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IMDbPro

Um Conto do Destino

Título original: Winter's Tale
  • 2014
  • 12
  • 1 h 58 min
AVALIAÇÃO DA IMDb
6,1/10
58 mil
SUA AVALIAÇÃO
Colin Farrell and Jessica Brown Findlay in Um Conto do Destino (2014)
One night in winter, Peter Lake, orphan and master-mechanic, attempts to rob a fortress-like mansion on the Upper West Side. Though he thinks the house is empty, the daughter of the house is home. Thus begins the love between Peter, a middle-aged Irish burglar, and Beverly Penn, a young girl, who is dying.
Reproduzir trailer2:34
18 vídeos
99+ fotos
DramaFantasiaMistérioRomance

Durante um inverno rigoroso, o mecânico e larápio Peter Lake invade uma mansão que parece vazia, dando de caras com uma bela jovem com pouco tempo de vida, por quem ele se apaixona imediatam... Ler tudoDurante um inverno rigoroso, o mecânico e larápio Peter Lake invade uma mansão que parece vazia, dando de caras com uma bela jovem com pouco tempo de vida, por quem ele se apaixona imediatamente.Durante um inverno rigoroso, o mecânico e larápio Peter Lake invade uma mansão que parece vazia, dando de caras com uma bela jovem com pouco tempo de vida, por quem ele se apaixona imediatamente.

  • Direção
    • Akiva Goldsman
  • Roteiristas
    • Akiva Goldsman
    • Mark Helprin
  • Artistas
    • Colin Farrell
    • Jessica Brown Findlay
    • Russell Crowe
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    58 mil
    SUA AVALIAÇÃO
    • Direção
      • Akiva Goldsman
    • Roteiristas
      • Akiva Goldsman
      • Mark Helprin
    • Artistas
      • Colin Farrell
      • Jessica Brown Findlay
      • Russell Crowe
    • 199Avaliações de usuários
    • 177Avaliações da crítica
    • 31Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 indicações no total

    Vídeos18

    Trailer #2
    Trailer 2:34
    Trailer #2
    Trailer #1
    Trailer 2:33
    Trailer #1
    Trailer #1
    Trailer 2:33
    Trailer #1
    Winter's Tale: It Squeaks
    Clip 0:48
    Winter's Tale: It Squeaks
    Winter's Tale: Impossibly Beautiful
    Clip 0:54
    Winter's Tale: Impossibly Beautiful
    Winter's Tale: What's So Special About Peter?
    Clip 0:56
    Winter's Tale: What's So Special About Peter?
    Winter's Tale: Be Brief
    Clip 1:12
    Winter's Tale: Be Brief

    Fotos140

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    Elenco principal99+

    Editar
    Colin Farrell
    Colin Farrell
    • Peter Lake
    Jessica Brown Findlay
    Jessica Brown Findlay
    • Beverly Penn
    Russell Crowe
    Russell Crowe
    • Pearly Soames
    Jennifer Connelly
    Jennifer Connelly
    • Virginia Gamely
    Matt Bomer
    Matt Bomer
    • Young Man
    Lucy Griffiths
    Lucy Griffiths
    • Young Woman
    Michael Crane
    • Ellis Isle Doctor
    • (as Michael Patrick Crane)
    Brian Hutchison
    Brian Hutchison
    • Ellis Isle Official
    Kevin Corrigan
    Kevin Corrigan
    • Romeo Tan
    Alan Doyle
    Alan Doyle
    • Dingy Worthington
    Jon Patrick Walker
    Jon Patrick Walker
    • Optometrist
    David O'Brien Hart
    • Penn House Butler
    William Hurt
    William Hurt
    • Isaac Penn
    Maurice Jones
    • Cecil Mature
    Mckayla Twiggs
    Mckayla Twiggs
    • Young Willa
    Matthew R. Staley
    Matthew R. Staley
    • Oyster Boy
    Scott Grimes
    Scott Grimes
    • Carriage Driver
    Graham Greene
    Graham Greene
    • Humpstone John
    • Direção
      • Akiva Goldsman
    • Roteiristas
      • Akiva Goldsman
      • Mark Helprin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários199

    6,158.3K
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    Avaliações em destaque

    larshindsley

    Bad enough it may keep you from reading the novel. Reviewers that have not read the novel are making wrong assumptions.

    If you have not read the book, use this review as a reason to either bypass the film initially and read the book first, or to understand that the screenplay is a huge departure from the intended story.

    The novel Winter's Tale is a romance with a supernatural overtone bathed in a tribute to New York City if it could always remain in a mystical state. The book is sometimes verbose, often funny, and heartfelt in it's depiction of love. The movie insults your intellect by ignoring the vast symbolism used in the book. Example: Time Travel - The book allows for you to understand certain characters have time traveled, while the movie insists certain characters travel only to follow others telling you that they are supernatural beings. It's NOT so. Here is exactly where the director really fowled the film. Deviating from the author's intent, turning the story into a devil's agents interplay is awkward out of place. The devil was NEVER once mentioned or implied in the original story. Yes, some devices are necessary in film to help the audience, but Pearly Soames purpose as a protagonist in the film is reduced to silly. Furthermore Pearly's reason for chasing Peter had nothing to do with Peter's love for Beverly. Pearly never met Beverly in the novel. Here is one more non-spoiler as it too won't be found in the film. In the book, Pearly's purpose for chasing Peter Lake began the moment he forced Peter Lake into his employ and Peter later turned a huge heist against Pearly. Pearly's gang was decimated for a time. From that day forward, Pearly's will to kill Peter grew in every chase that left him empty handed.

    Being sold as a straight up romance or love story is almost a mistake because the film does try to encompass the much larger story surrounding the love affair. From Peter Lake's horse which has a story of his own to a wildly funny malapropian newspaper editor named Craig Binky. Other Characters such as Virginia Gamely were altered ridiculously. Virginia was from the Lake of the Coherees in the novel. In the film, she is just another New Yorker. This is where the film falls apart. The director's vain effort to include the other threaded stories inside the book are convoluted.

    When you use the same title as a book for a movie it's wise to make an honest adaptation, otherwise change the name of the movie from the book entirely to avoid comparisons entirely. Then follow the guide of placing in the credits, "based on the story Winter's Tale by Mark Helprin." Director Akiva Goldsman (also wrote the screenplay) zig-zagged across both these traditional paths and the story suffered in his mash-up. Change a characters hair color, but don't change their role or destiny.

    In this case Winter's Tale isn't even a director's interpretation. The book weaves a subtle supernatural element that may be so vague that the director wanted to spell it out to moviegoers. In doing so, he dumbs down the original story to the point it insults the audience, holding their hand and telling them what to think as opposed to letting the moviegoer figure things out.

    Winter's Tale is condensed, filtered and sanitized of it's soul. Even without having read the novel, evidence of awkward changes for the screenplay dumb down the original subtle supernatural theme which was ironically as clear in it's message as it was abstract in it's delivery.

    As a romance film there are heartfelt moments and the chemistry between Peter Lake and Beverly Penn does have enough strength to bring a tear to some audience members. Collin Farrell's soft humanity is felt quite often too. Yet, except for a candid conversation among the two men Peter Lake and Isaac Penn which draws an intellectual laugh, there is no humor to break up the tension in the film. Yes, the contrast of the book is once again worth noting. The book had meaningful characters which were lost in the movie. They were not a direct part of the love story, and as such were eliminated. Eliminating so many great elements of the original story killed the journey Peter Lake would take you through. The cinematography alone in Winter's Tale was not enough to paint the fantastic picture of the magical New York City the author intended as a character in the story. Without that fabric the mystical world Peter Lake and Beverly Penn exist is absent.

    Winter's Tale is a complex supernatural love story with too many important characters to have fit into a short two or three hour film. It's not written in a manner that would translate into a part one and part two series either. Perhaps it's best medium will one day be a mini- series a network can allow to play out over five to eight episodes. It's often said that the journey is the reward and the story of Winter's Tale is a long journey that cannot be condensed. In this case, spotlighting one part of the journey is not fulfilling either.

    Let's just make one thing clear to anyone that has neither read the book nor seen the movie. The love story in this film takes place in the first quarter of the novel. There are three remaining quarters to the story that thread the love story of Peter Lake and Beverly Penn into the overall journey, but their story is told early and ends early. Well, that's not entirely true. And yet it is. Now for all those clues and a tease, don't you just wonder what a book that has three quarters more to say – has to say? For my full review just search my name, Lars Hindsley and you'll find DangerMans Lair.
    6danhokstad

    Nice Try

    I wanted to love this movie. Really, really wanted to. Winter's Tale is my favourite novel; but, I didn't want that to get in my way - I went in with an open mind. I knew that lots would have to be cut out (or else the movie would be 27 hours long!), and focusing on Peter Lake and Beverly Penn was obviously the right decision. BUT, then why would Akiva Goldsman ADD something? The totally ridiculous Judge/Devil character, played by Will Smith, is an invention that was very poorly chosen - it destroyed the magic. Parts of it were good: Colin Farrell is brilliant as Peter, Russell Crowe is a fiendishly wonderful Pearly Soames, and William Hurt is perfect as Isaac Penn; yet parts were bad. Although she is a great actor, Jessica Brown Findlay is woefully miscast as Beverly. Do yourself a favour, skip the movie, and instead go and read all of Mark Helprin's novels.
    4shawneofthedead

    It feels churlish to suggest it, but Winter's Tale might have benefited from another director making more sense out of Akiva Goldsman's script.

    Directors making their feature-film debuts don't typically have their pick of Hollywood's finest (and busiest) stars - unless they're Akiva Goldsman, that is. For his fantastical romance epic Winter's Tale, the Oscar-winning screenwriter has corralled the likes of Russell Crowe, Jennifer Connelly, Colin Farrell and Eva Marie Saint: an accomplished cast that would make many a more seasoned director envious. The trouble is that Winter's Tale never really comes together as Goldsman clearly wants it to: the writing is smart and occasionally very good, but the film flounders when it should soar, losing rather than gathering pace and tension as it goes on.

    The story - based on Mark Helprin's ponderous 1983 novel - follows petty thief Peter Lake (Farrell) from the early 1900s through to the present day. In 1916, Peter is suddenly declared persona non grata by Pearly Soames (Russell Crowe), his frankly insane, literally demonic Irish thug of a mentor. While on the run, Peter encounters a mysterious white horse that points him in the direction of the Penn mansion. Initially looking to steal himself something nice, Peter sets aside all thoughts of pilfering treasure from the Penns when he meets and swiftly falls in love with Beverly (Downton Abbey's Jessica Brown Findlay), the beautiful, flame-haired mistress of the house who is slowly being eaten alive by consumption.

    It's all very romantic, or so we're told, with a supernatural element folded into the love story: Pearly becomes convinced that Peter is destined to save a girl with titian hair, an action that would upset the teetering balance between good and evil. Indeed, Peter's burning love winds up keeping him alive for over a century, until he meets single mom/super-journalist Virginia (Jennifer Connelly) and her daughter in modern-day Manhattan. It soon becomes clear that fate, destiny and a whole lot of mystical mumbo-jumbo are at work here, and Peter will soon discover the healing and restorative powers of love itself.

    To be fair, Winter's Tale is built upon a raft of quite interesting ideas. It hints at, rather than belabours, the notion of good and evil taking physical form: Pearly lurks through Manhattan, a gangster by trade and a demon by nature. When he decides to confront Peter for good and for ever, he's forced to fight on equal, mortal terms. It's a fantasy universe absolutely begging to be expanded, a fiction that could be real and is all the more tantalising for it.

    But Goldsman, in juggling the various elements of his story, lets the opportunity slip him by, instead focusing on the love story in almost excruciating detail - even though he never really creates a connection between Peter and Beverly that rings true. Peter teaches Beverly how to escape her all-consuming fever by slowing her heart down, Beverly explains to Peter how she believes people rise to the stars to find their loved ones when they die - it's all intensely romantic, but hardly emotional. The film then flings a few more tropes and complications into the mix (Peter loses his memory, Peter winds up travelling through the future into our present, love will conquer all etc.), without really stopping to explain just how it all hangs together.

    At least Goldsman has pulled together a cast worth watching, even when the film he's constructed around them isn't quite worth their salt. Farrell broods prettily in his boy-band haircut, clearly too old for the part but nonetheless playing it with great gusto. Paying Goldsman back for A Beautiful Mind and Cinderella Man, Crowe marches through the silliness of his raging, bonkers character with strange amounts of joy. Pearly is easily the film's best character, unless you count the one played by another of Goldsman's Facebook friends (no spoilers, but this movie star is no doubt grateful to Goldman for a script that earned him bucketfuls of acting cred many years ago).

    Swimming somewhere in the reams of quite lovely footage assembled by Goldsman and his cinematographer Caleb Deschanel, there's a great movie with great ideas. Once in a while, it bursts through - in the shadowy, dank dungeon of a demon's lair, ruled by Lucifer himself; or the snow- swept sparkle of a moonlit night - but, more often than not, it turns into Winter's Tale: an emotionally distant romantic drama that goes for lush, sweeping depth but comes up curiously cold and myopic.
    jmbooze

    Loved It

    As the reviews indicate either you'll love it or hate it. I loved it, my wife hated it. Quite a turnaround considering I wanted to see Robocop, but it was her turn to pick. Slow and confusing in the beginning but picked up speed after the first encounter of Peter and Beverly. The Characters were immediately likable and the two child actresses were captivating. Russell Crowe was great as Demi-Demon Pearly Soames. The visuals were terrific. It kind of made me think of Titanic with Demons, Angels and even a Pegasus replacing the Boat. All under the winter NYC backdrop. Pay attention to the dialogue because there were several of those "oh wow - that's what that meant" moments later on.
    binaryDigit

    Not as bad as many make it out to be

    First some background, I'm a guy, a shoot 'em, blow 'em up, Clint Eastwood luvin dude. I do appreciate however a good romantic story. Also, I have NOT read the book, heck, never even heard of it until now.

    So that said, here is my take. The haters seem to fall into three major categories.

    First, there are the "loved the book, hate the movie" types. Since I never read the book, I can't speak to this, other than to say, "Sorry, it's not the book, it's a movie". I always tell my kids that the medium of film is radically different than that of pulp and what "works" in one doesn't necessarily work in the other. Given that, one should go into a movie with an open mind, even if you've read the book.

    Second, there are the "I never read the book, the movie didn't make sense". Now that I can talk to. I never did find myself all that confused. I think falls in large part to the fact that I never assumed the movie was supposed to be based on reality. I mean come on, given the rather obviously "fantastic" aspects of the story, it's not meant to be taken seriously. You're given an overarching concept (basically the power of love to do amazing things) and if you buy in, then the particulars are not really all that important. If you can't get beyond that, or simply don't buy into the central conceit, then you won't like the movie because it rides that wave for all it's worth.

    Third are the folks who thought the movie was too schmaltzy. Now that I would at least partially agree with. That said, again, the movie doesn't try to hide the fact that it wears it's heart on it's sleeve. It's fair that if one does not go for that kind of thing, then you won't like this film.

    All that said, I thought it was a "good" romantic film. My personal criticisms fall mainly on the somewhat wooden acting and the overall lack of "feel". That's right, despite all I said above there was just something about the film that just never really drew me into the characters. For some reason I never really felt truly emotionally invested in the characters. I didn't hate them, I did care, just not nearly as much as I thought I should. I also thought some of the acting was a bit forced and this might have contributed to not being able to lose myself in the characters. Almost like the actors did a good job of "acting" like the characters but never quite crossed into "being" the characters.

    So if you're willing to accept the movie for what it is, an unabashedly romantic film that weaves religion as an integral part of the story, then I think that you will enjoy the film. It's not perfect by any sense of the imagination, but IMHO it's not nearly as bad as some folks are making it out to be.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Steven Spielberg bought the film rights in 1983, soon after the book was released.
    • Erros de gravação
      Aram Khachaturian's "Masquerade Suite" plays during the 1914 New Year's ball. Khachaturian wrote the suite in 1941.
    • Citações

      Beverly Penn: We are all connected. Each baby born carries a miracle inside. A unique purpose and that miracle is promised to one person and one person alone. We are voyagers set on a course towards destiny, to find the one person our miracle is meant for. But be warned: as we seek out the light, darkness gathers and the eternal contest between good and evil is not fought with great armies... But one life at a time.

    • Cenas durante ou pós-créditos
      The opening logos for Warner Bros. Pictures, Village Roadshow Pictures, and Weed Road Pictures all end by being placed on old-fashioned paper.
    • Conexões
      Featured in Film '72: Episode dated 19 February 2014 (2014)
    • Trilhas sonoras
      Masquerade Suite
      Written by Aram Khachaturyan (as Aram Khachaturian)

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    Perguntas frequentes

    • How long is Winter's Tale?Fornecido pela Alexa
    • Is this based on a book?

    Detalhes

    Editar
    • Data de lançamento
      • 21 de fevereiro de 2014 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Un cuento de invierno
    • Locações de filme
      • Brooklyn Heights, Brooklyn, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Village Roadshow Pictures
      • Warner Bros.
      • Weed Road Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 60.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 12.600.231
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.297.694
      • 16 de fev. de 2014
    • Faturamento bruto mundial
      • US$ 30.800.231
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 58 minutos
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Datasat
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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