Inescapable

After reading some other reviews of this film online, I was expecting to be slightly disappointed...but was pleasantly surprised by it. Having been a fan of Ruba Nadda's other films, (and a general groupie of anything involving Alexander Siddig), I was eager to see her newest film as part of the CIFF.

The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda's last major film, (the subtle and slow paced "Cairo Time") but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib's past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.

Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.

This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).

While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.

"I'm not the same man you chased away all those years ago. Find my daughter!" Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem (Siddig) returns when he finds out that his daughter has gone missing. When he meets people from his past he is forced not only to confront his earlier life consequences but also find his daughter before its too late. This is a movie that is good, fast moving and worth watching, but also a little generic. There really isn't much to say about this one. Father finds out his daughter is missing, he is forced to seek help from those he has had previous problems with, encounters resistance. I did like the movie and I do think it's worth watching and while it is pretty tense I found that the daughter storyline seemed to have gotten lost in the jumble of what was going on. When you watch that will make sense. Overall, a movie that is good and well worth checking out but it is a tad generic. I give it a B.

I was very pleased to see this movie was willing to bring the action, as good as Ruba Nadda's romantic-leaning films Cairo Time and Sabah were. But where this film about a father who flies to a dangerous land to rescue his daughter from an unknown threat is different from Taken is that the hero is flesh and blood and approaches the problem in a civilized way first and by the time there is fighting we can feel a sense of consequence.

It has been said that the movie starts off fast. It starts as it should and as I reflected afterwards it avoids stock shots of a plane taking off and gives the impression of travel with aerial shot of a road the hero is riding along in a car. Cinematic short-hand. At the same time, it manages to avoid scenes that would be obvious beats in a lesser movie, like the panic of the mother upon learning of the crisis. Instead we see the moment before, as she watches her husband on the phone preparing to make the trip and confront the problem. There is just enough of the Canadian wife in this movie, considering that she would not compete with Marisa Tomei who "blends" into her environment and feels authentic. Even to the end I am thinking I hope Tomei's character makes out alright.

Alexander Siddig is not playing a super human but someone who is willing to face the worst and some real consequences to find his daughter. Joshua Jackson as a Canadian embassy guy manages to show several divergent aspects of his role without falling into any traps that would be central to a lesser movie with similar layers. Had Siddig been playing a typical action hero, he would have to cross a line into sociopath to clear away all the bad guys at once. He gets some good shots in and we can cheer for him, and one secret police figure is especially smug and needs to be killed but the way this film arrives at what has to happen is to take a left turn into character-motivated choices that are refreshing for the genre. Where there is tension, we are absolutely rooted in the reality of the moment by Siddig's expression. This is real for him and for us.

I have read a comment/review here on IMDb by one "A P" that seems to be a screaming stream of lies, one after the other. I contest his claim that people walked out during the TIFF screening. The movie grabs your attention and Siddig has a strong presence. There is a reason for every scene and not a moment is wasted. Any politics I took for granted. One villain is identified as Israeli but even he is redeemed. This is not a political tract. As I watched the story unfold as a Caucasian Canadian male I looked at the cultural aspect as colour that Ruba brings but the concept of a hero's descent into a special and dangerous world is one that we know and accept as classic myth. I had no problem identifying with Siddig's character, often called "Mr. Toronto" by an innkeeper in the film, and seeing it through his eyes. I am stunned by the current low numerical rating this movie has on IMDb and I trust that the more people see it the more the rating will improve. I noticed in a TIFF guide or other such publication Inescapable was misidentified as a romance. There is a restrained and heartbreaking lost love woven through the story, but it is a thriller that is correctly paced and set- up. It has action, though the build up is half the entertainment. I highly recommend seeing this movie.

You get to glimpse another country and see its dysfunction as well as its lifestyles and you cannot be but thankful that you live in the good ole USA. A father learns that his daughter is doing a little soul-searching about his past and gets more than she would have ever knew possible. The stakes quickly become life-threatening for all involved and we get to see what good friends and family as well as enemies can or wont do and why. Its one thing to get in trouble and try to get out of it and it is another to do this on foreign soil. Exciting at times and moves quick enough so you care what's happening. Interesting to note that during the movie a statement is made by a man who shares the reason why he has never had kids and the movie causes you to examine both sides of this with passion. Have a snack ready or nail-biting may visit with you at some points

It was such an emotional, fast paced ride.

Loved it, tells a personal story with Syria as a backdrop. I liked this. If you want more politics, go read a book - but if you want something that is emotional, a character study of an Arab man living in Canada - whose daughter goes missing, see this. A little bit of thriller, mystery, action - and so emotional.

The ending ripped my heart out. Loved it. Also looked like a big Hollywood movie, found out it was Canadian - which made even more sense. As its politics and the violence don't hit you over the head. Instead, it's a very universal story about how far a father would go and the past he needs to delve back into. Loved it.