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IMDbPro

Catch .44

  • 2011
  • 16
  • 1 h 34 min
AVALIAÇÃO DA IMDb
4,6/10
18 mil
SUA AVALIAÇÃO
Bruce Willis, Forest Whitaker, and Malin Akerman in Catch .44 (2011)
For Tes and her cohorts Kara and Dawn, the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition.
Reproduzir trailer2:03
7 vídeos
30 fotos
AçãoSuspense

Três mulheres são enviadas para interceptar um grande negócio de drogas em um restaurante às 3 da manhã e receber o dinheiro. Simples, exceto pela lei de Murphy: qualquer coisa que possa dar... Ler tudoTrês mulheres são enviadas para interceptar um grande negócio de drogas em um restaurante às 3 da manhã e receber o dinheiro. Simples, exceto pela lei de Murphy: qualquer coisa que possa dar errado, vai dar errado.Três mulheres são enviadas para interceptar um grande negócio de drogas em um restaurante às 3 da manhã e receber o dinheiro. Simples, exceto pela lei de Murphy: qualquer coisa que possa dar errado, vai dar errado.

  • Direção
    • Aaron Harvey
  • Roteiristas
    • Aaron Harvey
    • Diego Garzon
  • Artistas
    • Malin Akerman
    • Nikki Reed
    • Deborah Ann Woll
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,6/10
    18 mil
    SUA AVALIAÇÃO
    • Direção
      • Aaron Harvey
    • Roteiristas
      • Aaron Harvey
      • Diego Garzon
    • Artistas
      • Malin Akerman
      • Nikki Reed
      • Deborah Ann Woll
    • 107Avaliações de usuários
    • 44Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos7

    U.S. Version
    Trailer 2:03
    U.S. Version
    Catch .44
    Clip 1:08
    Catch .44
    Catch .44
    Clip 1:08
    Catch .44
    Catch .44
    Clip 1:20
    Catch .44
    Catch 44: Strip Club
    Clip 1:17
    Catch 44: Strip Club
    Catch 44: Meeting Mel
    Clip 1:20
    Catch 44: Meeting Mel
    Catch 44: Diner
    Clip 1:48
    Catch 44: Diner

    Fotos30

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 24
    Ver pôster

    Elenco principal20

    Editar
    Malin Akerman
    Malin Akerman
    • Tes
    Nikki Reed
    Nikki Reed
    • Kara
    Deborah Ann Woll
    Deborah Ann Woll
    • Dawn
    Forest Whitaker
    Forest Whitaker
    • Ronny
    Bruce Willis
    Bruce Willis
    • Mel
    Shea Whigham
    Shea Whigham
    • Billy
    Jimmy Lee Jr.
    Jimmy Lee Jr.
    • Jesse…
    Brad Dourif
    Brad Dourif
    • Sheriff Connors
    Jill Stokesberry
    Jill Stokesberry
    • Francine
    P.J. Marshall
    P.J. Marshall
    • Deputy Elmore
    Dan Silver
    • Businessman David
    • (as Dan Sliver)
    Michael Rosenbaum
    Michael Rosenbaum
    • Brandon
    Edrick Browne
    • Davon
    Christopher Alan Weaver
    • Male Diner Patron
    • (as Christopher Allen Weaver)
    Amanda Bosley
    Amanda Bosley
    • Female Diner Patron
    Ivory Dortch
    • Strip Club Waitress
    Jon Dainty
    • Bar Patron
    Kevin Beard
    Kevin Beard
    • Mel's Driver
    • (não creditado)
    • Direção
      • Aaron Harvey
    • Roteiristas
      • Aaron Harvey
      • Diego Garzon
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários107

    4,618.2K
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    Avaliações em destaque

    6bowmanblue

    From 'Die Hard' to 'Try Hard'

    Quentin Tarrintino. There, I said it. I got it out the way straight away. It's just you can't really talk about Catch 44 without mentioning the man in some way. Catch 44 is so 'Pulp Fiction inspired' that you'll be expecting Samuel L Jackson to pop up in a gimp mask at any time.

    Instead of a predominantly male cast, Catch 44 centres on three female drug smugglers and what happens when one of their (supposedly routine) drop-offs goes very wrong. That's about the extent of the plot. I've read in other reviews phrases like 'the film stretches a single scene out for the entire ninety minutes.' And they're not far off it.

    The whole film is - technically - set in a diner (the location for the illegal exchange). What other parts of the film come in flashbacks and repeats of the initial scene, over and over again. This has picked up more than a little criticism from some as being repetitive and annoying.

    I didn't think it was that bad. Granted, Catch 44 is no Pulp Fiction, but I found it entertaining enough to watch for an hour and a half. One thing you should know is that Bruce Willis (despite featuring heavily on all major advertising) is in it for about ten minutes. The story is mainly about the girls. Forest Whitaker does his best to inject some much-needed characterisation, but really, the lack of any forward momentum is the film's major downfall.

    My advice: know what you're getting. This is no masterpiece, but it's not quite as bad as some of the reviews make it out to be. It just could have been a lot better, based on the star-power that seemed to be attached to the project.
    5sir_couchpotato

    Could have been better.

    The movie jumps around in time, starting close to the end of the story then jumping back to give a little back story then back forward and back again and forward... The back and forth is an interesting way to tell the story and it keeps you watching for a while. But by the time they replay the same scene for the fourth time, you're asking yourself, "why do I care whats happening?" None of the characters really stand out as interesting, as we've all seen these characters before. By the end I was wondering, "where is this even going?" The end result... nowhere. Unremarkable as a whole but with a deeper back story and more substance it could have been better.
    3messiercat

    Jeebus, What A Mess

    I can only assume that the principles involved needed a paycheck, and the producers had enough on hand to have Forest Whitaker and Bruce Willis climb on board this train wreck. What began to sour me was the obvious Tarantinoesque use of banter, only between vapid Southern Cal airheads, and also the constant flashbacks, to try and set a sort of moodiness. Attempt to get through the obnoxious dialog in the first half hour without rolling your eyes and you're a far more stout film goer than I am. Seiously, repeatedly do a scene 3 times? Now I'm a forgiving kind of movie watcher, but something happened along the way here that completely derailed this train, and I don't think anybody quite knew what they were doing by two thirds of the way through. I'm watching this effort online about three weeks before it's even released in theaters. In DVD quality. Somehow I don't believe it's being distributed to Academy members for Oscar consideration next spring. It looks like it was all meant to enhance Malin Akerman's career.

    The only reason it gets a few stars is Whitaker's energy. Extremely pathetic project. Avoid.
    6anders-kanten

    Could have been a new Pulp Fiction

    This film had the potential to be the new pulp fiction, but it misses certain things. It got cool actors, a good plot and great music.

    It is worth seeing, but the opening scenes made me hope for a super-great unforgettable movie, it was a little disappointing. The director borrows a lot from Tarantino and that is a good thing. I would like to see more speech action between the actors.

    The ending could also have been a little more open.

    Anyway, go see it. Cooler than a lot of other rubbish I have seen lately.

    This director will probably make greater films in the future!
    3bobbybits

    Don't Fake IT

    This whole film was just awful. 3 out 10 only because it had some actors I would normally have enjoyed anywhere else apart from this film.

    Forest Whittaker trying to be Tony Montana and sounding just awful while also changing his accent 3 or 4 times throughout this movie was pathetic. Bruce Willis with his shrivelled nuts grew old. This movie was a really awful attempt at a Quentin Tarantino that lacked in every aspect, from its poor dialogue, the realism, gangsters just don't act that way and its scenes. By the end of this movie, left feeling what a waste of time! Why do they honestly bother making this trash, as this movie certainly will not give them credibility or help them with their careers.

    Don't fake it, was the only message in this film as it certainly was a compromise on any genuine attempt at making a movie.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      When the girls are heading out in the car for the first time, Malin Ackerman's character is adamant that they play a tape from the 80s. The tape she chooses is "The Return of Bruno" by Bruce Willis and a small sample of his cover of "Respect Yourself" is heard. Bruce Willis of course plays Mel, their boss, in the movie.
    • Erros de gravação
      After Ronny shoots the cop in the head, he then steals and wears his uniform. The uniform should be a bloody mess, instead of completely clean and pristine and the uniform should be too small and tight on the heavyset Ronny, because the cop originally wearing the uniform is of normal build.
    • Citações

      Tes: Most women apply secret number two to one thing, sex. The rest of the time we're too real. Too real because it's in our nature to be real, which ultimately is a woman's downfall. But faking it keeps you living in man's land.

      Kara: Whoa! Who the fuck wants to live in man's land?

      Tes: We're already living in it, guys.

      Kara: All right, wait wait, let me ask you a question then. Would you be faking it if you compromise? 'Cause you can't fake compromise.

      Tes: You half can.

      Kara: What the fuck does that mean?

      Tes: Compromise is half faking. 'Cause if you weren't compromising half you would have it all. In which case you wouldn't be faking, you would be taking. For example, guys compromise when they leave the toilet seat down. They do it because they know they can't win. And I'm not faking it 'cause I don't pretend not to mind when they do leave the toilet seat up - because I do.

      Kara: Slow it down. How is that a compromise on your end?

      Dawn: Yeah, and I thought you said wde *should* fake it.

      Tes: It's a compromise because I'd fake other things to get my way. Or I'd take away the pussy.

      Kara: What are you even talking about? I think you're confusing yourself.

      Tes: No no, I think it's just too complicated for you to understand.

      Kara: No, it's not at all. I get what you're saying. I just don't agree with you. To me compromising is not faking.

      Tes: [sighs] Fine. Then we'll just agree to disagree.

      Kara: Or we can agree that I'm right because that's a compromise.

      Tes: Tell you what: I'll fake it and we can agree on that.

      Kara: But you're compromising to agree on faking it. I can explain it to you if it's too complicated.

    • Conexões
      Referenced in Rebobine Isso! (2013)
    • Trilhas sonoras
      I Don't Care
      written by Brenda Burns

      performed by Toddzilla

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    Perguntas frequentes17

    • How long is Catch .44?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 5 de janeiro de 2012 (Croácia)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Annapurna Pictures (United States)
      • Official Forum
    • Idioma
      • Inglês
    • Também conhecido como
      • Catch.44
    • Locações de filme
      • Shreveport, Louisiana, EUA
    • Empresas de produção
      • Annapurna Productions
      • Emmett/Furla Oasis Films
      • Benaroya Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 7.000.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 291.742
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 34 min(94 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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