in a funeral and that may be the intention. I just have a better sense of the couple from the other movie. That is the main difference.
There is something so hypnotic for me when it comes to Werner Herzog and his creations, there is something almost animalistic, yet so sophisticated, poetic in all of his movies and documentaries. Werner's films (or book) make me leave everything I do to listen to him, to watch, learn. No different experience I had with this one tonight: so humane, gentle and poetic yet devastating film where humans and nature go in parallel with each of their steps and history. Beautiful, touching, compassionate but artistic, never pathetic - everything you would expect from this great filmmaker and creator. Highly recommendable.
10Luddify
Despite some rough edits and bare bones production value, another Herzog masterpiece in the same league as Fata Morgana.
The images shot by the Krafts and their home movies of each other are breathtaking. These are stitched together masterfully by Herzog as a lasting tribute to their work and a celebration of their sense of wonder.
The images shot by the Krafts and their home movies of each other are breathtaking. These are stitched together masterfully by Herzog as a lasting tribute to their work and a celebration of their sense of wonder.
Werner Herzog made this documentary not as a biography, but as a celebration and showcase of the work of a French couple famed for their pioneering photography of volcanoes, a dangerous craft that ultimately cost them their lives. It's pleasingly unpretentious: we see excerpts from their (still stunning) work alongside a little casual footage of the film-makers themselves, while Herzog gives us a quiet commentary more from the perspective of a fan than that of an expert (though of course he knows something of what he is talking about). If there's a tragic dimension (did they keep taking risks because that was what, at the end of the day, they did) Herzog doesn't dwell on it. It might sound dull and pedestrian, but the stunning images keep you attached, and draw out your admiration for those who dared to film them.
I could honestly not listen to some parts of the awe inspiring footage for the shouting and wailing music. This type of music is so divisive I don't know why they didn't just use emotive classical music. It spoiled the whole documentary for me. What I did see with the sound turned down was amazing. The couple seem to have a death wish at times and are more thrill seekers than volcanologist. The footage they filmed is incredible though. To see the devastation volcanos wreck on human and animal life is heartbreaking. This is how our amazing planet began and to honour the death from our past we should do more to save our future.
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- Trilhas sonorasSabat Mater
Trad. arranaged by Ernst Reijseger
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- Tempo de duração1 hora 24 minutos
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By what name was The Fire Within: Requiem for Katia and Maurice Krafft (2022) officially released in India in English?
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