AVALIAÇÃO DA IMDb
6,8/10
2,3 mil
SUA AVALIAÇÃO
Marta, de 13 anos, mudou-se recentemente para o sul da Itália com sua mãe e irmã mais velha e luta para encontrar seu lugar, testando incessantemente os limites de uma cidade desconhecida e ... Ler tudoMarta, de 13 anos, mudou-se recentemente para o sul da Itália com sua mãe e irmã mais velha e luta para encontrar seu lugar, testando incessantemente os limites de uma cidade desconhecida e o catecismo da Igreja Católica.Marta, de 13 anos, mudou-se recentemente para o sul da Itália com sua mãe e irmã mais velha e luta para encontrar seu lugar, testando incessantemente os limites de uma cidade desconhecida e o catecismo da Igreja Católica.
- Direção
- Roteirista
- Artistas
- Prêmios
- 10 vitórias e 10 indicações no total
Yile Yara Vianello
- Marta Ventura
- (as Yle Vianello)
Giovanni Federico
- Nino
- (as Gianni Federico)
Monia Alfieri
- Donatella
- (as Monica Alfieri)
Avaliações em destaque
This is the movie which can be discuss for years to come. A young pre-adolescent girl from Switzerland, where there is freedom of religion, who goes to Catholic dominated Italy to live with her Mother and older Sister who pesters her. Imagine the cultural shock of a contrast country. Add to this, the coming of adolescent age with its confusion and rebellion. Survival is challenging despite the indoctrination of a religious sense to keep people living within the teachings of the church. One sees a battle between moral values and self preservation. Plus, the struggle of an innocent child who wants to live the right way in a world that acts on human self righteousness and desires. This film will take you on a ride which leaves you in a hopeless state of not knowing who to believe or what to believe. Yet, among all the world lust, hypocritical situations, and unfairness... we can survive. We are a miracle. Especially when we put our faith in spiritual understanding. A thought provoking film which will question your own beliefs and understanding.
After a slow start, I really enjoyed this one. Yle Vianello is wonderful as Marta, the earnest young girl about to go through the rite of confirmation in the Catholic Church. In a quiet way and without resorting to something like a story of priestly abuse, director Alice Rohrwacher gives us a powerful critique. She shows church leaders to be almost hopelessly far from Christ's precepts, and more interested in indoctrinating the young (in some cases with untranslated and unexplained dogma) and their own positions within the hierarchy than in real teaching. The drive from Reggio Calabria to the abandoned hill town to tussle over a crucifix seems like a perfect metaphor. I felt for Marta's coming-of-age alienation from her changing body, her mean older sister, and her crisis of faith. The subplot of the priest's assistant, a woman who finds out just how little she means in the patriarchy of the church, is also strong.
Alice Rohrwacher cannot disappoint.
If like myself, you have seen her latter films (and don't skip the documentary La Futura) - and are wonder-ing about seeing this film, rest assured even in her debut, you shall be rewarded.
This film is a little slower or more subtle perhaps than the others. Rohrwacher has not yet put her full faith in nature, but there are gusts of winds that sort of blow the (what else) young teenage female heroine through the town she has recently moved to.
In contrast to the church's literal formula, young Marta goes on her own pilgrimage. She is a misfit both in catechism and her sister's borrowed clothing. The viewer may have to be gentle with her and this film , but ultimately there is a lot going on. Trust in her, as in all of Rohrwacher's adolescent savants. The wisdom of the naif.
I feel like this could pair well with the more grandiose "The Mission." The film is not so much about religion, though it can feel that way. To me the tale is more about abandonment.
Amazing how the director connects a famous phrase from the Bible, Christ's cry - in Greek as part of the aforementioned formula, to the town of Roghudi Vecchio. There is also the subplot of Santa (the real spirit of the small church) and Don Mario (definitely the corporate/corporeal side) - and Santa fearing his abandoning.
There are religious tropes that tantalize through-out, walking on water, loaves and fishes, the blood of innocents - but do not be led into the temptation of trope tagging, instead enjoy the beauty of doubt, and the wrestling with abandonment.
Well that, and Rohrwacher's portrayal of adolescence as somehow more knowing and more flexibly real than rigid structures of catechism and capitalism and the other isms Rohrwacher so strongly distrusts.
If like myself, you have seen her latter films (and don't skip the documentary La Futura) - and are wonder-ing about seeing this film, rest assured even in her debut, you shall be rewarded.
This film is a little slower or more subtle perhaps than the others. Rohrwacher has not yet put her full faith in nature, but there are gusts of winds that sort of blow the (what else) young teenage female heroine through the town she has recently moved to.
In contrast to the church's literal formula, young Marta goes on her own pilgrimage. She is a misfit both in catechism and her sister's borrowed clothing. The viewer may have to be gentle with her and this film , but ultimately there is a lot going on. Trust in her, as in all of Rohrwacher's adolescent savants. The wisdom of the naif.
I feel like this could pair well with the more grandiose "The Mission." The film is not so much about religion, though it can feel that way. To me the tale is more about abandonment.
Amazing how the director connects a famous phrase from the Bible, Christ's cry - in Greek as part of the aforementioned formula, to the town of Roghudi Vecchio. There is also the subplot of Santa (the real spirit of the small church) and Don Mario (definitely the corporate/corporeal side) - and Santa fearing his abandoning.
There are religious tropes that tantalize through-out, walking on water, loaves and fishes, the blood of innocents - but do not be led into the temptation of trope tagging, instead enjoy the beauty of doubt, and the wrestling with abandonment.
Well that, and Rohrwacher's portrayal of adolescence as somehow more knowing and more flexibly real than rigid structures of catechism and capitalism and the other isms Rohrwacher so strongly distrusts.
I'm grateful to finally find a film that is sensitive, subtle, original in its view of people and has something to say (about faith and the church, society and outsiders.) It's Italian, but only two characters act like the Italian angry prototype, and only briefly. The acting is extraordinary. Yle Vianello, who plays the thirteen years old girl, seems as authentic as it gets. It is her story-after ten years in Switzerland, she returns to a small town in Italy with her single mother and 18-year-old sister. Right away she's called to participate in the endless studies for the communion at church. She tries to fit in, but is swept by other types of emotional and spiritual searches.
While harshly critical of the deadening effects of religious dogmatism director Alice Rohrwacher is never crudely so. She manages to inject some level of sympathy for the abusive catechism teacher as well as the careerist priest while having the most negative person be the very secular, cruelly teasing older sister of the main character. I also like how the film's dramatics never veer into histrionics. In other words, Rohrwacher has a steady, controlling hand, for me a sure sign of a good film maker. Another indication is her ability to coax an amazingly fine performance from a child actor as she does here with Yie Vianello as the traumatized yet rebellious 13 year old Marta. I hope to see more of this fine director's work as well as Vianello's subsequent film, "Sow The Wind". Give it an A minus. (Why not an A? Well, for one, I would have liked more of an examination of why Marta's dad ignores her and prefers the horrendous older sister. And for another I wanted to know why Marta's family had to move from Switzerland to Calabria which, on the trauma scale, is like going from Boulder Colorado to Greenville Mississippi.)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.919
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.263
- 10 de jun. de 2012
- Faturamento bruto mundial
- US$ 347.600
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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