AVALIAÇÃO DA IMDb
5,6/10
3,1 mil
SUA AVALIAÇÃO
Um pistoleiro aposentado de temperamento explosivo e vestido de maneira extravagante, retorna à Índia para um último trabalho. Só não o chame de "Buddah".Um pistoleiro aposentado de temperamento explosivo e vestido de maneira extravagante, retorna à Índia para um último trabalho. Só não o chame de "Buddah".Um pistoleiro aposentado de temperamento explosivo e vestido de maneira extravagante, retorna à Índia para um último trabalho. Só não o chame de "Buddah".
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 indicações no total
Makrand Deshpande
- Mac
- (as Makrandh Deshpandey)
Rajeev Verma
- Mirchi Baba
- (as Rajiv Verma)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Yes, the magic is there, the charisma is still visible, his first appearance on the screen still gives you goose bumps all over the body and his dialogues in that world famous baritone voice still remain impeccable and incomparable even after almost 5 long decades of his colourful film career. But where is the story, where is the script, where are the clap worthy dialogues, where is the emotion, where is the comedy and where is that VIJAY which was publicized all over in the print and T.V. media before the release of the film?
If you are a fan of THE MAN then its fine but the director Puri Jagannadh just makes his film remaining a fan and never gives you any glimpses of an intelligent film-maker throughout the film. He just keeps working with a larger than life character on the screen with everyone else moving around him as puppets. Neither there are lines which can make you go wild, nor the comedy is such which reminds you of all those Live comic scenes in Bachchan's famous movies shot in sync sound. In short, the film is like a Tribute given to the actor by his avid fan who by chance happens to be a film-maker too.
The whole project has a South stamp all over it, having fast edit cuts and inter-changing scenes with an abrupt kind of sequence. I fact I was highly disappointed with the very first scene of the film introducing Amitabh. The confrontation between him and a police officer at the airport gave the clear indications that the film is not going to be as expected. As it progresses one can easily notice that the characters are just behaving in a silly manner in the awe of Amitabh's powerful presence, which doesn't seem to be convincing at all. Especially the sub-plot of Raveena and her daughter's relation with Bachchan which visibly looks deliberately added for an extra spice in the storyline and nothing else. May be Raveena was added later on at a friendly request but sadly she is completely wasted. In the opposition department, the expressions on the face of villains keep hanging between terror and comedy. As a result they all fall flat including the well known Prakash Raj.
If you are a fan of THE MAN then its fine but the director Puri Jagannadh just makes his film remaining a fan and never gives you any glimpses of an intelligent film-maker throughout the film. He just keeps working with a larger than life character on the screen with everyone else moving around him as puppets. Neither there are lines which can make you go wild, nor the comedy is such which reminds you of all those Live comic scenes in Bachchan's famous movies shot in sync sound. In short, the film is like a Tribute given to the actor by his avid fan who by chance happens to be a film-maker too.
The whole project has a South stamp all over it, having fast edit cuts and inter-changing scenes with an abrupt kind of sequence. I fact I was highly disappointed with the very first scene of the film introducing Amitabh. The confrontation between him and a police officer at the airport gave the clear indications that the film is not going to be as expected. As it progresses one can easily notice that the characters are just behaving in a silly manner in the awe of Amitabh's powerful presence, which doesn't seem to be convincing at all. Especially the sub-plot of Raveena and her daughter's relation with Bachchan which visibly looks deliberately added for an extra spice in the storyline and nothing else. May be Raveena was added later on at a friendly request but sadly she is completely wasted. In the opposition department, the expressions on the face of villains keep hanging between terror and comedy. As a result they all fall flat including the well known Prakash Raj.
Clint Eastwood, Sean Connery - next to that its only Amitabh Bachchan who can still carry the weight of the entire movie on the shoulder even at the age of near 70.
What works...
Big B in a angry old-man mode. Plus the clever tongue-in-cheek lines in the 70's/80's format.
What doesn't work....
There are too many tracks running in concurrence. Romantic track of Sonu Sood + Sonal Chauhan, marital discord Amitabh + Hema, relief moments by Amitabh + Raveena. Sadly the flow of the movie is hampered with each track butting in. Additionally the editing is far too crisp, not letting the moment stamp an impact.
I fail to gather why was Sonu Sood was left out in the promo's post Dabbangg success? PR guys, shame! Charmi was very loud and carried forced plastic expressions. Makrand was full-on. Prakash Raj is his usual self. Without a doubt, he has what is takes to strike gold in Bollywood.
Songs linger on for quite a while.
The penultimate moments at its glorious best for Big B fans. Puri Jagganath has clearly sent out a message to the recent directors who failed to translate the persona of Big B on screen. The lines said by Big B at the end of the movie seemed to be a message to all the Big B fans.
What works...
Big B in a angry old-man mode. Plus the clever tongue-in-cheek lines in the 70's/80's format.
What doesn't work....
There are too many tracks running in concurrence. Romantic track of Sonu Sood + Sonal Chauhan, marital discord Amitabh + Hema, relief moments by Amitabh + Raveena. Sadly the flow of the movie is hampered with each track butting in. Additionally the editing is far too crisp, not letting the moment stamp an impact.
I fail to gather why was Sonu Sood was left out in the promo's post Dabbangg success? PR guys, shame! Charmi was very loud and carried forced plastic expressions. Makrand was full-on. Prakash Raj is his usual self. Without a doubt, he has what is takes to strike gold in Bollywood.
Songs linger on for quite a while.
The penultimate moments at its glorious best for Big B fans. Puri Jagganath has clearly sent out a message to the recent directors who failed to translate the persona of Big B on screen. The lines said by Big B at the end of the movie seemed to be a message to all the Big B fans.
I am writing this review after reading some of the bad reviews in IMDb. I guess most of them have given it low points as they have failed to understand that this is not Deewar, Sholay, Agneepath or even Aks. It is a tribute to the greatest actor in The Indian film industry. It reflects what Mr. Bachchan is and the place he occupies in the acting department. I did not have the fortune to watch the above quoted classic movies when they were released as they came much before my time but re- runs on TV channels have ensured that we understand his greatness.
This film is a through entertainer, even reignites the chemistry which Mr. Bachchan shared with the "Dream Girl" Hema Malini.Charmee does well in her small role and so does Sonu Sood. Never a dull moment and King Bachchan again reaffirms that the Lion in winter is still the supreme compared to all the pulp princes together in their prime.
Watch it guys, you will love it.
This film is a through entertainer, even reignites the chemistry which Mr. Bachchan shared with the "Dream Girl" Hema Malini.Charmee does well in her small role and so does Sonu Sood. Never a dull moment and King Bachchan again reaffirms that the Lion in winter is still the supreme compared to all the pulp princes together in their prime.
Watch it guys, you will love it.
There are some funny moments and overall film moves at brisk pace with a few and far fetched well executed Action scenes but overall the film fails to make the required impact and scores just a notch above the run of the mill. There is no freshness in narrative as audience has seen all this in last couple of years. The idea might have some potential but is not given a shape of a proper story and therefore is not exploited properly. The director seems to have lost in the bargain and piece together some action, comic scenes & songs with famous dialogs from Superstar's earlier film rather than putting it in a fresh perspective and make something interesting from it.We went watching this film with family and everyone had a great time.Amitabh is the one who still rules the industry....
STORY:- Don Kabir(Prakash Raj) wrecks havoc in Mumbai. ACP Karan Malhotra(Sonu Sood) is given the case. He promises to clean the city within 2 months. Now Don Kabir wants him dead. Viju(Amitabh Bachchan) who stays in Paris is appointed by Kabir to kill him. The rest of the story follows on Viju trying to kill Karan.
WRITING:-Puri takes another very interesting story that has lots of action, comedy and twists just like WANTED. The story keep you engaged(2.5).
MUSIC:- The music of the film rocks. Kudos to Vishal Shekahr for bringing such good music(2.5).
ACTING:- Amitabh Bachchan is the Baap of the film. Sonu SOOD and Prakash Raj also have done a great job. Hema Malini and Raveena Tandon were also good despite their small role(2.5).
ACTION:- Most of the action involves gun fights. Inspite of that they keep you engaged and look quite interesting(2.5)
BEST SCENE:- It would be Viju's entry when he tells the inspector the famous line from the film KAALIA.
OVERALL:- It is a tribute to Amitji and his image of the angry young man. I would give it 10/10
WRITING:-Puri takes another very interesting story that has lots of action, comedy and twists just like WANTED. The story keep you engaged(2.5).
MUSIC:- The music of the film rocks. Kudos to Vishal Shekahr for bringing such good music(2.5).
ACTING:- Amitabh Bachchan is the Baap of the film. Sonu SOOD and Prakash Raj also have done a great job. Hema Malini and Raveena Tandon were also good despite their small role(2.5).
ACTION:- Most of the action involves gun fights. Inspite of that they keep you engaged and look quite interesting(2.5)
BEST SCENE:- It would be Viju's entry when he tells the inspector the famous line from the film KAALIA.
OVERALL:- It is a tribute to Amitji and his image of the angry young man. I would give it 10/10
Você sabia?
- CuriosidadesThe movie was a tribute by Amitabh Bachchan to the angry young man image from his earlier film career.
- Citações
ACP Karan Malhotra: [to the goon] Don't you have any manners? Thrashing an old man?
Vijju 'Bbuddah': Hey! Who are you calling an old man? Your father is probably an old man!
ACP Karan Malhotra: Hey! How dare you say that!
- ConexõesFeatured in C.I.D.: Paagal Aashiq (2011)
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- How long is Bbuddah... Hoga Terra Baap?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Your Father Is Probably an Old Man
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 100.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 163.533
- Tempo de duração
- 1 h 54 min(114 min)
- Cor
- Mixagem de som
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