New Life

I can't see a reason why a moviegoer is gonna dislike it, i mean, it delivers what it promises. As long as you know what this is about. So, it's not a horror movie and it's mislabelled here. This is a scifi thriller movie, leaning more into drama than horror. It's not scary neither mindless fun. There are some thrilling and intense moments but it requires your patience, it's a slow burn but it didn't drag. Furthermore, it's well acted and the script was not very good but good enough to make a viewer invest.

Simultaneously, i can't see a reason why a moviegoer is gonna love it or get excited. Really low budget for this genre, a bit amateurish production and definitely a movie which almost everyone who watch it, will forget in a week max.

So, lower your expectations, know what this is about and you will probably like it, if you like this genre. I have watched many trash movies and tv shows recently, NEW LIFE is defintely not like that. It's a good movie. Still, not a MUST WATCH. There are far better movies to watch (older movies mostly) if you have not much free time to spend.

"New Life," directed by John Rosman, recalls David Cronenberg's early films like *Shivers* and *Rabid* with its blend of grotesque disease, dangerous infected, and a hint of corporate conspiracy. The story tracks Jessica (Hayley Erin), a fugitive harboring a lethal pathogen, pursued by Elsa (Sonya Walger), a fixer with ALS linked to a shadowy organization. Its slow tension builds to unsettling, Cronenberg-inspired horror, with practical effects showing bodies twisted by a primal plague.

Rosman echoes Cronenberg's knack for unease and bodily betrayal-think less *The Fly*'s transformation, more the raw paranoia of his earlier works. Jessica's flight and Elsa's fraying resolve add human weight, while the conspiracy lurks subtly in the background. The Pacific Northwest setting lends a stark chill, and a mid-film shift keeps it engaging, though it lacks Cronenberg's deeper bite.

"New Life" is an interesting watch, particularly for its nods to Cronenberg's early style. It's a solid debut with strong performances, offering a fresh take that fans of that era might appreciate, even if it doesn't fully match its predecessor's intensity.

Of the movie, you will get an interesting story. I was confused because in the first 40 minutes nothing happens, that would fit into the horror genre. I once saw a movie (out of respect for this one, I will not mention the title) where even the first scene, a girl stalked by her ex, is directed like a horror movie. This one has mystery, and then at some point there comes an aha!moment and then you kinda know what is going on. So, patience, dear watcher. I saw good reviews, then decided to watch this and it paid out. Also enjoyed the absence of big a-list names, so nothing was distracting. I only wish that one poster (which does not make sense and that scene is not in the movie) would not exist. Give it a go, it has themes like ALS, which you rarely see in cinema.

John Rosman's New Life tries to breathe exactly that into the zombie genre, and only somewhat succeeds. This is a film with some good atmosphere, scenery and genuinely disturbing special effects but it's consistently unclear in narrative, distracted by its own weird subplots and never quite grounds itself in anything wholly cohesive. A young girl (Hayley Erin) is on the run from the director (Tony Amendola) of a nefarious institute who has hired a mysterious fixer (Sonia Walger) to track her down and eliminate her. Why? Well I've already mentioned zombies earlier which isn't a secret the film really keeps too well from the outset, so there you go. The film is at its strongest when it focuses on the young girl evading her pursuers, seeking food and shelter from a kindly farmer and his wife, the simplicity of moving from place to place. When the story pivots back to the fixer is when it sort of loses momentum; Walger is a great actress whose work I love in LOST, but she's saddled with an odd arc here. Too much dialogue and a bizarre subplot about her early onset ALS do nothing for the story at large and just muddy things up. It also suffers from a jarringly abrupt ending and a general lack of focus.

A mix of The Fugitive with 28 days later. But if everyone was idiotic. I didn't care about any of them.

Great premise but at less than 90 minutes it's too short for any of it to have any real impact. A lot of unearned attempts at emotional moments.

The "twist" is less of a surprise and more just expanding on what you already are able to understand.

There's a secondary story with Sonya Walger that is supposed to add depth to her character but it just comes of as superfluous. There's no impact to the story other than making the reason why's she's picked for this manhunt to be completely idiotic.

I typically don't want longer movies but this one could have used more time in the oven.