Slip

I loved this, and Zoe Lister-Jones is great in anything she's in. The storyline was really interesting and I loved the moving through the different dimensions. I'm not really getting the negative reviews on this. It's something different, is easy viewing at half an hour, and only goes for seven episodes. I'd probably class it as humorous drama, rather than a comedy, though. So don't go into it thinking there'll be heaps of laughs.

The supporting cast were great too, except I think the husband was miscast - he seemed like an overgrown teenager, and the two of them married wasn't really believable for me.

Zoe's Lister-Jones performance, writing, and direction created a beautiful piece of art. I enjoyed the series from the start because of her presence, especially. It's refreshing to see sex scenes filmed through a woman's lens, and as an integral part of the story. By the final episode, I had a different take on the whole series than I did at the beginning. It was life-affirming, while exploring how easy it is to lose sight of ourselves and all the gifts in our lives. I love quirky, philosophical films, and this hit the spot. If you're a fan of main stream films, this might not be up your alley..

Maybe if this had been a 90 minute movie it would have been effective, but as a 6 episodes series it completely wore out its welcome. The overall premise of slipping between different realities with different partners was intriguing, but after a while it didn't really feel like the alternate realities offered much of anything new to the character's journey. The first episode also painted the husband in such a negative light that it was hard to believe the main character would spend the entire series desperately trying to get back to him. Sure, "the grass is always greener" and maybe her life wasn't as bad as she originally thought, but her attempts to get back to her old life felt obligatory and inorganic--and the ambiguous ending definitely didn't help.

This brief series should be binge-watched with zero expectations and zero distractions. Zoe Lister-Jones should be in the running for an Emmy for the scene in Episode 7 where she screams at herself and Gina shows up. I don't agree with other reviewers who say it could have been a 90-minute movie. Each episode was clearly separate from the previous and necessary. The different characters throughout are delicately braided throughout. Primary original characters, Gina for example, showing up throughout, make this fantasy story feel plausible. By the way, Mae's orgasms were definitely catchy. Hard to believe there were there was a film crew milling about!

I read a positive review in the Guardian and decided to watch it.

Shocked at how shallow and cliché it was, almost from the start. Nothing new, nothing special, all done before and to much better standards.

Towards the middle, it became clear, especially knowing that the writer is playing the main character, it's an exercise in self-indulgent writing and acting. Some scenes are cringe-worthy because of the basic script that's meant to sound deep on occasion, and the amateur acting.

Nothing memorable or redeemable; quickly becomes very predictable. I'm curious to know how this got funding and materialised into a seven-episode drama; but unfortunately fluff sells these days, more than ever.