Redenção

It's been quite a long time, perhaps for the first, that I was engrossed with Jason Statham's movie, not due to the sheer number of cracked skulls, but with his character and the ones around him. Hummingbird is another entity compared to his usual martial arts filled carnage, although his trademark of hurting people certainly didn't disappear. Jason Statham as Joey Jones, takes on a deeper and more emotional role, which with the help of director Stephen Knight, surprisingly works well.

Agata Buzek as Cristina, a love interest role which couldn't be any farther than Jennifer Lopez's in Parker, is an altruistic nun who cares for Joey in his darker times. She is not the typical cinema beauty, yet she is humbly charming. Her acting is impeccable, often giving eerily sympathetic moments that could silence the audience. Statham benefits from her presence as well as he gives more to acting than the majority of his movies. That doesn't mean he will be getting awards soon, but it is a good direction on his part.

Cinematography utilizes London cityscape in a very rustic fashion, it's the opposite from the well-advertised side of the city. Streets and alleyways seem more in touch with reality, nothing grandiose about them, while prettier settings ooze some illusion of eminent cosmetic. With sleek scene transition between them, the movie appears to be very grounded. Story and script are great, despite having a few coincidental twists. It's somewhat a stark contradiction from the grimy visual, a bits of fantasy to escape the harsh prospect. Smart ways to evoke more mature theme is appreciated and it makes Hummingbird more subtly artistic.

Statham's character is a vigilante, a crowd-pleasing broken man whose past never lets him go. He does this part to his best, enough to at least differentiate him from his other tough guy role. However, people who purchase ticket to see Statham delivers knockout punches or staggering kick might be slightly disappointed. The action is brutal and punishing, but there's considerably fewer scenes from what might be expected from his type of movie, although these few are choreographed and done well in a more street brawl kind of way. Having a genuine martial artist couldn't hurt either.

The movie takes some time to get its rhythm, and while it's commendable for Statham to try this new change, he's still rough in acting department. That being said, Hummingbird is clearly superior than most of his movies. It doesn't rely simply on muscle, but it takes the audience to a more private look into these likable characters. I feel that the role of Joey Jones could be played by Jeremy Renner or Tom Cruise. If Jason Statham can continue in roles like this, he'd be bigger than just the guys who beats people up.

Rate 7.5/10

Redemption isn't quite as interesting as it wants to be and is somewhat unfocused, but thanks to a surprisingly ambitious screenplay and one of Jason Statham's better performances, it works as a perfectly watchable thriller.

*Warning. This review is only short, I don't like to write long reviews, so please don't hate this review because its short and everything in the film isn't summarized, thank you.

I'm a huge Jason Statham fan and when I first saw the trailer for this film I was a bit skeptical whether or not, he could pull a dramatic drama performance off. And after reading some of the reviews I wasn't putting my hopes up too much, when the credits showed up, I was shocked.

Jason Statham was excellent, he wasn't the best. But what a transformation from being a *badass action hero, into playing a dramatic war veteran. This movie rocked. There was plenty of great scenes in here, and you can really tell he tried to put on his best performance.You could really feel the emotions of what his character was going through. The directing was also good and the cinematography was also great at times. You could really feel the darkish atmosphere and the danger the homeless people were in. This was most definitely a powerful drama.

So if your a fan of Jason Statham and want to watch something different from him then I recommend this. But please don't expect to see another Transporter film, the class of this one is much higher then many of his previous films.

Im going to give Hummingbird(Or Redemption in the U.S) 3 1/2 Stars. (7/10)

*Hes still badass in this film.

Although it could of have been better and is far from perfect, but it was a joy just watching Statham take on this type of role.

Given Jason Statham's recent track record in film, you might be forgiven for thinking that HUMMINGBIRD is yet another action-packed beat-'em-up, but it turns out to be something quite the opposite. The unusual title is a bit of a give-away, but this turns out to be a moody tale of redemption on the gritty streets of London.

Somewhat surprisingly, Statham shines as the down-on-his-luck former soldier reduced to a life of homelessness on the streets. This is a guy who rarely gets the chance to properly act, but who can be decent when given the opportunity. It helps that his story arc is well-handled, displaying sensitivity where needed and exploring the thematic elements with maturity.

Of course, there are one or two fight scenes tossed into the mix for the fans, but for the most part this is a thoughtful mood piece that tells an interesting tale and does so well. Congratulations to all involved.

Once someone see Jason Statham's name and face on the promotional materials, they will immediately think Hummingbird is another action film where the star runs around the city fighting bad guys. If you came expecting it to be like The Transporter or any typical Statham feature, it would be either disappointing or otherwise surprising. The plot is more of a Neo-Noir drama about a man who lives in the rotten side of society and faces real consequences. The film is unbalanced in handling two of its tones, but the context hits the right note in the end. Hummingbird has a better way to tell the story but it's already a fascinating film to watch.

The story is obviously about redemption, and as a Statham film it should have fistfights to show his enemies who's boss. But instead his character here troubles facing his demons and has to commit crimes to get what he needs. It's a much interesting story about people who have to deal with the unfair reality and beat it off with their skills. It surely has punching but they are used for torture rather than exciting action set pieces, though they may still remind you of a standard action film. The film suffers of balancing between tones. Example is the opening feels totally different from the rest of the movie. It looks like a complete thriller until it randomly jumps to art-house crime drama. Probably, it's a set up for the ones who came for the action by the main actor's existence in the film, but it goes again whenever Joey beats up someone for his job. Maybe the problem is these scenes are not grim enough. They should have shown an uglier depiction of violence.

The best parts are when it simply keeps the characters into their gloomy lives. Letting everyone understand the protagonist's motivation of being a Robin Hood. Jason Statham didn't standout much. His fighting is still impressive, though our familiarity to his moves kind of glosses the scenes that are supposed to be uneasy to watch, but his natural film personality buys the character, giving awareness to the choices he make and guilt he receives. The real talent that shines here is Agata Buzek, who genuinely presents her character's contrasting traits.

Hummingbird is a strange film with a classic kind of story, but it's the sort of strange that is rarely seen in cinema today. It's sort of hard to find the right type of audience to get appealed to this. It was all drama, then suddenly has fighting scenes that are supposed to be dark yet becomes the other way around. In other parts, it has an engaging exploration of the characters' bleak little world. The filmmaking is as magnificent as it needs and the performances are quite gripping. It still deserves a better portrayal of its conflicts and a set of tones that could decently fit together. In the end, it's a worth seeing change from the genre and the main actor.