Estrela do Rock

This is seriously Imtiaz's Best film yet!!!! When the movie end, i kept asking myself how is it possible to narrate a story like this... Story wise, absolutely amazing!!! What you guys will see in the trailer is just 1% of the movie!!!! Ranbir Kapoor was amazing too, balancing the right emotions at the right time. Some Amards should be waiting for him now... definitely AR Rahman stole the whole movie with 14 Top charting music!!!! Every Music suits the story every single time. Well he isn't called genius without a reason.

For me, its the Best Album of the year and potentially the best movie if the year!!!! All Credits goes to Imtiaz Ali for such great story/content.

JJ aka JORDAN / Ranbir Kapoor Rocks.....Saddaaaaaaaa Haqqqq......Loved Rockstar movie a lotttttttttt......From Screenplay to story or Direction to Music N above all acting from the all the character is like mind-blowing ...........Will be watching it again tomorrow...This is not a feel good movie and I know a lot of people will not like it but yes it will make you think even after the lights are on.....This movie is the best film of 2011....RK is amazing and ARR score rocks....Deserves all major awards....OVERALL AN OUTSTANDING FILM which is connected to most of us...Rating 9/10....oh ya ya ya y...o yaaaaaaa.....

Rockstar is a film made once in a lifetime. Hats off to Imtiaz Ali for story, Ranbir Kapoor & Nargis Farkhri for scintillating performances, A.R. Rahman & Mohit Chauhan for great soundtrack & background Music.

Rockstar is a must watch film. It'll leave you feel-good hangover of itself. This Movie shows how Love Stories should be made. This movie has something, which is hard to see in other Hindi/Bollywood Films. Something which would make you think about the whole movie even after so many hours of watching it. Watch it deeply and you'll enjoy it.

I loved the movie and enjoyed it thoroughly after so watching so many movies this year, I'd say Watch it Again, if you've seen it once...

Verdict: Don't Miss it!!!

Acting & Performance: 9/10

Story: 8.5/10

Music: 10/10

Overall: 9/10

Indian cinema has matured and specially Hindi film with new directors pouring in with new ideas. Anurag Kashyap, Dibakar Banerjee, Vishal Bhardwaj should get special mention for their brilliant coming of age films. After Rockstar, Imtiaz Ali should be added to this category of filmmakers. Romantic cinema is immortal perennial but never ever it has been witnessed in such creative, symbolic, real manner as in Rockstar. Rockstar is journey of Janarthan, a regular north Delhi brat who dreams of becoming Jim Morrison. He even tries to match his initials with the famous singer and tries to change his fate. Alas! He couldn't succeed in making a mark when a college canteen owner (who becomes family for Janarthan later on) Khataria tells him that through pain comes music. Janarthan took his word too seriously thus involving in a web of suffering and success all revolving around Heer, a lady who becomes life for Janarthan rather Jordan. The movie is a journey of a young ambitious boy from his being Janarthan to Jordan and in a symbolic manner raises several questions about independence and democracy. Imtiaz Ali is a fabulous story teller and his previous work reflects those but with Rockstar he goes a level higher. The film will bring polarizing reactions from cine goers but they can't ignore it. Probably one of the best romantic cinemas ever made. Ali is almost flawless in his execution. With a semi non-linear narrative Ali goes into the psyche of Jordan merging his scenario pre and post success. The scene where Jordan cries in front of Khataria that he doesn't need all the fame he wants to be Happy – sums up Jordan's strive with his impression. The rebel has been created in a thought provoking manner raising questions to establishment. The rules set in the society, the willingness to live freely, how power has destroyed the regular course of nature – all these ideas have been embedded subtle in a brilliant love story that is natural unlike loud melodramatic blockbusters of regular Hindi cinema. When Jordan is almost losing Heer forever there is a scene which shows Jordan in a bath tub looking at his guitar on fire which reflects the life of present youth who tends to burn (loss) everything one loves in course of success. There are many more such brilliant sequences which show Ali's craftsmanship as a director. With able support from Anil Mehta the camera work is probably the best of this year. Ali didn't compromise for commerce and gave a surreal feel to the real proceedings. Kudos to Aarti Bajaj for her apt editing and making the film a work of art. Coming to the acting department, Ranbir Kapoor rocks. He camouflaged himself as Jordan with élan. Rockstar will prove how fine actor he is. In fact the new brigade of actors should take acting lessons from Ranbir. Watch his transition from Janarthan to Jordan, his success his failures his love his despair – Ranbir's expression deserves awards and accolades. Teaming up with fabulous actors like Piyush Mishra, Kumud Mishra (who was last seen in brilliant "That girl in yellow boots") Ranbir showed extreme maturity. In a sequence where he tore down a contract and made hysteric gestures towards Piyush Mishra deserves standing ovation. Those dialogues showing Ali's angst against consumerism deserves mention. Nargis Fakhri as Heer is serene beauty. Any boy will fall in love with her. As an actress she needs to improve but then she isn't bad either. Piyush Mishra as the opportunist Dhingra simply rocks as usual. Kumud Mishra is surely to catch attention of other directors. The ensemble cast provides ample support in their brief and significant role. Lastly how can one forget the original Rockstar Late Shammi Kapoor in a significant appearance. As a successful classical Sahnai (flute) player he is mind blowing. And how can I forget about Rehman's music in the film. Each of the songs are mark of a genius and brilliant in their own space. With awesome lyrics from Irshad Kamil the musical score elevates the movie to another level. "Nadan parinday" is one of the best written songs of recent times and "Sadda Haq" had all the power to be the youth anthem. Simply brilliant album in every sense. Overall Rockstar is a outstanding work of art that might not appeal to every many but sure to be the next Kagaz ke Phool in the long run; though Rockstar is already a Hit. Thankfully a genuine honest effort deserved its box office report. A classic in the long run…Rockstar Rocks!!

I have to say that watching this movie ALONE in an empty movie theatre added several dimensions to the whole experience of watching ROCKSTAR.

My first comment is to Imtiaz Ali-- What were you thinking, bro? To actually have the gumption to create a love story around the idea of ethereal and eternal love as envisioned by the great Sufi Master Rumi in the land of DABANGG and BODYGUARD? Did you really think that audiences (read THE COMMON MAN) would throng cinemas and multiplexes to get a taste of sublime love?

For sublime love is the thread that binds this beautiful bitter sweet tale together. It is a love story written in the idiom of NorthIndian/Kashmiri/Sufi culture, of dargahs, of spirituality, of Delhi University Campus insider jokes, of the topography of North India, especially Kashmir and I fear the film could be condemned with the "E" word--elitism.

The starting point of the story is a young ordinary low middle class callow youth who is a wannabe singer, strumming his guitar to ordinary lyrics hoping to make it big. He is accused of being shallow by his mentor and advised to seek out "PAIN" in order to light the creative spark, that divine glow that accompanies great art. Unbeknownst to him, his casual and frivolous flirtation with this search for angst leads him into the deep end where he has to come face to face first with true love and then with the inevitable pain that comes with it.

The dialogues are fabulous. So is the cinematography. The snow clad mountains of Kashmir and the misty mornings of New Delhi, the green fields full of flowers in Prague place the story in the here and now when in truth the story could belong to any era, any century, any epoch. The universality of love, the self realisation that comes with it, the realisation that this life is but a dream is what the movie is really about. The essence of the story is not in the physicality of love but love beyond the here and now, beyond right and wrong and love for the Creator who was there when there was nothing else.

See what I mean when I ask Imtiaz--what were you thinking, bro?

And now for the piece de resistance-the music, the lyrics, the singer.

If there were any doubts being expressed by the hoi polloi about A R Rehman's diminishing creativity well then, here is his rebuttal.

The music is earthy, rooted in our traditions and culture, and designed to rock. It's astonishing how Rehman is able to dive into the musical traditions of the Punjab to create the "Saada Haq" and "Katiyaan Karoon". Irshad Kamil's lyrics, if you take the time to listen to the songs and understand the words, are beyond compare. Mohit Chauhan's voice is eminently suitable for all the songs. My favorite is "Naadaan parinde, ghar aajaa" Listen to the lyrics and cry.

We have been enjoying a lot of junk food lately. Now it's time for some haute cuisine.