Segue dois melhores amigos que ficam decepcionados com o fato de suas vidas terem se tornado tão banais. Então, apenas pela emoção, os dois decidem se passar por policiais e viver as vantage... Ler tudoSegue dois melhores amigos que ficam decepcionados com o fato de suas vidas terem se tornado tão banais. Então, apenas pela emoção, os dois decidem se passar por policiais e viver as vantagens de fazer as leis serem cumpridas.Segue dois melhores amigos que ficam decepcionados com o fato de suas vidas terem se tornado tão banais. Então, apenas pela emoção, os dois decidem se passar por policiais e viver as vantagens de fazer as leis serem cumpridas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Jonathan Lajoie
- Todd Cutter
- (as Jon Lajoie)
Randy Havens
- Dave
- (as Randall P. Havens)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
As you walk in the theater to watch "Let's Be Cops" you have to have a little bit of understanding what movie you just paid to fill up 100 minutes of your life. This is a dumb movie made in a cheap way that is intended to be dumb and cheap. I went in to see this movie with those expectations and as a result I was fairly entertained for the time I was sitting in that seat. To begin with "Let's Be Cops" has an absurd premise: two loser guys dress up as police officers for a costume party, and because the earth is apparently populated with people who have elementary levels of intelligence, the citizens of Los Angeles believe that they are legitimate officers of the law. In the most ridiculous and illegal ways they decide to use this to have some fun, get some girls, and get away with whatever the heck they want. But since this is a motion picture, their partying does come to stab them in the back as they get involved with a mafia- style gang, which is where we get the meat of the story.
"New Girl" co-stars Jake Johnson and Damon Wayans Jr. reteam for this film as Ryan and Justin: two of the biggest losers ever put onto the big screen. Their performances were good, granted the fact that absurd comedy is perhaps the easiest to do well in a film. Johnson specifically took on the role of a loser very well leaving you with the amount of distaste for his character which was needed to tell the story. Wayans did an excellent job of grasping the ridiculousness of the film and putting it into his character at the correct times. Ryan and Justin were not nearly as funny as they could have been, but for the budget this film was given Johnson and Wayans did an excellent job of providing very funny performances that are very necessary for a film like this to work. Also among the cast were James D'Arcy as the stereotypical villain, Nina Dobrev as the stereotypical girlfriend, Keagan-Michael Key as an over the top gang member, Rob Riggle as the only person who gets anything done, and a surprising appearance from Andy Garcia as the stereotypical gang leader.
When it comes to making a comedy of this style there is a precise formula that is easy to follow, works very well, and as a result is done very often. Director and co-writer Luke Greenfield clearly decided early on to stick with this formula and it can be seen throughout the film: We start with two guys. Both are over the top, both are good-for-nothings, both are funny, but are ten times funnier when they are together. Enter a ridiculous plot which they innocently get mixed up in and is way out of their league, usually something that comes up a lot in other films and TV shows. Add a creepy villain here, a girlfriend for one of them there, and a scene where they drop the comedy and say something deep and profound. Finish it up with a moment of true courage, cut quickly to another stupid joke before the credits roll, and you're set! A guaranteed twenty-five million dollars on opening weekend.
I'm not saying I dislike the formula, it works. It's irritating, but it works. At least some credit is due for that. It does bother me, however, that the films that follow the formula are often extremely successful and well-known, when there are so many really good films that take huge risks and are only seen by a select number of people. On its own scale though, this movie was fairly delightful. A good percentage of the jokes were very funny, there were numerous cringe-worthy moments, but it worked because somehow a laugh will always win that battle. The film also featured an excellent climax which was funny and even slightly suspenseful.
If you do decide to go see this film, which I don't think I'd immediately recommend, go in as I did. Have zero expectations. In fact, have low expectations. You're not going to find a "Dumb and Dumber" or a "Bridesmaids" in this movie, but it isn't a terrible thing to waste an hour and forty minutes on if you go in with very low expectations. I enjoyed it for the brief bit of my life, but I do know that I don't ever want to see it again. So as I walked out of the theater, I was ready to move onto the next thing.
I give "Let's Be Cops" a 5.8/10.
"New Girl" co-stars Jake Johnson and Damon Wayans Jr. reteam for this film as Ryan and Justin: two of the biggest losers ever put onto the big screen. Their performances were good, granted the fact that absurd comedy is perhaps the easiest to do well in a film. Johnson specifically took on the role of a loser very well leaving you with the amount of distaste for his character which was needed to tell the story. Wayans did an excellent job of grasping the ridiculousness of the film and putting it into his character at the correct times. Ryan and Justin were not nearly as funny as they could have been, but for the budget this film was given Johnson and Wayans did an excellent job of providing very funny performances that are very necessary for a film like this to work. Also among the cast were James D'Arcy as the stereotypical villain, Nina Dobrev as the stereotypical girlfriend, Keagan-Michael Key as an over the top gang member, Rob Riggle as the only person who gets anything done, and a surprising appearance from Andy Garcia as the stereotypical gang leader.
When it comes to making a comedy of this style there is a precise formula that is easy to follow, works very well, and as a result is done very often. Director and co-writer Luke Greenfield clearly decided early on to stick with this formula and it can be seen throughout the film: We start with two guys. Both are over the top, both are good-for-nothings, both are funny, but are ten times funnier when they are together. Enter a ridiculous plot which they innocently get mixed up in and is way out of their league, usually something that comes up a lot in other films and TV shows. Add a creepy villain here, a girlfriend for one of them there, and a scene where they drop the comedy and say something deep and profound. Finish it up with a moment of true courage, cut quickly to another stupid joke before the credits roll, and you're set! A guaranteed twenty-five million dollars on opening weekend.
I'm not saying I dislike the formula, it works. It's irritating, but it works. At least some credit is due for that. It does bother me, however, that the films that follow the formula are often extremely successful and well-known, when there are so many really good films that take huge risks and are only seen by a select number of people. On its own scale though, this movie was fairly delightful. A good percentage of the jokes were very funny, there were numerous cringe-worthy moments, but it worked because somehow a laugh will always win that battle. The film also featured an excellent climax which was funny and even slightly suspenseful.
If you do decide to go see this film, which I don't think I'd immediately recommend, go in as I did. Have zero expectations. In fact, have low expectations. You're not going to find a "Dumb and Dumber" or a "Bridesmaids" in this movie, but it isn't a terrible thing to waste an hour and forty minutes on if you go in with very low expectations. I enjoyed it for the brief bit of my life, but I do know that I don't ever want to see it again. So as I walked out of the theater, I was ready to move onto the next thing.
I give "Let's Be Cops" a 5.8/10.
Don't be fooled by the sophomoric title which conjures up images of idiots pretending to be cops to pick up chicks, get free things and otherwise act like fools in uniform
wait, that is what happens in this film. Still don't be fooled by the title, the movie isn't so much face-palming as it is just mildly and reliably silly.
The movie stars Jake Johnson of New Girl (2011-2014) fame as a burned out former college sports prodigy who's currently unemployed and single in sunny Los Angeles. His roommate Damon Wayans Jr. is a video game designer who struggles to bring his ideas to life thanks to a petrifying fear of taking initiative. His new game pitch involves a Grand Theft Auto-type RPG boasting an authentic beat cop experience. So authentic in fact, that he borrows real police uniforms to place on his presentation mannequins. His boss doesn't go for it but at least the two can become a hit at a costume party, thus beginning a ruse that grabs the attention of the ladies, the criminals and the LAPD.
The film adds very little to the buddy cop genre save a realistic performance by Rob Riggle as a legit Police officer. The villains are serviceable in menace and acting ability while love interest Nina Dobrev of the ever popular Degrassi: The Next Generation (2006-2009) is breathtaking T&A. The notion of Dobrev's character aspiring to be a makeup artist and not an actress or model is about as silly as Fred Astaire aspiring to be a shoe-shiner. Try as they might the chemistry between the two leads is cordial but no where near the level of Murtaugh and Briggs, Cates and Hammond, Lee and Carter. At best they're Freebie and the Bean (1974) without the pretense of already being A-List stars.
But let's be real, this film isn't trying to be the next Rush Hour (1998), and yes that is the new marker of quality. It's a movie that tries to reassemble the old Blockbuster video crowd who rented Martin Lawrence's National Security (2003) and All About the Benjamins (2002) a hundred times because old habits die hard and The Marine (2006) was already rented out. While Johnson and Wayans Jr. may not have the established fan base of Martin Lawrence or Ice Cube, there's no denying the films refreshing lack of pretense and the actors' enthusiasm towards the one-trick pony screenplay.
Let's cut the BS, what it all comes down to in movies like this is can it make you laugh? The short answer is yes and not just scattered chuckles either. Is it worth a re-watch; probably not. There are some truly inspired moments many of which are provided by Keegan-Michael Key (If Key and Jordan Peele were cast as the hapless fake cops instead of Johnson and Wayans who knows how deliciously absurd this movie could have gotten). Yet the buddy-banter all feels recycled and the action sequences are mundane.
I tacitly approve even if Let's Be Cops appeared too late on the scene to be relevant. Those who are limitedly exposed to the clichés of boys-in-blue-type cinema will find something to like, especially when their parents aren't in the room. Those with more discerning taste might want to look the other way on this one, not because it's offensive, dumb or bad but because it's too little of anything.
http://www.theyservepopcorninhell.blogspot.com
The movie stars Jake Johnson of New Girl (2011-2014) fame as a burned out former college sports prodigy who's currently unemployed and single in sunny Los Angeles. His roommate Damon Wayans Jr. is a video game designer who struggles to bring his ideas to life thanks to a petrifying fear of taking initiative. His new game pitch involves a Grand Theft Auto-type RPG boasting an authentic beat cop experience. So authentic in fact, that he borrows real police uniforms to place on his presentation mannequins. His boss doesn't go for it but at least the two can become a hit at a costume party, thus beginning a ruse that grabs the attention of the ladies, the criminals and the LAPD.
The film adds very little to the buddy cop genre save a realistic performance by Rob Riggle as a legit Police officer. The villains are serviceable in menace and acting ability while love interest Nina Dobrev of the ever popular Degrassi: The Next Generation (2006-2009) is breathtaking T&A. The notion of Dobrev's character aspiring to be a makeup artist and not an actress or model is about as silly as Fred Astaire aspiring to be a shoe-shiner. Try as they might the chemistry between the two leads is cordial but no where near the level of Murtaugh and Briggs, Cates and Hammond, Lee and Carter. At best they're Freebie and the Bean (1974) without the pretense of already being A-List stars.
But let's be real, this film isn't trying to be the next Rush Hour (1998), and yes that is the new marker of quality. It's a movie that tries to reassemble the old Blockbuster video crowd who rented Martin Lawrence's National Security (2003) and All About the Benjamins (2002) a hundred times because old habits die hard and The Marine (2006) was already rented out. While Johnson and Wayans Jr. may not have the established fan base of Martin Lawrence or Ice Cube, there's no denying the films refreshing lack of pretense and the actors' enthusiasm towards the one-trick pony screenplay.
Let's cut the BS, what it all comes down to in movies like this is can it make you laugh? The short answer is yes and not just scattered chuckles either. Is it worth a re-watch; probably not. There are some truly inspired moments many of which are provided by Keegan-Michael Key (If Key and Jordan Peele were cast as the hapless fake cops instead of Johnson and Wayans who knows how deliciously absurd this movie could have gotten). Yet the buddy-banter all feels recycled and the action sequences are mundane.
I tacitly approve even if Let's Be Cops appeared too late on the scene to be relevant. Those who are limitedly exposed to the clichés of boys-in-blue-type cinema will find something to like, especially when their parents aren't in the room. Those with more discerning taste might want to look the other way on this one, not because it's offensive, dumb or bad but because it's too little of anything.
http://www.theyservepopcorninhell.blogspot.com
Ryan and Justin, both are at a point in life when nothing seems to be working. Ryan is a former college football star and seems he can't get a break in Hollywood. Justin is a video game designer and can't get his cop game off the ground. One day on their way to a costume party, they discover that dressing like cops give them the respect and attention they crave. This leads to a path to acting like cops and being part of the LA police force. All is fun in games until they cross a real life gangster and discover that being a cop is not as easy as in the movies. A funny movie and also amazing how Damon Wayans, Jr. looks and acts like his daddy. Funny and a good story, Let's be Cops is a peek inside the police world.
I have just spent 2 hour on buses and 1 hour on foot to a cinema to watch this movie, and it totally worth it.
It is fun and I love it.
I admit that there are something in the movie that is not logical or not realistic, but it can still be called a good comedy as long as you do not take all the things so seriously.
Someone also mentioned that they are attracted by the trailer and are disappointed after watching it. What I shall say is that trailer does not exaggerate the fun point of the movie, I saw more fun spots in the movie which didn't shown in the trailer.
If you just want to have fun, it is a good choice, but if you want a very logical/classic/perfect story, do not try this one.
It is fun and I love it.
I admit that there are something in the movie that is not logical or not realistic, but it can still be called a good comedy as long as you do not take all the things so seriously.
Someone also mentioned that they are attracted by the trailer and are disappointed after watching it. What I shall say is that trailer does not exaggerate the fun point of the movie, I saw more fun spots in the movie which didn't shown in the trailer.
If you just want to have fun, it is a good choice, but if you want a very logical/classic/perfect story, do not try this one.
Good comedies are hard to do. Let's face it, we're bored with 'hangover II etc' and a comedy isn't funny if it just repeats previous comedies or if it is just banal humour.
Well, this film is neither intellectual nor cheesy. It has a really nice core story about these two great guys who have had very little success in life, but then they realise how powerful they are just by wearing police uniforms. The story seems simple, but the two main actors play it just right and it doesn't go over the top, but produces a really humorous film that kept be riveted. One of the best comedies I have seen, simply because it gets the balance right and is light, exciting, fun, has a little depth, and made me laugh despite my grumpy mood. Thoroughly recommended to everyone! No 'shocking'/rude comedy, simply excellent fun.
Well, this film is neither intellectual nor cheesy. It has a really nice core story about these two great guys who have had very little success in life, but then they realise how powerful they are just by wearing police uniforms. The story seems simple, but the two main actors play it just right and it doesn't go over the top, but produces a really humorous film that kept be riveted. One of the best comedies I have seen, simply because it gets the balance right and is light, exciting, fun, has a little depth, and made me laugh despite my grumpy mood. Thoroughly recommended to everyone! No 'shocking'/rude comedy, simply excellent fun.
Você sabia?
- CuriosidadesJake Johnson, Damon Wayans Jr., Jonathan Lajoie, Rob Riggle and Keegan-Michael Key, who are all stand-up comedians, improvised a lot of their dialogue.
- Erros de gravaçãoWhen Ryan's cop car chases the kids across the lawn, the tires squeal as if on pavement.
- Cenas durante ou pós-créditosAnother montage of Ryan and Justin posing as cops is shown during the end credits.
- Trilhas sonorasI Want It That Way
Written by Andreas Carlsson (as Andreas Mikael Carlsson) & Max Martin
Performed by Backstreet Boys (as The Backstreet Boys)
Courtesy of RCA Records
By arrangement with Sony Music Licensing
Principais escolhas
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- How long is Let's Be Cops?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Agentes del desorden
- Locações de filme
- Atlanta, Geórgia, EUA(as Los Angeles)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 82.390.774
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.813.722
- 17 de ago. de 2014
- Faturamento bruto mundial
- US$ 138.224.951
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