Acompanha Suzie, uma americana que vive no Japão, e Sunny, um robô doméstico fabricado pela empresa de seu marido, enquanto eles descobrem a verdade sombria do que realmente aconteceu com o ... Ler tudoAcompanha Suzie, uma americana que vive no Japão, e Sunny, um robô doméstico fabricado pela empresa de seu marido, enquanto eles descobrem a verdade sombria do que realmente aconteceu com o marido e o filho de Suzie.Acompanha Suzie, uma americana que vive no Japão, e Sunny, um robô doméstico fabricado pela empresa de seu marido, enquanto eles descobrem a verdade sombria do que realmente aconteceu com o marido e o filho de Suzie.
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The show started well, the future, new interesting technologies, Japanese culture, mystery and thriller... but at one point the concept changes. The story is supposed to be told from the eyes of Suzie and Mixxy as the main actors, but the story expands and spends a lot of time on background stories of other characters where it slowly starts to lose fun like at the start... but omg the ninth episode, is for children... little children...
It's a shame a good idea was ruined, how it started could have been something special, this way it will be forgotten very quickly, and actors will have a harder time getting better roles because of a childish show.
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
P.s. The robot should have a dark mode on face/screen, how could Suzie sleep next to him when he is shining like cinema...
I'm only through 5 episodes but am pleasantly surprised. I tuned in because of Rashida Jones but have stayed for its delicate moments. For a sci-fi thriller this show takes a softer hand and is more creative than I expected. The plot is nicely decorated with philosophy and culture, of which none is overtly stated. The plot develops nicely and preserves its mysteries but it's the scenes in between that are memorable. My favorite so far comes at 23 minutes into Ep 5 and prompted me to write this review. No spoilers from me so if you can handle its loose grip then you may be as pleasantly rewarded as I've been for staying tuned.
This is a slow burn series, but you only get half way through the story as Apple has cancelled it.
I did enjoy the show, but it's a bit of a slow story line so it takes a bit of stamina to get into it. But when you do get to start enjoying the characters, and the funny humour of their interactions, you find the series ends and the story has only been half told.
This series cries out for a second season and I believe it would have been a great success if Apple had any foresight or courage. This could of become series people would talk about years from now.
But it seems they are like most other streaming services, only after a quick buck.
I did enjoy the show, but it's a bit of a slow story line so it takes a bit of stamina to get into it. But when you do get to start enjoying the characters, and the funny humour of their interactions, you find the series ends and the story has only been half told.
This series cries out for a second season and I believe it would have been a great success if Apple had any foresight or courage. This could of become series people would talk about years from now.
But it seems they are like most other streaming services, only after a quick buck.
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
Loving the retro yet futuristic esthetic of the visuals and set design! A bit early to speak from an overall perspective since just two episodes have been released thus far, but it feels very promising!
Rashida is a great casting for Suzie and the overall mystery of the series feels very eery and intriguing.
I also like the buddy cop dynamic growing between Suzie and Sunny.
Apple TV keeps delivering!
First of all I would like the creators of this show to acknowledge their love of Quentin Tarantino's Kill Bill, because they named a character Boss Tanaka and he's even the same actor as Boss Tanaka in Kill Bill 1. THEN they name another character Boss Matsumoto. Oh, c'mon! And there are no mentions of this obvious influence in any interviews, but it's so obvious.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
That said, I've really been enjoying the show. The writing is fairly clever with enough witty lines to balance out Rashida's dry and unlikeable character. The robot is really impressive to look at but also grows more human all the time. Actually I see a lot of my parrot in the robot, which is sometimes creepy but shows you that everything has emotions. Except robots right now, but we're probably headed there. The story isn't really as gripping as I'd like and it's definitely a slow series, but still very entertaining. I love subtitles so to me the languages blend seamlessly, but I can see how that might bother some whiny Americans. I like that it's set in Japan and seems true to other Japanese made movies and shows with how it's made, the acting, and how over the top the Japanese actors are. It gets better with each episode and I'm glad they made something different that isn't superhero related. It's refreshing that it's at least somewhat original, and definitely weird.
Você sabia?
- CuriosidadesThe series is based on the novel The Dark Manual by Colin O'Sullivan.
- ConexõesReferenced in Late Night with Seth Meyers: Rashida Jones/Antony Starr/Julia Phillips (2024)
- Trilhas sonorasSukiyo Aishite
Performed by Mari Atsumi
Principais escolhas
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- How many seasons does Sunny have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Dark Manual
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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