Irmã Morte

Good movie. I consider Veronica to be a superior film, but this is how you make a prequel. Completely different on its approach, with significance for the original story, yet very much its own thing.

Very good performance in the lead role by Aria Bedmar, whom I wasn't familiar with, but who showed a range of nuances in approaching this character. I loved the production design and cinematography, with Paco Plaza once again demonstrating his exceptional camera work, one of the best in the horror genre, and always maintaining impeccable mise en scene. Once again, sound - mixing, score and sountrack - is also a standout in his works. I can't say it was scary or terrifying, but it's a very well-paced story, creepy enough, and with some very interesting setpieces.

The name - Paco Plaza - is almost enough assurance for a horror product to work. Here's a nun movie that's way better than both The Nun entries from The Conjuring universe, and it comes from one-half of the directors of the REC films. This is a prequel to Plaza's 2017 chiller Veronica, focusing on Sister Death's side of things. For a film that just runs for 90 minutes, there's a surprising level of depth in storytelling, and Plaza's use of visual metaphors is on full display here. The "eclipse" aspect is wonderfully incorporated into the storyline, and while the first two acts may come across as slightly less effective from a narrative standpoint, the final act where the dots begin to connect, is truly spectacular. Even in those first two acts, the atmospherics are remarkably set up.

The makers of The Nun films could learn a thing or two, in terms of how to design aesthetically spooky frames. The smart usage of close-up shots, the innovative use of gore, and the commendable performances of the child actors help Sister Death rise above your generic supernatural horror film. The only thing that sort of baffles me, is the makers' decision to add synth beats to a couple of chilling scenes, which made me tune out of the film's madness albeit for a few seconds. I have to say I enjoyed this a bit more than Veronica, and that may (or may not) have to do with how disappointing the recent demonic nun movies have been. This is a solidly packaged pre-Halloween gift indeed.

Without spoiler: The movie Starts slow but it picks up the pace and it gets more disturbing with each passing second. For the last 30 minutes I was so tensed by this movie that I couldn't even look away for a fraction of a second, overall the movie is what horror movies should be. Acting is on point and the plot is just outstanding. The only negative point about the movie is that some scenes are unnecessary according to me. Hope we see more movies like this in the future and get part 2 of Veronica. Director should be praised and I think this movie should have been released in theatres rather than Netflix.

From the trailer the film visually looked a little more like an independent film in the sense of having long shots and a fixed camera. I have to say that I liked it a lot, the atmosphere is well constructed, the actors do a good job and above all, as many here have said, it is better than The Nun. I haven't seen the movie Veronica, but after watching this movie I'm going to watch it. I, personally, had not seen a horror film so well constructed and so well crafted for a long time, I was left speechless. I like Spanish cinema, and this director has done it quite well. The photography, on the other hand, is spectacular, it should win the Goya award for best photography, I hope so.

"Sister Death" is a remarkable horror film for its stunning cinematography, with a palette of vibrant colors and dazzling lights that, if there were a category for Best Cinematography in Horror at the Oscars, would certainly deserve a nomination. Despite a plot that didn't fully engage me, the evocative atmosphere harks back to independent religious horror productions from the 60s and 70s.

Despite its imperfections, it outperforms previous films with a "nun" theme in the horror genre, such as "The Nun." However, some unresolved issues in the third act leave something to be desired, and there were certain points I didn't quite grasp, which might be due to my lack of recollection about "Veronica," the film to which this serves as a prequel. In summary, "Sister Death" is a visually stunning experience, though a more engaging narrative could have made it truly memorable.