Os Delinquentes

4 stars is a very generous rating from me, I only give such a high rating to such a boring film because the story even tries to discuss some interesting themes, albeit very prosaically.

I also like the cinematography and some of the locations a little, but that's it, the film is tremendously boring and has serious pacing problems, it's over three hours long and could very simply be shortened to around 90 minutes without losing much of the substance. Narrative that isn't much.

In this way, this review acts as a bit of a warning so that you don't waste too much time of your life watching such an insipid narrative. I don't want to use the word pretentious, but I think it's useful here.

The film simply does not respect the viewer's time, it has a very basic and rudimentary script, disguised in such a way as to make the inattentive viewer think they are watching something of substance.

Come to think of it, considering the total lack of respect in taking so much time without having much to say, 4 stars is perhaps too condescending a rating.

In short, the film is tremendously boring because it is unnecessarily long, perhaps if it weren't so long it would expose what is truly true, a film of little substance.

Filmmaker Rodrigo Moreno creates a three-hour long heist drama with some interesting dynamics and concepts explored within the setting of the narrative and while Moreno does provide some strong elements, it isn't strong enough to withhold the entire movie.

Throughout, the camerawork, production and the sound design is pretty good as it helps capture the environment and tone. Many of the performances from the cast members are pretty good with some interesting dialogue and concepts explored. Moreno's direction is pretty solid as well. The narrative is a slow-burn heist drama movie that explores different themes including bank robbery, capitalism, freedom and so forth and the narrative does explore some of these concepts well but at the same time, not so well. Because the structure of the narrative feels uneven as if the narrative is a bit lost on what it is trying to be or wanting to tell.

Due to the uneven structure, it causes the story to feel a bit messy as it the first 1-hour is amazing but the rest feels a little convoluted or a bit lost. Which causes the run-time to feel a little exhausting and unfulfilling. There are some good soundtrack choices, some of the characters are interesting but some could have been explored a bit more.

Overall, Moreno definitely has a vision with this movie and it's a decent achievement from him and Argentinian cinema. But it could be stronger.

Saw this at the 2023 filmfestival Ghent (Belgium). Upfront, before seeing the film, I saw harsh words in the IMDB user reviews and positive reviews from professionals. Such contradictions never fail to attract me. Usually, the users are right when I compare it with my own preferences. The professionals, on the other hand, tend to discuss aspects that may be relevant for the state-of-the-art, but fail to interest me as a rule. This film is the exception: users are wrong, and professionals are right.

In this case, all the user reviews focused on the length and the lacking contents to warrant the indeed generous running time over 3 hours. Though I must admit I missed the last hour due other priorities, I had no problems sitting out the first 2 hours. It was an original plot to rob a bank this way. There are logical consequences to be expected, like mistakes in the execution of the heist, or wrongly trusting a colleague with the loot. But it all went in a different direction. I'm glad that it deviated from the expected downtrodden path (e.g., trusted colleague takes the loot and leaves for a country far away). I regret that I did not complete the full journey, contrary to aforementioned naysayers.

Maybe above text is against the rules, having not completed the full three hours, but I could not refrain from a bit of compensation against the three users who reviewed before me. Try the dive and judge for yourselves.

"Morán" (Daniel Elías) concludes that his dreary drudge at the bank over the next 25 years is only going to earn him $325k so rather than slug it out, he decides to pinch double that then ask his unwitting colleague "Román" (Esteban Bigliardi) to hide the cash whilst he does his prison sentence. That way, they can both enjoy a pleasant early retirement. The theft all goes remarkably easily and before he turns himself in, our thief goes for a bit of a road trip then goes to the police to confess all and receive the anticipated jail term. After a bit of a rocky start, and the transfer of some "protection" money, his incarceration settles down into something fairly uneventful for "Morán". The same can't be said for his friend on the outside. Though he had a cast iron alibi for the time of the robbery, his bank bosses gradually begin to think he is in some way involved - and they start to make his life a bit miserable. Despondent, he travels to a remote town to hide the loot under a boulder - and that's where he meets "Norma" (Margarita Molfino). With things not going too well at home with wife, children and his anxiety, well you can guess what happens... Now we have an interval - a rather pace-sapping exercise before part two fills us in on just what happened when "Morán" went on his journey. Small world? I wondered if there might be a clue here in the names all being anagrams of each other? We have a "Morna" too! Otherwise, this is a rather nondescript drama that takes far, far too long to get anywhere - and even when it does, it sees to have no desire to conclude with anything meaningful. Right from the beginning, it takes a swipe at all things routine and regimented, and seems be offering both men an opportunity for (eventual) freedom, but the substance to the plot is just really lacking as we rather meander through an observational and not really very interesting story that just never catches fire.

I am smarter than your average bear, really, but I am amazed at how much I truly disliked this very well reviewed film. I think the director is horrendous. The acting was good. The main story had some good elements. It may have played pretty well with a more mainstream style and at about half the runtime, but what weird choices this director made. He loves using awkward split screens that have little to no relevance. "Oh look it is a split screen, both those characters are being reflective and smoking a cigarette in the dark at the same time. How creative!"

I really despised the soundtrack. It never evoked a relevant feeling or enhanced any scenes. It reminded me of the music in a 1970s Western TV show. Boring and forgettable.

I suppose some people are going to get a lot from the long seemingly strange uneventful scenes that make up more than half the runtime. Many critics did at least. I sure did not though.