Exile

There's not much to add from the other reviews on this drama. The only thing I would say, is that the ending was somewhat anti-climatic, it just felt like it could have ended with more of a bang, due to the build up of the finale. I don't think that I would be the only one in thinking that there was still enough room for an extra episode.

Anyhow, the drama does extremely well in highlighting the plight of Alzheimer sufferers and the effect on those around them in the wider context of it being a thriller. I think the casting was great, it was nice to see Olivia Coleman playing such a rich character in support. Obviously credit goes to John Simm for providing an outstanding performance of great depth, as well as Jim Broadbent's lovable portrayal as the father suffering from Alzheimers. Also, Kate Magowan oozed an unconventional sense of sexiness from her first scene behind the bar.

I am glad to have watched this show and I shall be recommending this to all my friends!

In this unique tale of a man whom has fallen from the graces of high flying London, comes a story of one man's endeavour to uncover the truths surrounding his native hometown and the circumstances that forces him to leave and become a different man. After spending the majority of his life running from his past Tom Ronstadt (John Simm), decides that running is no longer an option. This story highlights some very true realities surrounding Alzheimer's disease and the heartache that families must deal with in regards to those effected. Spanning from personal experience Jim Broadbent plays the character affected with pin-point accuracy and gives the character more edge than has ever been seen with his more lovable characters. Simm does also not disappoint with his new break from typecasting, his take on the washed out son is more intense than we have seen of him in a long time. This truly is a piece of gritty drama that will define the year.

As a directional country in creating versatile crime dramas, the UK has contributed and will contribute so many quality stuff than one is bound to start selecting and comparing, based on taste, habits and many other factors. Here, in Exile, the biggest value for me were 2 leading performances - Tom Ronstadt (John Simm) and Sam Ronstadt (Jim Broadbent) - whose versatility and switching ironed out some clichés and over-sophistication in the plot. I have discovered the talent of both Simm and Broadbent long time ago, but it is still please to ascertain that they have not confined themselves to comparable characters and roles approach.

As for the plot, some scenes seemed excessive, some supporting character changes weird, plus it was difficult to follow the events in different periods at times. Neverthess, Exile is another work of quality, excelling most counterparts created e.g. in the US or Australia. Unless you have painful personal experience with Alzheimer's disease, this miniseries is definitely a pleasant spending of ca 3 hours.

Exile is a story about returning to your hometown to find that little has changed. It focuses on the father-son relationship between Sam (Jim Broadbent),and Tom Ronstadt (John Simm), and also Nancy (Olivia Coleman, who is tired of caring for her elderly father on her own.There's so much frustration and anger in Tom's character who is unable to understand why his father treated him like he did in the past, and with Sam's Alzheimer's it becomes a real mystery with little pieces of the past being gradually released throughout the three episodes.

What I love about this show is that even with all the angst and tension there is some great humour and heartwarming moments.

A prime candidate for a 'If you've been affected by any of the issues raised in this programme' tag, Exile sees Simm's disgraced hack flee to his Lancashire hometown for the first time in 18 years, to discover his once idolised reporter dad destroyed by Alzheimer's – along with a hideous buried scandal.

Befitting the title, both father and son are exiles – from their careers, from sense, from truth; here, investigative reporting makes a fine metaphor for a crusade against the corruption of memory, and the pursuit of identity itself.

Essentially a three-hander between Simm (cornering the brooding everyman corner), the wonderful Colman (playing it straight) and the mighty Broadbent, the latter's portrayal of this terrible condition must be among the most devastatingly accurate ever placed on screen. Shocking and extremely moving, with a final scene that's – ironically – quite unforgettable.