O Prefeito Tom Kane (Kelsey Grammer) é o rei de Chicago e governa seu domínio com mão de ferro. Fraude, escândalo e traição andam de mãos dadas com o jeito de Kane fazer política.O Prefeito Tom Kane (Kelsey Grammer) é o rei de Chicago e governa seu domínio com mão de ferro. Fraude, escândalo e traição andam de mãos dadas com o jeito de Kane fazer política.O Prefeito Tom Kane (Kelsey Grammer) é o rei de Chicago e governa seu domínio com mão de ferro. Fraude, escândalo e traição andam de mãos dadas com o jeito de Kane fazer política.
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The tragedy of Macbeth was watching a good man slowly destroy the good in his life as he chose to pursue power in incremental decisions that tarnished his soul. But what would this story look like in reverse? Tragedy, as we usually experience it, sees a hero forsaking his happiness choice by choice as he opts for power. But in Boss we find Mayor Tom Kane (Grammar) as a man who is already powerful, has estranged all of those whom he loves, and has abandoned and abrogated his morals and conscience to get where he is. Then, a life-changing piece of news sets him on a path to contrition.
What happens as this powerful "Boss" begins to allow his humanity to surface again? Can he keep his grip on power as he begins to show the 'milk of human kindness' again? Shades of Tony Soprano balancing his shadow side and sensitive, loving side in this powerfully-themed (and acted) series.
And if the Macbeth-in-reverse comparison weren't enough, there is a "King Lear" like pathos to the man who has estranged his daughter who chose the path of compassionate poverty even as Dad was ruling the city with an iron fist. The faltering attempt at reconciliation here adds yet another rich texture to a compelling series sure to grow more and more powerful. THe scope is ambitious, as it explores the dynamics of the modern city-state, much as "The Wire" ambitiously attempted (and succeeded at).
Emotionally powerful, dark, compassionate, visceral and a paean to what makes life significant (no explanations... you'll see), this series is as full an orchestra of art as has been seen on television since the likes of The Wire and The Sopranos.
What happens as this powerful "Boss" begins to allow his humanity to surface again? Can he keep his grip on power as he begins to show the 'milk of human kindness' again? Shades of Tony Soprano balancing his shadow side and sensitive, loving side in this powerfully-themed (and acted) series.
And if the Macbeth-in-reverse comparison weren't enough, there is a "King Lear" like pathos to the man who has estranged his daughter who chose the path of compassionate poverty even as Dad was ruling the city with an iron fist. The faltering attempt at reconciliation here adds yet another rich texture to a compelling series sure to grow more and more powerful. THe scope is ambitious, as it explores the dynamics of the modern city-state, much as "The Wire" ambitiously attempted (and succeeded at).
Emotionally powerful, dark, compassionate, visceral and a paean to what makes life significant (no explanations... you'll see), this series is as full an orchestra of art as has been seen on television since the likes of The Wire and The Sopranos.
I'm currently on episode 5. I'm writing a review because there are currently so few reviews.
This show caught me by surprise. I've never been a particular fan of Kelsey Grammar. Though who doesn't love Gus Van Sant? Which is the name that drew me in.
The writing is excellent. All the technical components are great, the camera work, the locations, costumes, production design; it's all impeccable. The acting is mind blowing, which I credit a lot to the directors and producers who are doing all the right things, staying out of the way when they should and thinking out loud when they should, to get great performances on a TV screen.
It may be a cult, love it or hate it, show. It may win a truckload of Emmys. But, in the eyes of this often fickle and bored TV misanthrope, it is a fine piece of craftsmanship that I believe will hold up to the test of time.
And to the previous reviewer who is tired of Chicago being portrayed this way, I just have to explain. This is fiction. It is about as true as True Blood. It is, I believe, a dark piece of satire. A character-driven-wry-look at contemporary politics in America. Every time they say Chicago, imagine they are saying The Land of Oz or Bon Temps. I think you'll enjoy it more for what it is. And thank whatever cosmic splendor that this is not another show with zombies, vampires or housewives.
This show caught me by surprise. I've never been a particular fan of Kelsey Grammar. Though who doesn't love Gus Van Sant? Which is the name that drew me in.
The writing is excellent. All the technical components are great, the camera work, the locations, costumes, production design; it's all impeccable. The acting is mind blowing, which I credit a lot to the directors and producers who are doing all the right things, staying out of the way when they should and thinking out loud when they should, to get great performances on a TV screen.
It may be a cult, love it or hate it, show. It may win a truckload of Emmys. But, in the eyes of this often fickle and bored TV misanthrope, it is a fine piece of craftsmanship that I believe will hold up to the test of time.
And to the previous reviewer who is tired of Chicago being portrayed this way, I just have to explain. This is fiction. It is about as true as True Blood. It is, I believe, a dark piece of satire. A character-driven-wry-look at contemporary politics in America. Every time they say Chicago, imagine they are saying The Land of Oz or Bon Temps. I think you'll enjoy it more for what it is. And thank whatever cosmic splendor that this is not another show with zombies, vampires or housewives.
I've only ever seen one other true modern tragedy in 'dancer in the dark'. This series is exceptional in that it does not pander to your indulgence in a character. They remain outside you throughout and all perish. this is the best TV i have ever seen, the wire was good but its blue collar sentiment annoyed me, this has none. The sopranos depiction of power was good but again involved comedy (small time crooks). The characters here are not comic. There are moments where the display of their power is a little out of the writers depth, but it would have taken poetry to fully realise these moments and that I think would alienate a TV audience. Regardless of this there are no complaints from me. After watching this you will finally feel like you have seen something that was not made for the faint hearted and something that did not do this by shock violence, something that used the actions of characters alone to achieve its truly dramatic effect. brilliant
...one of the best dramas currently airing on television? It sure feels like it.
It's only been two eps, so far, so I hate to jump the broom & risk being married to a soon to be flop but.... This feels like the real deal!
I'm immersed... captured by this tale, right from the beginning. Kelsey Grammar shows his acting chops as he's nvr shown bfr (but I always knew it was thr.)
He plays the mayor of the greatest city in America with great feeling, complexity & depth.. and a menacing streak that takes him far from "Frasier". The eps have, so far,, been well written, smart & intense.
Can't wait to see what happens next.
It's only been two eps, so far, so I hate to jump the broom & risk being married to a soon to be flop but.... This feels like the real deal!
I'm immersed... captured by this tale, right from the beginning. Kelsey Grammar shows his acting chops as he's nvr shown bfr (but I always knew it was thr.)
He plays the mayor of the greatest city in America with great feeling, complexity & depth.. and a menacing streak that takes him far from "Frasier". The eps have, so far,, been well written, smart & intense.
Can't wait to see what happens next.
Im not one to mince words and try and sound intelligent in my reviews. Ill just say this show is amazing and well worth watching. The acting is superb and the plot is absorbing.
Kane is a beast of a character and totally dominates the show. I never watched Fraser but I now realise what a great actor Kelsey Grammar is. The supporting cast is excellent and always value add to the storyline.
Its very difficult to guess where the show is headed. I like how the storyline is not predictable.
I put this up there with my favourites, The West Wing and The Newsroom. I look forward to seeing how the plot develops and where the writers take this amazing show. Enjoy!
Kane is a beast of a character and totally dominates the show. I never watched Fraser but I now realise what a great actor Kelsey Grammar is. The supporting cast is excellent and always value add to the storyline.
Its very difficult to guess where the show is headed. I like how the storyline is not predictable.
I put this up there with my favourites, The West Wing and The Newsroom. I look forward to seeing how the plot develops and where the writers take this amazing show. Enjoy!
Você sabia?
- CuriosidadesVery rare on a TV show, the network ordered to produce the first season without shooting a pilot first.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #20.33 (2011)
- Trilhas sonorasSatan Your Kingdom Must Come Down (Boss Remix)
Traditional
Arranged by Robert Plant, Buddy Miller, and Brian Reitzell
Performed by Robert Plant & Band of Joy
Courtesy of Es Paranza/Rounder Records by arrangement with New Rounder, LLC
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- Tempo de duração
- 1 h(60 min)
- Cor
- Mixagem de som
- Proporção
- 16:9 HD
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