Asmaa

Wonderful film from Egypt that is definitely amongst the better I have seen. It really makes me appreciate civilized society as screwed up as it is. In Cairo, people fear for their lives if they carry the AIDS virus. Asmaa was a strong woman, not afraid to stand up to a man in public, something so forbidden in Islamic culture. Things change and she becomes HIV positive. Her fear for her life is not from dying from AIDS, but potentially being killed if she's found out. Society is scared of people like her. Not only would she face ridicule and perhaps stoning but another problem is she will die without a simple gall bladder operation. The real woman this is based on did. Doctors there are woefully ignorant of the disease, obviously those who did not study in a western culture in modern universities; they're often unwilling to treat HIV/AIDS patients for other illnesses. In steps a savior who hopefully will help get Asmaa the treatment she needs and deserves as a human being. The film is not without is flaws, unfortunately – a couple unplayed out story lines and issues not discussed in depth enough give less background than could have been provided. Still I was so very able to empathize with our protagonist and feel what this movie is all about – equal rights, HIV or not! Middle Eastern Islamic culture needs to step out of the stone age in many ways. This is just one more way how people are treated so appallingly.

8.3 / 10 stars

--Zoooma, a Kat Pirate Screener

AIDS may be the fuel in Asmaa's engine, but director/writer Amr Salama doesn't hesitate to take on board the position of Muslim women in society, following on from Cairo 678, which was also produced by Egypt's New Century.

As such, international interest will perhaps initially be led by the Diaspora, but the issues of the Arab Spring regarding personal empowerment in a changing society are also explored in this film, and should attract interest. Salama, who collaborated on Tahrir 2011: The Good The Bad And The Politician, blends a populist approach and pacy tricks - much cross-cutting and colour coding - with more subtle emotional notes in this story which is partly based on a real-life tale which had a far more tragic outcome.

Salama wrote Asmaa's script with actress Hend Sabry in mind, and she makes the most of the opportunity to deliver a strong lead performance as Asmaa, a 45-year-old woman living in Cairo with her father Hosni (Sayed Ragab) and daughter Habiba (Fatma Adel).

In a dramatic introduction, Asmaa is wheeled into an operating theatre where she is urged to stay quiet. Salama intercuts this with a support group meeting for AIDS sufferers, where it emerges that Asmaa is a-symptomatic but will die from a gall bladder complaint if doctors continue to refuse to treat her because of her HIV-positive condition. And refuse, they do.

Asmaa, a humble and devout Muslim widow, works as a cleaner in Cairo airport and struggles to support her family; her daughter does not know anything of her mother's plight and stays out late at night, while her father never leaves the couch. Flashbacks begin to paint a picture of stubborn Asmaa's humble rural background as a carpet weaver and doomed marriage to Mossaad (Hany Adel), but whatever the situation she finds herself in, the increasingly-ill Asmaa is resolute in her refusal to reveal how she contracted the virus.

Asmaa is offered a chance to change things - for herself, and perhaps for others - by appearing on a powerful TV chat show hosted by Mohsen (Maged El Kedwany); the producers tell her that if she makes a personal plea, a doctor may step forward and volunteer to operate. There is one condition however: Mohsen insists she shows her face.

This will-she or won't-she tension helps propel Asmaa forward over some troublesome moments of high drama, particularly in Asmaa's home village, and Salama keeps a firm hand on the edit whenever the pace threatens to slacken, cross-cutting back to Cairo and a budding potential romance with fellow patient Shafiq. Strong visual motifs such as Asmaa's highly-coloured past, the greys of modern-day Cairo, and the warm orange hues of the support group, can be a little over-played, however, but Asmaa makes its points clearly and firmly, reminding us that the issue of AIDS still has many borders to cross

Painful as the severity of this disease, a wonderful plot and a perfect performance from the movie's heroes. The director's cinematography choices were annoying at the beginning of the film, but the story and narration of events justified them. The most studied flashback in Egyptian cinema. Hind is a genius and Maged El Kedwany is the jewel in the crown. It seems that the director studied the aids more than the specialists, and presented a masterpiece that is still relevant despite the passage of time. May God have mercy on the real character of the original story and accept him into eternal paradise.

first of all sorry for my English .....I always believe that going to watch a good movie(whatever the kind of the movie) leaves at the end you a nice feeling that there is still a space in this world for beauty and justice.

and unfortunately Asama made ​​me feel the opposite , not as a sad story but as how has been told.... ...so if you want watch a very sad story told in obnoxious and superficial way , I recommend you watch this movie .. and I think the overrating 7.7 stars is a part of the antipathy of our insane realty,

PS. i am not a critic,, i am just a person who love the cinema so much

This film is just as uplifting as it is tragic. Amr Salama brings up HIV/AIDS in a society that typically shunned or turned a blind eye to the issue. A woman contracting HIV, in a conservative community that associates the disease with either a sexually transmitted infection from an extra marital affair or drug use injection, has to deal with not only what the disease is doing to her body, but also with the way people will punish her if they found out she has it. This poignant drama promises an honest perspective into the Egyptian culture and the average Egyptian's perspective on such delicate and taboo issues.

Although it may be a long road ahead, Salama definitely helped raise awareness and maybe even recede the social stigma associated with HIV/AIDS in some way. A beautiful performance by Hend Sabry was able to evoke empathy and compassion towards people with the disease in a ruthless community that can't help but look down on them. This is a must-see, and if you think it might be too depressing for your taste, don't worry. Maged ElKedwany's equally brilliant performance will either downright crack you up or at least put a smile on your face a few times throughout the movie. Have fun!