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7,3/10
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SUA AVALIAÇÃO
Uma reencenação dos últimos dias da Cúpula do G8 de 2001.Uma reencenação dos últimos dias da Cúpula do G8 de 2001.Uma reencenação dos últimos dias da Cúpula do G8 de 2001.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 15 vitórias e 23 indicações no total
Avaliações em destaque
A KVIFF viewing, an Italian film from director Daniele Vicari, the film undertakes a sticky task to recount the fierce police assault on the so-called black-bloc group (mostly foreigners, students, journalists) after some protesters' affray in the final days of 2001 G8 Summit in Genova.
The film's chief characteristic is its visual language, shockingly bold and deadly savage, which inevitably will be shunned by the demography of those are intolerable of graphic violence. One must admit, we are now in the era where news generally fade away in a 48-hour rotation, there are myriads of mostly recent "unfortunate incidents" have been erased from our mind, so as to this film takes a quite extreme measurement to remind us such horrifying and atrocious events did actually exist only a decade ago in a developed western country, with government authorities holding the reins.
The very first scene, is a backward slow-motion of a protester slinging an empty bottle toward the police vehicles which are deliberately passing by the area, in order to procure a professed pretext to carry out the subsequent battery, so allegedly the entire action is ruthlessly plotted to set an example and to hector the masses. Two-thumbs up to the valor of the film, which fearlessly exposes the dark side of the government and the powerlessness of individual. But when the said slow-motion has been exploited multiple times, a dwindling impact inexorably occurs each time it recurs.
Due to the fact the approach of depicting this scandalizing event in a multi-reflective manner, it entails a wide range of characters, local volunteers, various foreigners (among those are many innocent victims and the real peace-breakers who ironically evade the brute force), policemen who execute the operation, The numerous cast diffuses one's concentration while most roles are underwritten and loosely connected or fragmented, nevertheless Jennifer Ulrich gives a gutsy impression as a victim traumatized both outside and inside, Claudio Santamaria, also stands out among the bulk of cast, as the righteous Italian policeman who is more of a reluctant witness than a government's henchman or heavy.
Anyway, with excellent editing, sound effects and a steady camera eye, the film is a quite mature work, on which one definitely could ruminate and alert oneself to be more conscious of the tragic happenings, they are just around us, be wise and be careful.
The film's chief characteristic is its visual language, shockingly bold and deadly savage, which inevitably will be shunned by the demography of those are intolerable of graphic violence. One must admit, we are now in the era where news generally fade away in a 48-hour rotation, there are myriads of mostly recent "unfortunate incidents" have been erased from our mind, so as to this film takes a quite extreme measurement to remind us such horrifying and atrocious events did actually exist only a decade ago in a developed western country, with government authorities holding the reins.
The very first scene, is a backward slow-motion of a protester slinging an empty bottle toward the police vehicles which are deliberately passing by the area, in order to procure a professed pretext to carry out the subsequent battery, so allegedly the entire action is ruthlessly plotted to set an example and to hector the masses. Two-thumbs up to the valor of the film, which fearlessly exposes the dark side of the government and the powerlessness of individual. But when the said slow-motion has been exploited multiple times, a dwindling impact inexorably occurs each time it recurs.
Due to the fact the approach of depicting this scandalizing event in a multi-reflective manner, it entails a wide range of characters, local volunteers, various foreigners (among those are many innocent victims and the real peace-breakers who ironically evade the brute force), policemen who execute the operation, The numerous cast diffuses one's concentration while most roles are underwritten and loosely connected or fragmented, nevertheless Jennifer Ulrich gives a gutsy impression as a victim traumatized both outside and inside, Claudio Santamaria, also stands out among the bulk of cast, as the righteous Italian policeman who is more of a reluctant witness than a government's henchman or heavy.
Anyway, with excellent editing, sound effects and a steady camera eye, the film is a quite mature work, on which one definitely could ruminate and alert oneself to be more conscious of the tragic happenings, they are just around us, be wise and be careful.
Let's make something perfectly clear before you watch this movie. If you didn't like the police before this movie, you won't for sure not like the police afterwards. The police is NOT your friend. They are the puppets of the people in power, and those people are corrupt to the bone. That's noting new, it's like that in almost every country. But to see that this happened in a "civilized" country like Italy is just repulsive and makes me sick to the stomach. Police brutality, it's not new, and it won't stop because of this movie. The proof, while I write this, is the current manifestations of the "Yellow Jackets" in France where we witness systematic daily police brutality, shooting flashballs in peoples faces, beating up everybody that stands in their way. The media trying to cover up all this police brutality are all on the payroll of the government. The independent media is the only one you can trust. And that's exactly what they show in this movie, extreme police violence and independent journalists trying to do their jobs. The movie is very hard to watch, and that's only if you have some feelings left when you witness injustice. Those right wing pigs should all be in prison, but the truth is that none of them even lost their job. Just like twenty years later where a Parisian cop gets the medal of honor after beating up innocents while on the other hand a citizen is in prison for beating up one of those robocops with his bare fists. A must watch if you want to try to understand how the police works if you're still living in a bubble on your cloud.
What happened on that day and is portrayed in the movie is nothing new.
All of us have seen what happened in Abu Ghraib, concentration camps, even on socker matches or concerns... we all know that people behave like swine when they are given the opportunity and even worse, when they are in "authority" (in any sense).
I have tried to read a book by psychologist Philip Zimbardo, that explains the topic of violence brought in common people if they are given an order or authority to do so... couldn't, it didn't feel realistic enough to follow. I saw the Experiment, based on his work and didn't find it realistic again - it felt like fiction.
Than this movie came. I seriously would make it an obligatory part of police and soldier training. To show them what they can become if they don't watch themselves... I would show it on psychology lessons to make the students understand that the beast in us is very much alive. Its a movie that partly kills the "humans are nice" mindset, but sometimes it needs to be done - the risks of forgetting are too high.
When I left the cinema I was thinking if there is anything that can be done from MY side to prevent such things from happening... All i came to was to be good - to spread the feeling of connection with strangers, to try and make any matter personal. This movie made me consider joining the police just to see and try to not allow anything like this to happen. Thank you for this, I don't know what will be my role, but movies like this make me realize, that living for my own self is just not enough (one day I might be sorry for doing so.. if I find myself on the wrong end of the baton).
All of us have seen what happened in Abu Ghraib, concentration camps, even on socker matches or concerns... we all know that people behave like swine when they are given the opportunity and even worse, when they are in "authority" (in any sense).
I have tried to read a book by psychologist Philip Zimbardo, that explains the topic of violence brought in common people if they are given an order or authority to do so... couldn't, it didn't feel realistic enough to follow. I saw the Experiment, based on his work and didn't find it realistic again - it felt like fiction.
Than this movie came. I seriously would make it an obligatory part of police and soldier training. To show them what they can become if they don't watch themselves... I would show it on psychology lessons to make the students understand that the beast in us is very much alive. Its a movie that partly kills the "humans are nice" mindset, but sometimes it needs to be done - the risks of forgetting are too high.
When I left the cinema I was thinking if there is anything that can be done from MY side to prevent such things from happening... All i came to was to be good - to spread the feeling of connection with strangers, to try and make any matter personal. This movie made me consider joining the police just to see and try to not allow anything like this to happen. Thank you for this, I don't know what will be my role, but movies like this make me realize, that living for my own self is just not enough (one day I might be sorry for doing so.. if I find myself on the wrong end of the baton).
In Late April 2009, I got a call in London to come to Genova to meet several mystery guests who wanted to meet me and several of the other Diaz victims. I was coming anyway to see Dr Zucca (The Genova prosecutor) but I was intrigued to find out who the mystery guests were. I met Domenico Procacci and Daniele Vicari in Genova at the Via San Luca office (where the Diaz case is archived) in late May for a 'secret weekend meeting' after the Cannes Film Festival.
At the time, I did not know who Procacci and Vicari were but I was told they were the best film producer and director in Italy and they wanted to make a movie of the raid on Diaz during the G8. I had seen Gomorrah, Procacci's mafia film and thought it was brilliant. Using this film as a comparison, I listened to what Domenico wanted to say to all of us present. Procacci explained to us that he had wanted to make a multi-million euro film about the raid for a long time but had been prevented because the trial process against the police.
He was willing to risk a lot of money on the project and we could all see that Domenico and Daniele were committed to making the movie. I personally told them that whilst I had a lot of personal confidence, I thought the Diaz police would try and stop the project or the right ring politicians like Berlusconi or Fini my sue Fandango. I also told them that Diaz is still live court case and that they had to do a lot of research.
After all of us from Diaz consulted with each other, we gave Domenico Procacci and Daniele Vicari permission to make the film. All of us were taking a risk allowing a production company like fandango access to the video evidence & photos and documents involved in the trial. However, we all felt that the story of the raid and what we had lived through had to be told to the rest of the world.
What is unusual about the Diaz movie was that there was no script in existence, so Fandango commissioned Laura Paolucci to spend two years writing a script. The end result is a pulp fiction style film which is 80% true to the story of Diaz. Obviously, Vicari could not go into detail about the entire G8 which forms the backdrop for the beginning of the film but I think Vicari has done an almost perfect job of marrying together true events with a few high drama fictional characters.
I think the combination of powerful high impact footage, recreated scenes and the chance of lifting the lift on the inside of the anti-globalization movement makes Diaz the movie a special film. The 2001 G8 was the biggest and worst riot in Europe in 60 years. To complete the film, Vicari has combined the usual high quality style of Italian film screening to capture this important moment of history, making it one of the best, most talked about and most controversial films to come out of Italy in 20 years.
Only after the film had premiered in Berlin did I learn that Procacci had said that Diaz had been his most challenging and complicated film to make with Vicari in agreement.
My story is played by an Italian actor Pietro Ragusa and my almost death is one of the penultimate scenes in the movie. Because I ran out of Diaz, I took the full force of Canterini's unit, the 7th Mobile heavy riot unit that had specially trained for the Genova G8 summit. Pietro's part is almost as it exactly happened and I am very happy despite the scene is one of the most harrowing.
At the time, I did not know who Procacci and Vicari were but I was told they were the best film producer and director in Italy and they wanted to make a movie of the raid on Diaz during the G8. I had seen Gomorrah, Procacci's mafia film and thought it was brilliant. Using this film as a comparison, I listened to what Domenico wanted to say to all of us present. Procacci explained to us that he had wanted to make a multi-million euro film about the raid for a long time but had been prevented because the trial process against the police.
He was willing to risk a lot of money on the project and we could all see that Domenico and Daniele were committed to making the movie. I personally told them that whilst I had a lot of personal confidence, I thought the Diaz police would try and stop the project or the right ring politicians like Berlusconi or Fini my sue Fandango. I also told them that Diaz is still live court case and that they had to do a lot of research.
After all of us from Diaz consulted with each other, we gave Domenico Procacci and Daniele Vicari permission to make the film. All of us were taking a risk allowing a production company like fandango access to the video evidence & photos and documents involved in the trial. However, we all felt that the story of the raid and what we had lived through had to be told to the rest of the world.
What is unusual about the Diaz movie was that there was no script in existence, so Fandango commissioned Laura Paolucci to spend two years writing a script. The end result is a pulp fiction style film which is 80% true to the story of Diaz. Obviously, Vicari could not go into detail about the entire G8 which forms the backdrop for the beginning of the film but I think Vicari has done an almost perfect job of marrying together true events with a few high drama fictional characters.
I think the combination of powerful high impact footage, recreated scenes and the chance of lifting the lift on the inside of the anti-globalization movement makes Diaz the movie a special film. The 2001 G8 was the biggest and worst riot in Europe in 60 years. To complete the film, Vicari has combined the usual high quality style of Italian film screening to capture this important moment of history, making it one of the best, most talked about and most controversial films to come out of Italy in 20 years.
Only after the film had premiered in Berlin did I learn that Procacci had said that Diaz had been his most challenging and complicated film to make with Vicari in agreement.
My story is played by an Italian actor Pietro Ragusa and my almost death is one of the penultimate scenes in the movie. Because I ran out of Diaz, I took the full force of Canterini's unit, the 7th Mobile heavy riot unit that had specially trained for the Genova G8 summit. Pietro's part is almost as it exactly happened and I am very happy despite the scene is one of the most harrowing.
The movie says: Don't clean up the mess, as in let the world see what happened. As you can tell by that, the movie is based on true events. Very harrowing and very powerful. The performances are pitch perfect. Small events enroll and you can see that something big will happen. The movie emphasizes that one scene is very important (one event if you wanna call it that) and it gets repeated. Now don't judge the movie on the bad cgi in that scene, if you can.
And as the other reviewer has said, it might have its flaws, but its message is very clear and it should have played at the big screen at the Berlin International Film Festival. The other reviewer also stated there's another movie called Summit, which I know will seek, which seems to be reveal even more of what happened, but more in a documentary style. This one reminded me a bit of the American movie "Battle in Seattle" ...
And as the other reviewer has said, it might have its flaws, but its message is very clear and it should have played at the big screen at the Berlin International Film Festival. The other reviewer also stated there's another movie called Summit, which I know will seek, which seems to be reveal even more of what happened, but more in a documentary style. This one reminded me a bit of the American movie "Battle in Seattle" ...
Você sabia?
- CuriosidadesDirector Daniele Vicari watched 700 hours of video footage for research.
- Trilhas sonorasEvolution, Revolution, Love
Performed by Tricky
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- How long is Diaz - Don't Clean Up This Blood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Cuộc Bạo Động Đẫm Máu
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 6.453.637 (estimativa)
- Faturamento bruto mundial
- US$ 2.621.201
- Tempo de duração2 horas 7 minutos
- Cor
- Proporção
- 2.35 : 1
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