A Parte dos Anjos

'The Angels Share' is the latest film by Ken Loach about living on the rough side of Glasgow, Scotland and trying to cope with your past. It's a delightful little film that's really funny as well as portraying a lot of dark aspects about modern Scottish lifestyles.

The acting is surprisingly great; there are no real known actors in this besides John Henshaw who was fantastic despite not having a lot of screen-time. New-comers like Paul Brannigan are excellent and really carry this film. The performances of those main four characters are all done well, particularly Gary Maitland.

The script is quite interesting and has a great Scottish theme to it. The dialogue is fantastic, the conversations in this film seem so real and the colloquialisms provide so much humour for Scottish audiences. There have been few Scottish films lately that seem like a real Scottish film. The film also discusses a lot of other important issues i.e. alcoholism, drug abuse, poverty, violence and gang culture. It paints a picture of some people's lives in Glasgow.

Overall, this is a feel-good film which does discuss a lot of important, dark Scottish issues. It also has some great comedy included and fantastic dialogue making this film one of the best British films of 2012.

The Angels' Share is the first Ken Loach film I have ever seen, and I really liked it. I heard a lot about Ken Loach films before I saw The Angels' Share but I never had time to see one. I must say he is a talented director. I was impressed by the choice of actors, which is very judicious. I would compliment all the actors and I would reserve a special mention for Paul Brannigan, the main character. The acting is so realistic that the film seems like a real documentary about Scots'lives. The characters are friendly, and endearing. We can see a lot of beautiful Scottish landscapes during the whole film, and this is really pleasant. Ken Loach made an original storyline, and his film allows everybody to have a great time. It is a sweet comedy, hilarious sometimes, but mainly poignant. The film speaks with heart, humor and lightness about the social realism of delinquents. It shows that everyone deserves a second chance in life, even if it is very hard to get out of a situation you were born in. Ken Loach knows how to put a strong message in simple words. The Angels' Share is a good film, which is food for though. I was interested in watching it thanks to his participation at the Cannes Film Festival, and I was not disappointed by any aspect of the film. If I were you, I would go quickly to the cinema to see it. I would recommend it to anyone.

I've always liked Ken Loach's films, but this one is special. Set realistically in Glasgow, it could be set in virtually any major city in the UK with only minor tweaks (kilts apart). As with most of Ken's work, it's essentially about the infinite redeem-ability of the human spirit, given half a chance.

Comparisons are being made to the Full Monty, but I don't quite see that. If anything, it's a far better Trainspotting, with jokes to replace the parts you hardly want to watch. It's hilariously funny and if you don't blurt out at least one guffaw during the film, you are dead from the neck up. At the same time it is not a "feelgood" movie as such, because it faces the stark realities of the situation of the main character head on. Their lot is fairly hopeless and unlikely to get much better.

Inevitably in a film designed to fit within the constraints of the medium, it compresses far more than is sensible. More development of the way Robbie comes to understand his options would have been better, as would his growing relationship with Big Harry. You can forgive that, as otherwise it would have been a 10 part series for TV. Budgets are tight and we all know that this would never have made it.

I raise a glass to Ken, we need more like him. A man who reminds us so well how the world can be a better place, rather than just telling us how bad it is. That's really the Angels' Share, after all.

My main conclusion after watching The Angel's Share is that I haven't seen enough Ken Loach films.

Obviously I was interested to see The Angel's Share given the Scottish setting and the little bit of hype that the film has received here through its appearance at the Cannes Film Festival. I wasn't disappointed by any aspect of the movie and would recommend it to anyone.

The characters are real and the acting is hard to fault. The film strikes a great balance between highlighting the mistakes the main character, Robbie, made in the past and not being overly sympathetic, and at the same time recognising that he deserves a chance to build a better future and put it all behind him. The inclusion of the scene where Robbie is confronted by one of his former victims and the victim's family was inspired.

All of the performances given are believable, but i'd reserve a special mention for John Henshaw, who plays Harry. There's an almost intangible sadness to the character where you know he's also trying to make up for earlier mistakes in his life, although the film never goes into details. Very understated and poignant in parts.

Above all, this is a film with heart and has something for everyone.

Yesterday was my birthday and this was the film my wife and I decided to go out to watch, even if it seemed almost all the other screens at our 'Plex were showing "Spider Man". I think we made the right choice. It probably helped our enjoyment being from Glasgow enabling us to play "Spot the Location" as you invariably do in these situations and of course our familiarity with not only the "types" portrayed in the film but also their what I'll politely term vocabulary and vernacular.

What it is at heart is a caper film involving four young offenders who as part of their "community pay-back" sentences get taken under the wing of a good-hearted middle-aged "minder" well played by John Henshaw and learn that they have a penchant for whisky-tasting after a sponsored visit to a distillery. From there, they hatch an unlikely plan to steal for a private collector extracts from a rare cask which takes them up to the islands on an intrepid mini-"Mission Impossible", which after some ups and downs ends happily for all.

The film displays Ken Loach's by now usual mix of naturalistic realism with everyday settings and improbable plotting with attendant unlikely coincidence along the way. The film starts with a couple of violent scenes to fully convey the tough environment from which the protagonists are seeking a way out but changes into a different film altogether when the four decamp to the Highlands to carry out their ingenious theft. That dichotomy in retrospect seems a little forced at times and the coincidental nature of the plotting which affords them their once-in-a-lifetime opportunity stretches credulity as it settles into almost Ealing-esque territory but it's carried off with some flair and conviction with a nice human touch at the end to send everyone home out of the cinema with a "feel-good" smile on their faces.

The ensemble acting is as usual with Loach of a high standard. Paul Brannigan as the brains behind the misfits shines but each of the four comes across with their own personality. The dialogue is sharp and up to date with some funny set-pieces thrown in too, particularly those involving the wrong bike and how a recovering junkie slaked his thirst.

Overall, once you suspend disbelief at the plot development and denouement, this is an easy film to settle down and enjoy. My wife and I certainly did, happy birthday to me!