Último Desejo

I don't think I've ever seen a film quite like this. It was definitely one of the most faithful adaptations I've ever seen, not only in the story but the way in which it was done. The novel (written by William Faulkner) features 15 different narrators recounting the events, the film (implementing split screen) was able to show different perspectives of the same events simultaneously.

Cinematically, most (if not all) of the camera work was hand-held, and much of the lighting seemed natural. I thought the acting was great overall, and I thought it was well directed. The music was intense, almost too much at times. The novel has never been adapted to the screen previously, (I'm sure partly) due to the fact that the narrative structure is so complex. Overall, I thought it was interesting, and like I said – I've never seen a more true adaptation, as Franco employs all aspects of filmmaking to sync to the novel.

This film tells the story of a family who travels to get their mother buried.

Honestly, I don't even know how to begin to tell the world how terrible this film is. I watched it for almost an hour before I begin to know the film is about their journey to bury their mother. The story telling is appalling, and made worse by the pretentious use of split screen that sites incongruous messages. For example, in a scene where a man's taking, the left side of the screen sites his face motionless while the right side of the screen sites him talking.It's as if there is an alternate universe within the film. The plot is ultra boring as well. just do but watch this mess.

'AS I LAY DYING': Four Stars (Out of Five)

James Franco undertook the ambitious creative effort of trying to adapt author William Faulkner's classic 1930 book (of the same name) and partially succeeded. Franco directed the film and wrote it's screenplay. He also co-stars in the movie with a bunch of his friends; like Danny McBride, Tim Blake Nelson and Jim Parrack (he co-stars with Nelson and Parrack in another film he co-wrote and directed this year, based on a book by Cormac McCarthy, called 'CHILD OF GOD'). The film, if nothing else, is very interesting and it's great to see Franco continuously trying new and different things.

The story begins with the death of Addie Bundren (Beth Grant). She left behind her husband Anse (Nelson), daughter Dewey Dell (Ahna O'Reilly) and four sons (Franco, Parrack, Logan Marshall-Green and Brady Permenter). It then focuses on the family's efforts to transport Addie's body to the town of Jefferson, to be buried (as she wished). Each family member has their own troubles and drama. It's set in the fictional Yoknapatawpha County, Mississippi (based on Faulkner's home Lafayette County).

I never read the book so I didn't know the story at all prior to seeing the movie. So for me it was really bizarre and interesting. I know a lot of fans of the book are unhappy with Franco's adaptation but there are some that think it's a good enough summary of a near impossible novel to adapt (into a movie). I liked all of the performances (I especially was fascinated by Nelson and Marshall-Green) and found all the characters to be really interesting. I really liked Franco's directing as well and think he shows a lot of promise with this film. Maybe he shouldn't try to adapt such popular and classic works of modern literature but he definitely has talent as a filmmaker. There's a lot to marvel at in the movie, for sure. It probably doesn't do the source material justice but it's still an extremely interesting film going experience.

Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=AQkUJbRVsoM

"As I Lay Dying" is not an easy sell as a commercial film. The title already intimates that it will be a depressing story about Death. It is based on the novel of an author, who, while being a Nobel Laureate, is not really known for being very easy to read -- William Faulkner. Hence, we can expect a film that is similarly hard to watch. Upon giving it a go, I am not wrong on both counts.

This film is about the Bundrens, a poor but proud rural family from the boondocks of Mississippi. The mother Addie (Beth Grant) dies at the beginning of the film. Her husband Anse and their five children bring her coffin a long distance to Addie's hometown to be buried, in order to fulfill a dying wish. Along their long trip, we will get to know each character better as each one has his own little story to tell.

This is one very slow film which will strain the patience of the most moviegoers. The contemplative script is full of deep monologues as each character tells his version of life. It certainly reflects the style that Faulkner is famous for -- his stream of consciousness writing style as well as the multiple narrators.

This is the directorial debut of hard-working star James Franco, who has certainly gone a long way from when we first knew him as Harry Osborne in "Spider Man." He bravely tackles a difficult novel and he actually succeeds to visually interpret it very well. Once you get the drift of this languid storytelling style, and his attention-grabbing split screen technique, you will be mesmerized and drawn in. The imagery used is compelling as the grand country vistas contrast with intimate personal moments.

Easily the best performer in the cast is Tim Blake Nelson as the stubborn and irascible patriarch of the brood, Anse. He has most realistic portrayal with that hot-potato drawl of his, uttering the most maddening of pronouncements. There is actually humor in his unpleasantness.

The five Bundren children and the actors who play them, namely Cash (Jim Parrack), Darl (James Franco), Jewel (Logan Marshall-Green), Dewey Dell (Ahna O'Reilly) and little Vardaman (Brady Permenter), all have their moments. While Darl seemed to be the most centered of all the characters, ironically, it was James Franco who seemed to lack something in his portrayal. Maybe it is because we expect the most from him.

This film is not for everyone because of its glacial pace and dark brooding subject matter. But with the proper attitude and frame of mind, you may actually find this a fascinating rumination about life and mortality, as you immerse yourself in this grim slice of rural American life in the 1920s. 7/10.

I remember, when this debuted at Cannes, a tweet from some critic which basically said "I can't wait to read the book so I can figure out what the Hell it was I just watched!" Now, I have read the book (around 13 years ago), but, man, does this ever seem absolutely impenetrable to anyone who hasn't. That doesn't necessarily effect me any as a viewer, but it should be noted. Unfortunately, even as a big fan of the book, this film really doesn't work very well. It's a valiant attempt, I think, but a failure nonetheless. Franco, clearly an amateur (though not without talent), utilizes split screens to tell his story. I can understand why, but it's just too busy. Tim Blake Nelson, who plays Anse, the patriarch of the Bundren clan, is incomprehensible. Again, I can understand why (the text clearly states that he is toothless), but he didn't need to be so impossible to understand (again, someone who is unfamiliar with the book will be utterly lost). Nelson really was a great choice to play Anse, so it's really unfortunate his performance goes down the toilet like this. The casting of the rest of the Bundrens isn't that great, either. Franco is easily the standout as Darl, but Jim Parrack and Logan Marshall-Green as Cash and Jewel respectively pretty much get lost because of their bland performances. Brady Permenter as Vardaman is a poor child actor. Ahna O'Reilly is not a bad actress, but she's 10 years older than the character of Dewey Dell, which is incredibly noticeable. Finally, there's Beth Grant (who still doubts your commitment to Sparkle Motion) as Addie. She's quite good, but, of course, dead for most of the movie. Franco also seems to miss the semi-comic tone of the novel, making it almost fully a tragedy. I mean, that final bit is kind of hilarious, but Franco doesn't play it as such. It just comes off as weird.