Acontece mais drama nos bastidores do que no palco enquanto a equipe prepara um ambicioso musical da Broadway sobre a vida de Marilyn Monroe.Acontece mais drama nos bastidores do que no palco enquanto a equipe prepara um ambicioso musical da Broadway sobre a vida de Marilyn Monroe.Acontece mais drama nos bastidores do que no palco enquanto a equipe prepara um ambicioso musical da Broadway sobre a vida de Marilyn Monroe.
- Ganhou 1 Primetime Emmy
- 9 vitórias e 28 indicações no total
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It is so good to have the option to see an upbeat musical instead of being limited to all of the police, vampire, garish and reality shows that have been taking over the networks these days. Katherine McPhee's performance is excellent. She is quite a refreshing actress and singer. The show is nicely geared towards the crowd that is over 16. Glee is much too young for me. I am 61. The show is very well done. The storyline is interesting and kind of reminiscent of the movie Fame. I am eager to tune into the next episode. I will be a loyal fan and hope that Smash becomes a long running show. It makes me smile and sing. We need more shows that can do that.
NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
Was surprised at how much I loved this. Can't really compare it to GLEE, it isn't anything similar. although i do love GLEE, it is just a cutsie little teenage show.
I did see one review that said there was too much singing and dancing, and that is what i loved about it. Love the story, Love the acting, Loved everything about it. I think the plot will carry it along.
Was totally surprised at how great job Katharine McPhee did. I wasn't too impressed with her in House Bunny, but WOW, I believe what they say in the show. She IS a star.
I was left at the end of the hour wanting more...
I did see one review that said there was too much singing and dancing, and that is what i loved about it. Love the story, Love the acting, Loved everything about it. I think the plot will carry it along.
Was totally surprised at how great job Katharine McPhee did. I wasn't too impressed with her in House Bunny, but WOW, I believe what they say in the show. She IS a star.
I was left at the end of the hour wanting more...
This new show is a breath of fresh air. It has a simple plot with many complicated sub plots. It entertains you with great music and gives you a realistic look at what goes on during the casting, rehearsals and collaboration that is required to produce a Broadway musical. This is a high energy and fast paced piece of entertainment with a few twists to keep you wanting more. The interactions among cast members is so real you don't feel like you are watching television. I hope this show makes it because it is like nothing a regular network has done before. It has brought Broadway to television with a great cast, original music and a break from the many cookie cutter shows on television lately.
The production values alone are worth the price of admission, but this is also a show of clichés. You have the gay musical guy with his ever-grinning sycophant, who also came up with the idea for the musical, the harried wife/other musical person, the horny English director, who lives in apartment out of architectural digest, but is lonely and always on the look out for "fresh" faces and bodies to devour. On the other, we like the Indian boyfriend, we love the staging, the songs, the singing. As many have already indicated, it is the casting of McPhee that is the shows biggest issue. Having seen only one show, I only know that I felt she was out of her league, big time. This may be intentional, this may be the catch the producers are creating, and at some point McPhee becomes the smash. It's hard to imagine simply because McPhee doesn't really have the charisma to play the part. I like her, I like her voice, she just doesn't feel right for the part. That said, fun show and a worthy alternative to ever ballooning list of "singing" TV shows.
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- CuriosidadesSeveral of the actors on Smash have actually performed in Broadway musicals. Megan Hilty played Glinda in Wicked and originated the role of Doralee in 9 to 5. Christian Borle was in the original casts of Spamalot and Peter and the Starcatcher, and originated the role of Emmett in Legally Blonde. Brian d'Arcy James was in the original casts of Titanic, the revival of The Apple Tree, and played the title role in Shrek. Wesley Taylor was in the original casts of Rock of Ages and The Addams Family. Will Chase has been in Rent, Aida, The Full Monty, and Billy Elliot. Ann Harada (Linda) originated the role of Christmas Eve in the puppet musical "Avenue Q." Anjelica Huston has never been in a Broadway musical, but in 1969 she played Ophelia in a Broadway production of Hamlet, and Leslie Odom Jr. Played Aaron Burr in "Hamilton" which he won the Tony Award for best actor for his performance.Jeremy Jordan played Jay Gatsby in "The Great Gatsby"
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #20.81 (2012)
- Trilhas sonorasSomewhere Over the Rainbow
(uncredited)
Written by Harold Arlen and E.Y. Harburg
Performed by Katharine McPhee
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