Amityville: O Despertar

This film has had a long, strange road behind it. Starting with a Daniel Farrands (Halloween 6) and Casey La Scala (Grind) found footage style script in play, over time it was scrapped. Leading to this film. Written and directed by Franck Khalfoun (P2, Maniac).

Straight away, Khalfoun has a solid list of directed films under his belt. Being said, ones written prominently by other writers turned out a much better product. With this film, cliché and limitations are at play. Early on, this film sought a theatrical release and I can see what changed it all. It is lacking a cinematic punch. Lighting and atmosphere gave way to what was ultimately a tightly wound production schedule. Followed by even more delays. Even so, the film the film is directed well. Some effective scares and setups set a decent tone at times. Again, those missing atmospheric ingredients keep us in the dark with knowing who is at the helm.

I did find this film an interesting blend of the catatonic, ESP driven thriller Patrick with Amityvilles sense of possession an interesting take on the property. It provides a decent backstory and drama to the plot to keep the terrors grounded in reality. Solid writing there.

The rating is a problem here too. Originally an R, it was recut to suit a PG-13. Why? The Ryan Reynolds remake was a hard R and found solid success. This merely added less scares and a plethora of cutaways. Missed opportunities and a waste of filmmakers time and money that could've gone elsewhere.

The actors are actually quite solid, ranging from new stars and seasoned ones. They manage to convey conviction to each of their roles, even when moments seem over done.

The issue here is that this film is an okay film mostly because of its delay, but also because of its redundancy. How many Amityville films do we have at this point? Including redbox DTV's, it's off the charts. Hence why Farrands and La Scalas earlier premise may have been a better pay off.

Instead of replaying the Amityville saga again and again, maybe a modern deconstruction of the age old tale is just what that old haunted house needs to set those demon eyed Windows ablaze again.

I really wanted to like this movie - I went into with an open mind not really knowing what to expect from it as I had not read any of the reviews.

For me it lacked atmosphere, reminiscent of a made-for-TV or direct to DVD movie.

The idea of a family moving into the actual Defeo house 40 years on was an intriguing premise, but what I could not get past was the fact that the eldest daughter had no idea about the house and it's history until her new-found friends informed her, along with it's grisly back- story. Had she been living under a rock? At first I thought - OK, the movies don't exist in this universe but then they actually mention the movies, sequels and remake and even venture to watch the 1979 original.

Still, it was watchable and although there were the usual clichéd horror tropes it did hold my interest until the end.

Although a date has yet to be determined for the US release of the movie, Amityville: The Awakening has finally come out internationally.

After several delays that began 2 and a half years ago, this movie has sort of become a joke in the Hollywood movie industry and everyone has started to wonder how bad this new iteration in the Amityville franchise could actually be.

I managed to see the movie today and while there aren't too many good things to be said about it, it is far from being the worst horror movie that has been put out in theaters. Actually, that's this movie's main problem: a theatrical release. It would've been better off as a straight-to-DVD movie, given its poor technical aspects which bugged me the most.

First off, the movie is a jump-scare fest, which wouldn't have been that much of a problem if the majority of them wouldn't have been fake scares. They were all extremely cheap and failed to land because there was no build-up to any of them. I couldn't even hear ONE scream from the audience I watched the movie with because, though arriving at unexpected moments, the scares turned out as laughable and nonsensical. Now that I think of it, I am having a hard time remembering at least one memorable scare or moment of suspense.

The direction of the movie was completely flat and some truly atrocious editing choices certainly didn't help it. Not only did they take me out of the moment, but they also made certain scenes incomprehensible. What also took me out of some scenes during the big showdown at the end of the movie was the terrible VFX.

Another criticism I have for this movie is its extensive use of dream sequences and visions, which didn't help the plot at all and were completely unnecessary, besides for setting up another random jump- scare.

The score of the movie was supposed to help building tension, but it rather comes out as annoying and somehow manipulative.

The ending of the movie felt abrupt and unsatisfying. Certain scenes that were included in the international trailer a month ago were nowhere to be found in this cut of the movie.

On the other hand, the performances of the actors didn't bother me at all. Bella Thorne's acting is, surprisingly, not wooden at all and she actually gets to show some of her acting skills in a few emotional moments. Most of these are opposite Jennifer Jason Leigh, and the two actresses make the mother-daughter scenes work. A highlight of the movie is Thomas Mann who gets to shine in a few comedic moments as the movie geek friend, although he doesn't get a lot of time in the spotlight.

The movie is at its best when it doesn't try to scare the audience, but perhaps make us weep. My favorite scenes were the ones in which the characters begin to form emotional bonds. Talking about characters, the most complex arcs belong to Belle and her mother, Joan, who have dramatic backstories and real motivations. However, the two friends that Belle makes at her new school are left hanging in the air after a certain a point and are underutilized. Also, Belle's little sister completely disappears from the movie for a good portion of the running time, which leaves me thinking that the screenwriter-director didn't know what to do with her while the main characters were in peril.

Another positive aspect of the movie was its self-awareness of being yet another movie in the Amityville franchise. Some of the characters even agree on the fact that the 2005 remake of the original movie is not worth a watch. However, the movie gets bogged down in the mythology of the past installments in the series, as it so often goes back and tries to recreate certain plot points of the other movies.

Overall, I think this movie is, simply put, bland, utterly forgettable and a poor excuse to bring back the Amityville long-running franchise to a new generation, paling in comparison to this new wave of critically and commercially acclaimed horror movies of the past few years.

Amityville the Awakening is finally here after many, many push-backs and delays. Was it worth the wait? Well like many films that use the Amityville name, not really.

The cinematography is fine, the actors are okay. One of the biggest issues with the film itself is the audio, there are plenty of scenes where dialog is drowned out by background sound.

The film starts off on a good step, using what looks like old police footage to explain about the Defeo murders, unfortunately from there the movie makes a steady decline into worthlessness.

Instead of making the movie about the house, murders and haunting, they choose to focus on a bratty girl and her vegetable of a brother. The haunting takes a back seat to the family drama, which makes the movie even worse. Poor pacing, poor writing, the movie is less than thrilling.

Let's put it this way, there's a reason why they opted for a limited theatrical release and putting it up for free on Google play in October through December. It's a film even the producers and directors can't stand behind.

The reality is, the original Amityville was popular because it was portrayed as a true story, so the family drama was more humanized. With these other films, it's about the horror and this film completely ignores that.

"Amityville: The Awakening" is the tenth installment in the "Amityville" series (but honestly, who's counting anymore?), and it follows Belle, a teenager girl who move into the famed 112 Ocean Avenue with her mother, little sister, and brain-dead twin brother on life support. Bad things happen, including her brother become a vessel for demonic energy.

It's been a long road for "Amityville: The Awakening": I remember seeing trailers at the movie theater for it at least two years ago, but it had numerous delays in typical Weinstein Company fashion—it also, if my suspicious are correct, was chopped to pieces by the Weinstein Company's subsidiary Dimension Films, who distributed (or were supposed to distribute) the film.

I have a soft spot for the "Amityville" movies, and have found even the worst of the installments at least amusing—what can I say? I love a haunted house flick. "The Awakening" starts out rather nicely with atmospheric, mundane goings-on as the family settles in, punctuated by genuinely chilling moments: On their second day in the home, the little sister says to Belle that their brother, James, has been cursing at her. The punchline? James is brain-dead and in a vegetative state. These sorts of moments in "The Awakening" genuinely work, and Franck Khalfoun's script gets meta when Bella and her outcast friends have an "Amityville Horror" movie marathon at the Amityville House. As they're watching the infamous "red room" scene from the 1979 original, the power goes out; it's 3:15am. While this move is risky in that it relegates all the other "Amityville" films to fiction, it's clever.

Unfortunately, as the film progresses, things get sloppier and sloppier; uneven editing and pacing matches uneven development of plot lines that are fairly one-note to begin with. About three- quarters of the way through, one begins to realize that there really is not much happening; the subtleties of the first act lead to payoffs that are frankly not that interesting. As I mentioned before, it's difficult to say who is at fault for the film's shortcomings, as the Weinsteins are notorious for cutting films to pieces (see "Halloween: The Curse of Michael Myers," or "Cursed" for reference), and a lot of the issues come from what seems to be bad editing. Franck Khalfoun proved himself a talent in my eyes with 2007's "P2," and with people like Jennifer Jason Leigh, Kurtwood Smith, and Jennifer Morrison on board, there is considerable talent here. The young cast is even quite good, with Bella Thorne playing a sympathetic lead.

In the end, "Amityville: The Awakening" is actually one of the better sequels in the series, if we can call it that, and while it does offer some subtle and clever moments, it spins its wheels in the last act and errs into a rote, albeit shoddily-pieced-together conclusion. For series diehards, it's a must-see for the reasons I've stated above, but in general, it's a fairly unremarkable effort. 6/10.