Um funcionário de uma agência governamental descobre que sua vida toma um rumo terrível com a chegada de um novo colega de trabalho que é tanto seu duplo físico exato quanto seu oposto: conf... Ler tudoUm funcionário de uma agência governamental descobre que sua vida toma um rumo terrível com a chegada de um novo colega de trabalho que é tanto seu duplo físico exato quanto seu oposto: confiante, carismático e sedutor com as mulheres.Um funcionário de uma agência governamental descobre que sua vida toma um rumo terrível com a chegada de um novo colega de trabalho que é tanto seu duplo físico exato quanto seu oposto: confiante, carismático e sedutor com as mulheres.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 11 indicações no total
Avaliações em destaque
The lighting, the sounds, the camera shots are all wonderfully done, setting a disturbing and unsettling atmosphere that gently but with increasing urgency begins to throw a blanket of latent claustrophobia across characters and happenings. We witness curious incidents and are left to guess their significance, our hero reaches out to the girl but is beaten to the jump by....who exactly?
How much of what we see actually takes place is questionable. How much some of the latter scenes make sense even more so. Yet, as it twists and turns towards the denouement, I found myself gripped and engaged to an uncommon degree. It is a difficult movie as it winds up, no question, but I find the notion that anyone feeling suicidal needs warning before viewing as slightly hysterical.
On the one hand, this is an easy film to describe, whether you reference the source material, or your talk about the doppleganger and what it might be like to find one has a double. Yet on the other hand, it's almost impossible to sum this up after one viewing, as there felt like there are so many little bits and pieces that suddenly reveal themselves to your eyes and ears. that you're forced to think about going back to sit back through it again. The question is, which one of you will go...?
As if this was not discouraging enough, a new colleague joins who is identical to you in appearance but has the completely opposite personality.
A smart telling of the Dostoevsky novel about a person who has the capacity to tolerate everything but his own double whose existence causes him a dilemma: continue to silently tolerate everything or change and adapt.
Perhaps not the easiest of movies to watch but its quirky wit and creative cinematography will win you over.
If this had a better ending to tie it up then it would have easily been an 8+
The Double takes you for a real ride. It's effective at making you feel a sense of non-stop stress and dread, while remaining very engaging. You feel like you can't look away without missing something right until the end.
The atmosphere is great, portraying a truly bleak, dystopian nightmare. The set design is really interesting and has a unique vibe. The work they do at the company, and many other things about the world in general, is vague in a way that they really pull off to build an effective tone.
Unfortunately, I felt the ending was unfulfilling. The ending itself is fine enough, and some of the stuff they introduce there is cool, but it doesn't feel like a real conclusion. It didn't wrap up as nicely as it seemed like it was going to, and when looking at it closer there's a lot of tough logical holes. When discussing it after there was lots of "but if *that* theory was right, then *this* thing wouldn't have happened" and it just didn't seem like any one narrative fit correctly.
Overall, I really liked the experience. It was very cerebral, very weird, and very "interesting" (in it's own bleak and unexciting way). I enjoyed it all the way through, but was let down by the ending not being fulfilling enough.
The story is about as bizarre as any I've seen lately. Simon (Eisenberg) is a very emotionally constricted and lonely young man. No one seems to notice him or care about him as he plods away at his job making no particular mark. In fact, he's literally a real 'nothing' as soon his work identification badge stops working and he is repeatedly hassled by the strange security guard who acts like he's never seen Simon before—though he's worked at the company for years. Then, out of the blue, a new employee comes to work—and he is the exact double for Simon. James (also Eisenberg) looks like Simon but no one seems to think this is unusual. What is really strange is that everyone seems to naturally love James and he's much the opposite of his lookalike. He's confident, aggressive and Simon eventually learns that he's also a bit of a user. While they are friends at first and James seems to be trying to help Simon, soon you see that James is trying to take over Simon's life and lonely Simon is becoming more and more alienated and depressed. What is poor Simon to do?
In many ways, this story looks like it was infused with liberal doses of the movies 1984 as well as Brazil. While the film lacks the huge budget of Brazil, the dystopian look to this place gives it an otherworldly feel that seems oppressive, strange and gloomy. It also has an odd sense of humor—though it certainly is not a comedy. This actually works well with the story. But what is it all about? THAT is the thing about The Double—no one is exactly sure what it all means. Since the story was written long ago folks have been debating this. Is this simply Simon's descent into madness? Are there literally two of him, a yin and a yang? Or, is there some other meaning? Some will like the film's vagueness—others will hate that they aren't being spoon-fed the answers. The bottom line is that the story is difficult, strange and confusing— and these are NOT qualities you find in a Hollywood picture. As for me, I liked it and appreciated that the filmmakers didn't try to make a film like any other. And, the strangeness certainly wasn't a bad thing. Would I like more films like this? Perhaps I might—but not in large quantities. But, as a change of pace, I really enjoyed the film. Whether or not you'll enjoy this strange film, I cannot say—it all depends on your tolerance for the surreal.
*I am confused. How can a film have four executive producers? Usually, there is one producer in charge (the executive producer) and the others are simply called producers.
"Submarine" was cute, but this is the film that definitely makes Ayoade one of the most promising directors nowadays. Can't wait to see what he's gonna do next.
Você sabia?
- CuriosidadesThe piano motif throughout the film comes from the song 'Der Doppelgänger' by Franz Schubert; the words to this piece tell the tale of a man and his evil twin.
- Citações
Simon: I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.
- ConexõesFeatured in Film '72: Episode dated 5 March 2014 (2014)
- Trilhas sonorasAkasaka Rain
aka "Ameno Akasaka"
Written by Jun Hashimoto, Tsunaki Mihara
Published by Watanabe Music Publishing Co. Ltd (c) 1968
Administered by Fairwood Music (UK) Ltd for the UK & Eire
Performed by The Blue Comets
Licensed courtesy Watanabe Music Publishing Co. Ltd
Administered by Fairwood Music (UK) Ltd for the UK & Eire
Principais escolhas
- How long is The Double?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 200.406
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.646
- 11 de mai. de 2014
- Faturamento bruto mundial
- US$ 1.662.515
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1