Assassinos de Aluguel

The strength of this film is found in the secondary cast who support a film with pretentions but whose main weakness is the lack of charm and dramatic capacity of Curtis Jackson. When someone is good at something they will always be and that is perfectly visible in people like Whitaker, De Niro or Pedro Armendáriz Jr. Who had his swan song in this film. With tense and well-directed moments, the film's tone tends to fade at the end, where the entire weight of the film falls on Jackson, who is very limited to carry out a script that he could and should have been better. If it weren't for the secondaries it would be a bad movie.

OK, I recognized a few names in this movie: Robert De Niro, Forrest Whittaker, Dana Delaney, and 50 Cent. Based on the aforementioned names, I rented this movie. The bottom line is I got duped. The movie is below-average in every aspect:screenplay, acting,and directing. Basically, the whole film feels generic and half-assed. What is surprising is that the characters are all superficial and one-dimensional. This is to be expected from the likes of 50 Cent and some of the supporting characters, but from Robert De Niro and even Forrest Whittaker, it is incomprehensible.

In the past, the name Robert De Niro would have conjured up memories of incredible movies from the 70's and 80's such as Taxi Driver, Goodfellas, Godfather 2,Mean Streets, The Deer Hunter, etc. However, Robert De Niro has not made a quality film in almost a decade. What happened? Has wealth and fame completely enervated his passion for acting?

Very Disappointing.

It's hard to find fault with a Robert DeNiro movie, no matter the budget. We saw him pull of "Mad Dog and Glory" (at least I did) and we saw his chops as a comedian in the Fockers films. But lately, the legend is disintegrating, and here we find a man on auto-pilot, restlessly moping his way through a character he's played countless times before.

"Freelancers" finds 50 Cent as a young cop who's father is slain by bad cops when he is little. Now on the force himself, Fiddy finds himself taken under the wing of corrupt captain Sarcone (DeNiro) along with other dirty cops like Detective Leurie (Forest Whitaker). Will Fiddy find his father's killer? Will the film end in a shootout?

It plays out like a dream you have every night. You know what to expect, and can just about point to the screen when you can expect to see it happen. The script is cut-and-dry, listless, and unsure of if it's trying to make more a point than simply to promote its impressive cast.

I would say don't watch it, but you've watched this before, and you'll watch it again, though in a theater and with a couple zeroes added on to the end of the budget. For a low-cost, easy to shoot film, the cast is impressive and the acting is fine, but for the hour and a half spent sitting at home waiting to be surprised, I felt let down.

Without any real success or box office backing Curtis "50" Cent Jackson has still managed to churn out a film career, with most of in straight to video action films. This time though he has aligned himself with some big star power in the form of Robert DeNiro and Forest Whitaker, but is it enough to deliver that extra punch to step this cop thriller or will it just be another forgettable addition to the genre?

Freelancers follow a young cop who joins in with a group of rogue cops led by his father's ex-partner. When the truth about his father's death is revealed it pushes him to finally make sure justice is served. This isn't a bad movie, but it isn't anything different than every other cop movie that has come along over the years. Jackson does a decent job here, but just doesn't have the chops to really sell the emotional aspect of the character. He works well for the action, but as soon as he has to deliver some sort of emotion it just comes off non-existent. Whitaker and DeNiro both pretty much phone this one in, but thanks to their amazing talent still manage to deliver some interesting characters. The story is pretty straight forward, but wants to try and deliver twists and turns where it is pretty obvious as to where it is all headed. In addition there are some aspects of the story that just come off a bit unbelievable in the system. There's some decent action moments here but nothing that really stands out to help push this along.

Overall this is a pretty generic delivery into the cop thriller, but thanks to the star power behind it at least feels a bit bigger than the straight to video release it got. If you are a fan of this genre or any of those involved give it a try, just don't expect anything all that new or original.

http://www.examiner.com/movie-in-dallas/bobby-blakey

CROSSFIRE wasn't quite the dog of the film I was expecting but it's certainly no classic and it only barely gets there as an average and acceptable watch. There are two major problems with this production which drag it down and the first of those is lead actor Curtis Jackson, better known to the world as rapper 50 Cent. Jackson is no actor and is as wooden as they come, so watching him attempting to convey any emotion apart from the most basic happy/sad expression is a real chore and quite embarrassing in places.

The second problem is the familiarity of the material. CROSSFIRE feels like a Frankenstein's Monster of a movie, made up of bits and pieces from TRAINING DAY, RAMPART, STREET KINGS, and at least half a dozen others. Heck, Forest Whitaker is here and playing nearly EXACTLY the same role as he essayed in STREET KINGS. Despite these problems, CROSSFIRE is occasionally thrilling in places and there's a lot of involved material to fill up the running time. Robert De Niro is barely in it but at least he doesn't embarrass himself and there's a nice minor part for Dana Delany. While I enjoyed CROSSFIRE in places I do feel that with a better lead actor and story it could have been something truly great rather than just average.