AVALIAÇÃO DA IMDb
7,8/10
23 mil
SUA AVALIAÇÃO
Em um mundo onde ursos comandam e ratos são oprimidos, Ernest, um urso que trabalha como palhaço e músico, conhece Célestine, uma rata órfã que fugiu de uma vida que não lhe convinha. Nasce ... Ler tudoEm um mundo onde ursos comandam e ratos são oprimidos, Ernest, um urso que trabalha como palhaço e músico, conhece Célestine, uma rata órfã que fugiu de uma vida que não lhe convinha. Nasce uma bela amizade, até que os outros descobrem.Em um mundo onde ursos comandam e ratos são oprimidos, Ernest, um urso que trabalha como palhaço e músico, conhece Célestine, uma rata órfã que fugiu de uma vida que não lhe convinha. Nasce uma bela amizade, até que os outros descobrem.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 15 vitórias e 15 indicações no total
Lambert Wilson
- Ernest
- (narração)
Pauline Brunner
- Célestine
- (narração)
Anne-Marie Loop
- La Grise
- (narração)
Patrice Melennec
- Georges
- (narração)
Brigitte Virtudes
- Lucienne
- (narração)
Léonard Louf
- Léon
- (narração)
Dominique Maurin
- Chef de clinique
- (narração)
- (as Dominique Collignon)
Perrette Pradier
- Infirmière en Chef
- (narração)
- (as Perette Pradier)
Yann Le Madic
- Avocat d'Ernest
- (narração)
Féodor Atkine
- Juge Grizzly
- (narração)
Pierre Baton
- Juge Rat
- (narração)
Vincent Grass
- Chef policier Ours
- (narração)
- (as Vincent Gras)
Patrice Dozier
- Chef policier Rat
- (narração)
Jacques Ciron
- Monsieur Rançonnet
- (narração)
Garance Pauwels
- Célestine enfant
- (narração)
Maxime Bailleul
- Voix Additionnelles
- (narração)
Kémil Belhadj
- Voix Additionnelles
- (narração)
Yanis Belhadj
- Voix Additionnelles
- (narração)
Avaliações em destaque
Reviewed by: Dare Devil Kid (DDK) Rating:3.8/5 stars
Simplistic, sublime, superlative. Classic hand-drawn animation set against a picturesque Parisian background that is filled with an ambiance of great human divide and strong social references. At the heart of this wonderful tale is an endearing story of true friendship that withstands all odds to not only emerge triumphant but also infuse others around them and even the cynics who watch the film to have a change of heart. This soaring tale of friendship also brings forth a profound social commentary told with subtle metaphorical actions, which resonate brilliantly with our own state of human affairs.
Simplistic, sublime, superlative. Classic hand-drawn animation set against a picturesque Parisian background that is filled with an ambiance of great human divide and strong social references. At the heart of this wonderful tale is an endearing story of true friendship that withstands all odds to not only emerge triumphant but also infuse others around them and even the cynics who watch the film to have a change of heart. This soaring tale of friendship also brings forth a profound social commentary told with subtle metaphorical actions, which resonate brilliantly with our own state of human affairs.
Anybody who loves animation and just want to see one that warms your heart and moves, charms and entertains you, you have met your match with Ernest and Celestine. With me, out of all the films, animated and otherwise, viewed recently Ernest and Celestine stood out as one of the most beautiful. The animation, with its water-colour/ story-book look, is just lovely to look at and is imaginative while keeping things simple. The is sensitively orchestrated and unobtrusive, one of those music scores that you can listen to more than once and still find it memorable and appealing. You can't argue with the way Ernest and Celestine is written, it has a poetic simplicity that children and adults alike can understand with no problem. The unlikely friendship angle is a familiar one but that doesn't matter when Ermest and Celestine deals with it with so much warmth and heart. You can genuinely feel the relationship/friendship between the characters, and throughout the simple but never too simplistic story is both charming and touching, cute as well(I admit it that I did feel a lot of emotion watching). The characters are just as engaging as the writing, you can identify with them and their friendship and situation and it is easy to like them. They are nimbly voiced too. Overall, a sublime animated film that takes a familiar concept and does it with simplicity and doesn't rely on fart jokes, profanities, slapstick or crude toilet humour, instead allowing the story and friendship between the titular characters to come through and come through they do, and marvellously. 10/10 Bethany Cox
10RforFilm
It's interesting how studios and creative people would assume they know what people want. Disney knows that people want to see fairy tale stories and grand animation making the way for memorable characters and catchy songs. Warner Brothers knows that people want to see really fast animation alongside some good visual gags as perpetrated by unique charters with a lot of heart. Most other studios seem to copy either formula in their own projects. It's not too bad of an idea as long they can make their movies just as original and unique (projects like Despicable Me or Cloudy With a Chance of Meatballs).
But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.
In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.
She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.
As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.
Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.
I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.
But I'm surprised with how these two formulas are the only ones that studios want to take a chance on. I've already talked about how I miss traditional hand drawn animation in movies today. You could say that children don't watch those kinds of movies anymore. But I ask of you "Why are classics like Snow White, The Looney Toons and Popeye still being watched by modern kids?". It's because they too has great legacies of good characters and memorable situations. There is always room for other options in animation that want something different. That would be one of this years Oscar nominated movies, Ernest and Celestine.
In a lot of ways, this is nothing like modern Disney, Pixar, or the other big names. This tells a simpler story about friendship; a bear and a mouse. So in a world where mice live underground while bears walk and talk, living how we would, both sides agree that each species is evil and shouldn't we interacted with. At an orphanage, a young mouse Celestine is more curious about why the mice and rats are afraid of bears. She has a job of collecting bear teeth so that mice dentists can file them down for their fellow rodents to wear.
She gets stuck in a garbage can where she is discovered by a starving musician bear, Ernest (played by Forest Whitaker). His first instinct is to eat Celestine, but she quickly scolds him for wanting to do so, confusing him. They make a deal to help each other, but the plan goes amiss and the two hide from the law in Ernest's home in the woods. Most of time is shown them interacting with each other and their skills; Celestine with her obsession with nature and art and Ernest and his spark for music and clowning.
As I've said, this is a different offering from most of the other animated movies out. Ernest and Celestine is a much quieter movie about friendship. Though there's the principle tone about prejudice, the situation is simple at best. There's no villain or threatening force looking to destroy them. It's just this bear and mouse interacting and becoming friends. And you know what? That's all you really need with this kind of story. This is a very sweet and likable story that benefits from some really nice animation and two leads that both kids and adults would really like.
Celestine may just be a young girl whose no higher then a few inches, but she still manages to be very spunky without being too annoying. It's her curiosity that rubs onto me that makes me want to learn about this world more. Ernest is a grouchy loner, but has plenty of heart that allows himself to absorb a lot of new ideas from this little mouse. The movie looks like one large watercolor painting, really letting the art taking control of the design and story. It looks beautiful. It feels more like something I would get from Winnie the Pooh; is simple but it works really well.
I'll give this ten watercolor kits out of ten. Ernest and Celestine isn't exactly the most original story around, but it wins my heart with a very unique look and a gentle tone that anyone can enjoy. It's good old fashioned story telling at it's best. This is an absolute must with families.
I really enjoyed watching this movie. I went into the film thinking it was more for adults, but discovered it has a story that anyone and any age can enjoy, and that's always a sign of a great movie.
The movie is based on a children's book that I never herd of in which a Bear who's down on his luck befriends a mouse who's an artist at heart, beating all odds in a world where these two species are separated by fear and miscommunication.
I love the animation style which I'm guessing is greatly inspired by the children's book it's based on. I especially loved the design of the mouse, Celestine. Her animation was very cute and they did a good job of making her very mouse-like with her movement and attitude while still making her relatable to humans. This was added by the voice over talent by Mackenzie Foy.
I opted to watch the English dubbed version as I feel the authenticity of the dub matters less with animation. Some of you might disagree and I'm sure Lambert Wilson was great as Ernest, but hearing Forest Whitaker bring the poor reclusive bear whom Celestine befriends to life was a highlight.
If you need a movie to take your kids to see, you gotta pick this one. It's a film that will put a smile on all of your faces.
The movie is based on a children's book that I never herd of in which a Bear who's down on his luck befriends a mouse who's an artist at heart, beating all odds in a world where these two species are separated by fear and miscommunication.
I love the animation style which I'm guessing is greatly inspired by the children's book it's based on. I especially loved the design of the mouse, Celestine. Her animation was very cute and they did a good job of making her very mouse-like with her movement and attitude while still making her relatable to humans. This was added by the voice over talent by Mackenzie Foy.
I opted to watch the English dubbed version as I feel the authenticity of the dub matters less with animation. Some of you might disagree and I'm sure Lambert Wilson was great as Ernest, but hearing Forest Whitaker bring the poor reclusive bear whom Celestine befriends to life was a highlight.
If you need a movie to take your kids to see, you gotta pick this one. It's a film that will put a smile on all of your faces.
Move over Pixar and Disney, your monopoly be damned. Although I do like some of the Pixar/Dinsey animated movies, it was always the French animated movies that I adored. It was always amusing and entertaining and often adhering to real life nuances than go all aboard with fantasy. From L'illusioniste to Persepolis, the craftsmanship and quality that goes into these movies are impeccable. Often manually animated than using CG, the smooth animation is just mesmerizing, furthermore the narrative and the characters rivets you to your seats. Although these movies might not garner as much attention as an over-rated Hollywood production, they've always been highly refined, immensely engrossing.
Based on the kids' book by Belgian author and illustrator Gabrielle Vincent, Ernest et Célestine is the sweet sweet story of Célestine an orphan mouse who befriends a poor Bear, Ernest. In a society where the two factions are prohibited The story isn't something to write home about but it has all the essential elements to entertain you till end. I saw the French version and it seems like there is also an English dubbed version voiced over by some AAA actors like Forest Whitaker, Paul Giamatti, William H. Macy. The movie is warmly visual and wouldn't be an issue for the young ones to get hold of whats happening on screen.
Its simplicity is what made me love it so much. You are drawn into the spellbinding art and animation and its almost like a water-colored fairytale book come to life in front of you. It works a bit like a Calvin and Hobbes comic strip sans the philosophical quandaries. Instead Ernest et Célestine digs subtly into the political and societal undertones. Having seen both Frozen and Ernest et Célestine, I couldn't even fathom why Frozen won the Academy Award for Best Animated Feature.
In an industry where even animated movies are filled with shades of debauchery, you'd be a victim of a slew of questions from your young ones that you'd be too embarrassed to answer. Thankfully, Ernest et Célestine is a movie so innocent and pure at heart, that it can be watched with kids of all ages. Let them soak in the brilliant and colorful art direction and Ernest et Célestine's beautiful friendship. There's a lot that could be learnt from these two adorable critters.
Based on the kids' book by Belgian author and illustrator Gabrielle Vincent, Ernest et Célestine is the sweet sweet story of Célestine an orphan mouse who befriends a poor Bear, Ernest. In a society where the two factions are prohibited The story isn't something to write home about but it has all the essential elements to entertain you till end. I saw the French version and it seems like there is also an English dubbed version voiced over by some AAA actors like Forest Whitaker, Paul Giamatti, William H. Macy. The movie is warmly visual and wouldn't be an issue for the young ones to get hold of whats happening on screen.
Its simplicity is what made me love it so much. You are drawn into the spellbinding art and animation and its almost like a water-colored fairytale book come to life in front of you. It works a bit like a Calvin and Hobbes comic strip sans the philosophical quandaries. Instead Ernest et Célestine digs subtly into the political and societal undertones. Having seen both Frozen and Ernest et Célestine, I couldn't even fathom why Frozen won the Academy Award for Best Animated Feature.
In an industry where even animated movies are filled with shades of debauchery, you'd be a victim of a slew of questions from your young ones that you'd be too embarrassed to answer. Thankfully, Ernest et Célestine is a movie so innocent and pure at heart, that it can be watched with kids of all ages. Let them soak in the brilliant and colorful art direction and Ernest et Célestine's beautiful friendship. There's a lot that could be learnt from these two adorable critters.
Você sabia?
- CuriosidadesIn the little bear's room that Celestine finds her way into towards the beginning of the movie, there is a poster for the director's previous film Uma Cidade Chamada Pânico (2009).
- Erros de gravaçãoWhen the stolen van's camouflage paint job washes off and the van rolls back into town, it leaves a trail of paint that leads the police right to Ernest and Celestine's house. The rain, however, should have washed away the trail of paint, too, and left no way to follow it back.
- ConexõesFeatured in Troldspejlet: Episode #50.13 (2014)
- Trilhas sonorasErnest's Song
Music by Vincent Courtois
French lyrics by Thomas Fersen
English lyrics by Todd Edwards
Performed by Forest Whitaker
Principais escolhas
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- How long is Ernest & Celestine?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ernest & Celestine
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 9.600.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 262.075
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.078
- 2 de mar. de 2014
- Faturamento bruto mundial
- US$ 8.170.333
- Tempo de duração1 hora 20 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Ernest e Célestine (2012) officially released in India in English?
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