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It's kind of the female version of clerks! Jillian spends the day filling in for a friend. She hands out free samples of some mysterious food, which may or may not be made of dairy. No one knows. Most people are rude. A couple are friendly. Jillian sends a homeless person to get a coffee, but of course, the person doesn't comes back. And she runs into her ex. And of course, the ex's new girlfriend. Or is she not a "new" girlfriend? It's complicated. Some fun names making appearances.. tippi hedron (the birds), jesse eisenberg, jason ritter. It's an interesting afternoon, watching her interact with the various people. Kind of a study of everyday people. Directed by jay gammil. He was nominated for several emmies for the great race. Written by jim beggarly.

'Free Samples' is not a masterpiece, but it's a simple, understated spark of quirkiness and brilliance, without doubt. Not only is it hard not to like this film, it's hard not to like the sarcastic, drop-out Jillian, played by Jess Weixler, who gives a faultless, genuine performance. One thing I find great is how we know nothing about Jillian initially, but we gradually learn more and more as she sells more and more ice-cream through the day. Jesse Eisenberg gives another cool performance of his and the ever-wonderful Tippi Hedren gives a brilliant touch to this delight.

This indie piece shows how so much can hit you throughout a day of serving chocolate or vanilla ice-cream samples. With subtle emotional input and very funny scenes, 'Free Samples' is a desert not to be turned down.

Free samples is what an indie movie should be: small, quirky interesting, more character than action - about real life rather than just imagination, and this is Free Samples. It's a film that requires little effort to enjoy but is full of little vignettes that leap off the screen.

All in all, I for one enjoyed this more than many big budget movies: the characters have something to say, the comedy is nicely observed, the camera is tight (even semi-documentary), it's well edited and well shot with a great sense of slacker pace about it and it has a charm of its own.

Seriously, a nice gentle comedy set sround one day of looking after an artificial ice-cream van (so free samples) with some vitriol in the exchanges - the whole thing come across as ten times more honest than most comedies and this is one I would warmly recommend.

This one-set Indy tries very hard to be sharp and mordant and timely. The trouble is that nothing about the characters or their situations rings true. The main set is an ice cream truck located in what looks like a borderline ghetto where the heroine must give away free samples of chocolate and vanilla, nothing else. The workers and everyone in the neighborhood seem to already know that the pseudo ice cream is horrible. So what are they really doing there? In what alternate universe would this actually happen?

Apparently in the same universe where a self-absorbed Cali-blonde Stanford law student would be SHOCKED, SHOCKED I say, to learn that 5 years after she left home, her dad moved out and took up with a trophy bimbo. That evidently never happens in alternate universe Z, so of course it sends our heroine into a drunken tailspin where she must engage in contrived sardonic banter with every unlikely walk-on character who ambles by her pseudo ice cream truck. Sadly, none of these encounters feels more forced or contrived than the heroine's confrontation with her unwanted fiancée.

After 90 minutes of this I yearned to get back to our universe where Cheech and Chong would have a very good business plan for that ice cream truck working the ghetto and where all their customers' curious demands for "stamps" would make sense.

Based in part on a worryingly low IMDb rating, I went into "Free Samples" with some hesitance, but to my surprise it ended up as the highlight of the Palo Alto International Film Festival for me in terms of sheer entertainment value. It reminded me a great deal of a Sundance favorite from a few years back, "Smiley Face" with Anna Faris, due both to its snarky but ultimately sweet sense of humor and the wonderfully expressive and funny things that lead actress Jess Weixler is able to so with her face and her delivery. It's the kind of quirky -- I think one may in fact be required by law to use that word when reviewing films like this -- comedy about not all that much that understandably will rub some viewers the wrong way, but it's executed with so much giddy confidence (especially for a first feature) that it had me from the first minute and held onto me for all of the rest. Director Jay Gammill mentioned at the Q&A that he's currently working on a second feature with the same screenwriter. I'm looking forward to it.