Um Conto de Fadas Chinês

...the charm and delicate love story from the original are gone.

The original CGS from Tsui Hark continues in my top rankings- The pure chemistry between the two lovers is not present here, and everything is played even more comical than in the original.

Joey Wang simply couldn´t be replaced.

After having had a marathon of all 4 Chinese Ghost Stories after each other, I obviously watched this one last. It surprises me that it's from the same director that did all of the Donnie Yen Ip Man films, it also surprises me that he has said that this wasn't a remake of the previous ones but a new take. This is obviously a remake of the first one with some slight changes where the taoist priest is a demon hunter instead and there was also a love story between the Demon Hunter and the Demon before he performed a magic spell that made her forget about him because "Demons and Demon Hunters can't live together". Otherwise there's the same plot points with a Demon falling in love with a clumsy man and is trapped by a Tree Demon controlling her and other Demons to do her deeds.

If you watch the old ones, you can tell the screenplays in those is a bit wobbly, but what they lack in story, they have more of in charm and effects. Sure, this film got some amazing special effects and martial art scenes, The sword fight between the two Demon Hunters was amazing and I would go as far as saying that it's worth watching the film just for that. There's also the beautiful Yifei Liu as the Demon, on the same level as Joey Wang from the previous ones.

But it also feels like when you clean this film up with fine effects and really great choreographed fight scenes, there's some sort of personality that gets lost in it, if I hadn't seen the first 'A Chinese Ghost Story' before this one, I would probably have been more forgiving, but now it just feels like a pale copy of a better film. It would be like remaking an old 80s classic like Robocop... oh, they did. I would have given it an extra star if it tried to make a new story out of it, instead of just taking the previous one, it's really an ok film otherwise.

I've never seen the previous versions so for me this was a totally new story and I loved it. First of all, the blending between the perfect CGI and the traditional visual art typical of Chinese fantasy movies is really outstanding. I enjoyed the plot because you don't really know what's going to happen next. The acting is so convincing that I cried few times during the movie. I fell in love with each one of the characters; their performance is really outstanding! I also appreciate, in accordance to the ying and yang philosophy, the fact that for every dangerous and scary character, there is a funny and clumsy one to balance the energy and make you laugh. I'm looking forward to watch more of this kind of movies.

I have seen the original three movies as a child and I have kept very positive memories about it. These movies were atmospheric, artistic, mysterious, mythological and romantic. From the imaginative fighting scenes over the profound emotional parts up to one of the best movie soundtracks ever done in the history of cinema, these movies introduced me to Chinese culture and until today I have remained fascinated by this diversified and colourful country.

I am aware of the fact that remakes often fail to be on pair with the originals and I think that a remake of one of these untouchable movies shouldn't have been made. They had already done a comic adaption of the story in 1997 and now they have released some sort of remake of the original film even though both films have a slightly different story line. This movie may be dedicated to the brilliant late Leslie Cheung but in reality it's a question of business to revamp these series in times of Twilight and similar movies that are popular around the world. This movie is definitely for younger audiences and not for those who have grown up or liked the first three films. If this movie had a different title, it would maybe be worth seven points but as it's directly related to the original by its title, it wouldn't be worth more than five points. In the end, I think that my six points are a quite fair rating for both points of view.

This revamp of the series focuses a whole lot on special effects. There are too many of them, they look very artificial and they are miles away from the innovating techniques of the original movies. These CGI effects don't fit at all to the beautiful landscapes, the traditional clothes, the old fashioned countryside villages and the mythological elements of the movie. It's as if you put aliens in a western and I always thought only Hollywood would do this kind of things.

The actors in this movie do a good job but they really can't mess with the original cast. Yu Shaoqun isn't on the same level as Leslie Chung because he fails to add his own note. Louis Koo comes quite close to the original performer Wu Ma and has some strong charisma that pleases me very well. Liu Yifei gives her very best to portray a charming and innocent ghost but I really liked the supernatural grace of Joey Wong better. The supporting actors could have been more developed in this film but at least the guide and villages fool was quite addicting. I thought he was rather funny because he reminded me of a person I had met in real life.

The story is close but on the same level as the original feature. I would even say that the last third of the movie and the final battle scenes were maybe even better than the original. The problem for me was the ending that I didn't like at all. It felt a little bit random and rushed. I was expecting an epic ending or a happy end but any development got suddenly aborted. I think that this ending wasted a lot of potential.

In the end, modern movie fans will like the special effects and fighting scenes of this movie and the popular love story. Personally, I think that the new version lacks depth, development, magic and uniqueness and doesn't come close to the original feature that had been a true milestone for Hongkong cinema. Fans of the original shouldn't waste their time with this movie even though it's rather entertaining. They will be disappointed comparing this to the original. Those who liked this film should immediately try out the three original movies and get a lesson in truly well crafted cinema. Fans of popular movies that mix monsters and romance in the key of Twilight might though really enjoy this film.

A line at the closing credits of this film reads 'In Memory Forever of Leslie Cheung' - acknowledging Cheung's role in the similarly-titled 1987 film as well as its 1990 sequel. Indeed, the 1987 "A Chinese Ghost Story", directed by Ching Siu-Tung in collaboration with producer Tsui Hark, was a landmark movie because its 'crazy' kungfu (and wirefu) effects gimmicks turned it into a cult hit with western (read: international) audiences. Its two sequels (1990 and 1991) were not as popular.

Here, director Wilson Yip claims that it is not a remake but a 'new' love story - and yet many elements of the 1987 film remain.

THE PLOT: Government official Ling Choi Sin (Yu Shao Qun, taking over Leslie Cheung's role) journeys to the parched Black Mountain Village to help its inhabitants find water. As he leads a group of 'volunteers' up the haunted mountain, he encounters a bevy of sexy demons and well as a lovely 'girl' named Siu Sin (Liu Yi-Fei). After wooing her with some candy, he falls for her - and then realizes that he is caught in a deadly triangle: another guy, a demon-hunter named Yan Chek Ha (Louis Koo) is also in love with Siu Sin.

However, before the two men can settle their differences, they have to contend with the evil Tree Demon (Wai Ying-Hung) as well as a one-armed demon hunter (Louis Fan) who is determined to kill all the supernatural beings.

MY REVIEW: The 1987 film has a confusing storyline and even more befuddled action sequences that have become the trademarks of Tsui Hark. Wilson Yip, who gave us the two "Ip Man" films, does not attempt to make the love story (especially the one between Chek Ha and Siu Sin) more plausible - or try to 'rationalise' the action sequences. Indeed, some of the fighting scenes are more comical than magical and the acting appear over-the-top. Liu Yi-Fei (left) fits the bill as the Enchantress of the forest but I wish she can evoke more emotions besides pouting and winking her eyes.

It is a good thing that Pu Song Ling's story has been adapted on the screen many times before, since "The Enchanting Shadow" (directed by Li Han Hsiang) in the early 1960s. That way, the plot is familiar to many in the audience and they need not rely on the flimsy narrative.