Smash

Was surprised at how much I loved this. Can't really compare it to GLEE, it isn't anything similar. although i do love GLEE, it is just a cutsie little teenage show.

I did see one review that said there was too much singing and dancing, and that is what i loved about it. Love the story, Love the acting, Loved everything about it. I think the plot will carry it along.

Was totally surprised at how great job Katharine McPhee did. I wasn't too impressed with her in House Bunny, but WOW, I believe what they say in the show. She IS a star.

I was left at the end of the hour wanting more...

I'm a huge Broadway fan, but not a big TV fan. I go twice a year to NYC and try and see everything that might win a Tony. I thought I wouldn't like this show because simply, I thought it would be lame. But a director friend of mine recommended it to me and told me to read the NY Times review of it. I did both and now I'm hooked. I find the story line a bit too Dallas for my liking but the cast is awesome and totally full of A-listers. Lots of appearances by Tony award-winning actors. Great talent everywhere. The musical numbers are authentic. And the behind the scenes drama feels real-ish. No homophobia, real producers, ideas based on fact - what's not to like?! I don't think the show is perfect but I want to give it my support. I appreciate singing with believable lip synching and that the actors in the show can actually sing and dance! More! More! More!

This was a wonderful series until 2nd Season and the bright bulbs in charge decided to change the cast, change the story line, change the producers and writers and directors and then the show tanked. Second season was ridiculous and made no sense. the songs sucked and the cast had no chemistry and they didn't even finish the storylines. First season was amazing, songs, cast, direction. Why can't the studios leave well enough alone. They get people that thing they can do better and they ruin everything. This show tanked because the bright bulbs at the studio thought they could do better with what was already a fantastic show.

NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.

The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.

There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.

Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.

Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.

The cast, level of vocal ability and performance, choreography, and dialogue were all excellent. The juxtaposition and occasional pairing of the two lead singers in competition for the lead in Bombshell really played up the suspense and excitement while highlighting what each brought to the part. It helped that we saw it through the director's eyes - the difficulty in choosing between them.

I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.

I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!