Stitch

I would like to know who designated Edward Furlong as horror movie guy? I would like to kick that guy in the nuts. Terribly acted, this movie was so awful I couldn't finish it, even if the story was promising. These good reviews tricked me into watching, even tho he was in it..... I KNEW better but did it anyway. I have learned my lesson. And now IMDb wants ten lines of review about this movie....I don't know what else to say about it, it's the acting that made me want to throw something at my TV.

Save yourself, the good reviews are false or written by people too easily amused

This is my first comment on a movie but this movie was the biggest waste of time I have ever spent and I have to warn any one who thinks to give this movie any second of there time. It truly is one of the WORST movies I have ever seen. Don't waste your time as I did... PLEASE.

After reading a couple reviews stating 10/10 and after seeing the art work for the movie I had to give it a look. Both were evil deceptions to get me to watch this trash.

This movie has really really bad acting and equally bad special effects. I would be truly embarrassed to be Furlong and put out such crap!!

As a fan, this was a hard movie to watch. As a critic, it was even a harder movie to watch. Edward Furlong has had a roller coaster of a movie career. Many big budget successes and low budget failures. In his support, Furlong gives a great performance, one of the better in the last 10 years. Sadly, since the movie is a low budget horror film that tries to be a fantasy, science fiction, witch craft, paranormal, and then other things all rapped into one, its hard to take anything about this movie seriously. Shawna Waldron has made a career of always giving 100% to every role she takes as well as brining legitimacy to every movie that she is in. As a fan, I hate to see waste of artistic talent. Shawna brings an audience to this movie but sadly loses members along the way. It is true that a low budget can hurt the quality of a good movie. Stitch is a perfect example of this. The story in itself may have worked but falls short with its over use of low end special effects which reminds the audience that they are watching a love budget horror movie that is aiming to be more than it is. I think the movie would have been better with less computer animated graphics. The movie has its moments of scary images, but with a lack of interest in taking the story serious, we are left with a movie that leaves us awkward. The casting of Tiffany Martin added to this. Both Waldron and Furlong both look like they can play 25-35 years old. Having their daughter in her early to mid teens did not do much for the realistic factor. I think the odd casting overall hurt the movie even though Waldron and Furlong both delivered good performances. Then again, I think they had very little to work with.

This is a terrible horror film. And of the many terrible horror films that exist, some of which I've had the misfortune of watching, this is the worst kind. There is nothing good about it. You'll want to tear your eyes out.

It's depressing to watch. It feels like it's five hours long. The list of what's bad about it is too long to get into. Everything that could be bad, and then some more stuff that you'd never imagine. Don't watch it. Don't think about it. Just go on with your life. You'll be much happier and better off that way. Do not recommend.

Serafina (Shauna Waldron) and Marsden (Edward Furlong) have recently lost their daughter. They hit upon a clearly unadvisable way of cleansing themselves of their abject misery by travelling to an isolated mansion in the middle of a desert and indulging in a ceremony designed to 'confront' death. You may think this won't end well. You may be right.

The director, known as Ajai, crams his film with as many images and ideas as 91 minutes will allow. Some might think it's saturated with too much incident; I rather liked the fast-moving nature of the ensuing horror. The thin budget makes itself apparent by some effects shortcomings and occasional lapses with the sound levels, and yet the ambition seems undiminished. I admire Ajai for this and, despite the shortcomings, 'Stitch Face' is an enjoyably gruesome experience. Hopefully, the director will continue for a long time to come.