A Colheita

What a terrific film that blurs the boundary between documentary and fiction - the director used nonprofessional actors for all but the two leads. A very moving love story that happens to be between two young men - probably the most touching I've seen in a while, mainly because it is subtle and mostly told through glances and gestures. This is not a film about gay culture - it's about two people living/working in a traditional farming community who are faced with a growing attraction to each other and do end up coming together. Luckily no great drama/punishment ensues a la Brokeback. The leads have amazing chemistry - kudos to the director for the casting. It's probably too slow for most tastes, but for me, it was perfect and if anything too short.

I loved this movie. The first time Jacob and Marko sit in the abandoned car is one of the most beautiful scenes I have ever seen in any movie, and they hardly say a word; it's all in their eyes and in the way they move. Kai Michael Müller (Jacob) is especially appealing, but both guys are excellent. This movie is far more sensual than movies with nudity and sex (Harvest has none of either).

I should give up trying to understand why other people don't like the same things I do. I can't imagine thinking this movie is slow or boring or dull. I watched it all the way through in one sitting because I simply couldn't break myself away from it. So much was happening that I didn't want to miss any of it. I've seen over a thousand movies in the past five years, and I could count on one hand the ones I've watched in one sitting.

There is no violence in it at all, and only the very briefest flash of hostility from a passing stranger. Nearly everything that happens happens within and between the two lead characters; and even when it is difficult (as it is most of the time for Marko) it is always tender, never violent. Maybe that's why it bores people.

If you like dime-a-dozen action movies, you won't like this beautiful and sensitive film. If you are drawn to the cinematic possibilities for sensitive portrayal of character and struggle, you should like it. The acting is superb, superior to anything Hollywood is capable of. I've watched it several times and have always been amazed at what has been accomplished here.

It is known and understandable that German character is not a French or Spanish one, being sedate and tardy, but combination of "sensitive" topic and agricultural environment was apparently not the best idea to keep the film going. True, we obtained a rather good overview of rural economy in contemporary Germany, thoughts and goals of interns, etc., but its overall pace remained too slow, and even "brighter" moments were shown in a gray and hectic manner. There are very few creations I know where virtually-nothing-happening can be fascinating (e.g. The Station Agent).

The main characters and performances are rather good, but there are lots of other, documentary-like figures, whose role and meaning is schematic. So are some scenes and events, particularly when a static locality movie become an insipid road movie.

Well, as for the topic in question, I would recommend Freier Fall - much more versatile and concise. Stadt Land Fluss did not impress me much, although I liked the ending - at least 1 additional point for this.

I watched this movie with a pretty open mind; I had no idea what it was about initially, except that there was a gay romance and that it was set on a farm (as the title suggests). Luckily, I love farms and find them to be interesting but this film really tested the limits of that love. The lengthy shots of cows walking around, getting their ears tagged, and of machinery being used or set-up definitely added to the authenticity of the film but it did little to advance the plot, or my interest.

Speaking of plot, there is basically none. Instead, what they have given us is some rather pointless dialogue involving random interns and teachers, who often show up, deliver their insignificant line and disappear for the rest of the movie.

The lead actors are rather good and there is some brilliant cinematography found in the film (especially when they are in the barn and the light is pouring in through the wooden walls; and the scene with the water bursting from the sprinkler), but overall it fails to deliver a gripping plot or interesting characters with any depth. If you want to see a great character-driven drama, set on a farm with gay characters and a good plot, check out The Mudge Boy, Ander, or Brokeback Mountain - but Harvest will likely disappoint.