Uma nova família e seus criados vivem na casa de Londres em 165 Eaton Place, em 1936.Uma nova família e seus criados vivem na casa de Londres em 165 Eaton Place, em 1936.Uma nova família e seus criados vivem na casa de Londres em 165 Eaton Place, em 1936.
- Indicado para 6 Primetime Emmys
- 12 indicações no total
Explorar episódios
Avaliações em destaque
It was with much trepidation that I watched this series on BBC over the Christmas break, I was sure that it was going to be a major disappointment as a remake of the classic 1970s TV series. However I am glad to say that I was very wrong.
Rather than a remake, this is a continuation of the story of 165 Eaton Place in Belgravia, the scene of the original series.
Jean Marsh, who appeared in and co-created the original series, returns as Rose Buck, and helps the new tenants assemble a new retinue of housekeeping staff.
The new series is set in the late 1930s and to add to the trials and tribulations of the new servants, we see initial interest in British fascism and the ensuing riots, Jewish fugitives from Germany and evidence of aristocratic flirtations with Nazi Germany.
The three episodes were very poignant and involving and included much humour also. The entire cast were uniformly excellent and I can only hope that the episodes were successful enough to result in a full blown series.
Rather than a remake, this is a continuation of the story of 165 Eaton Place in Belgravia, the scene of the original series.
Jean Marsh, who appeared in and co-created the original series, returns as Rose Buck, and helps the new tenants assemble a new retinue of housekeeping staff.
The new series is set in the late 1930s and to add to the trials and tribulations of the new servants, we see initial interest in British fascism and the ensuing riots, Jewish fugitives from Germany and evidence of aristocratic flirtations with Nazi Germany.
The three episodes were very poignant and involving and included much humour also. The entire cast were uniformly excellent and I can only hope that the episodes were successful enough to result in a full blown series.
The next generation of Upstairs Downstairs is excellent. The acting is superb. The scripts are superb. The Costumes are beautiful. Anyone finds fault is malcontent. Claire Foy is a great actress. Everything she does is perfect. Everyone in this series is very good. I wished this series went past two seasons. From what I read Downton Abbey was the hot thing during this time. There are few period pieces from the 1930s-1040s available. World War II dramas of the civilian life isn't out there. This was an excellent depiction of the time in England. I will research the actors and try to find their work.
Rose is supposed to be six years older than she was at the end of the seventies series. Well... It isn't easy to make 35 years look like 6. But who cares. After all, Jean Marsh is the clip between the legend and it's sequel.
The first season is exciting to watch - the characters, the costumes, the story, the humour, the pathos... it's great! However, season is a mess. Eileen Atkins refused to return because she didn't like the scripts for season 2, and she was right. The first couple of episodes are okay, but when the writers ran out of ideas they dredged up some non-sequitur throw-away stories that include a lesbian affair and a boxing match that have no overall impact on the story. The last two episodes are dark and depressing and rush towards an unsatisfying conclusion. My advice is watch season one as a movie in three parts and pretend season 2 was never made...
I was hesitant at first to watch the new Upstairs Downstairs, knowing that it would be impossible to equal the quality production that was the original series. However, with the paucity of decent shows at present (and the fact that Downton Abbey had finished for the time being) I decided to give it a try with as little prejudice as possible, determined not to make comparisons.
Impossible of course. Although this new series is entertaining TV, pretty on the eye, fast moving (not something all that necessary in a show such as this) and relatively well cast, it just is not in the league of its predecessor, or its current "competition" Downton Abbey.
I found it hard to relate to most of the characters, of which there are way too many for comfort. Although the production falls short of using modern language, it certainly has an unsuitable modern way of depicting an era where royalty was revered, where shortcomings were either hidden or not mentioned. Instead we get a "boots and all" depiction of a class of people who would have never related to their servants the way they are shown to do and of servants who would never have behaved the way we are led to believe they might have done. Maybe if all the drama had been stretched out over a long series it would have been believable, instead of being thrown at us will nilly, one thing after the other in each and every episode.
Taken only for entertainment value, this is a watchable soap opera set a century ago - but, as the quality production it is presented as, it falls down on the job.
Oh for Mr Hudson!
Impossible of course. Although this new series is entertaining TV, pretty on the eye, fast moving (not something all that necessary in a show such as this) and relatively well cast, it just is not in the league of its predecessor, or its current "competition" Downton Abbey.
I found it hard to relate to most of the characters, of which there are way too many for comfort. Although the production falls short of using modern language, it certainly has an unsuitable modern way of depicting an era where royalty was revered, where shortcomings were either hidden or not mentioned. Instead we get a "boots and all" depiction of a class of people who would have never related to their servants the way they are shown to do and of servants who would never have behaved the way we are led to believe they might have done. Maybe if all the drama had been stretched out over a long series it would have been believable, instead of being thrown at us will nilly, one thing after the other in each and every episode.
Taken only for entertainment value, this is a watchable soap opera set a century ago - but, as the quality production it is presented as, it falls down on the job.
Oh for Mr Hudson!
Você sabia?
- CuriosidadesUnlike the real Eaton Place, the street in Leamington Spa where the Eaton Place exteriors were filmed has houses on one side of the street only (there is a small park on the facing side). For this reason, most shots have to be carefully framed to show one side of the street only. The occasional wide establishing shot is blended in post production with a reverse angle shot of the same row of houses so that the street appears to have houses on both sides.
- Erros de gravaçãoCertainly Ivy and Beryl would smoke cigarettes, very unlikely that they do not here.
- ConexõesFeatured in Breakfast: Episode dated 22 December 2010 (2010)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Вгору і вниз по сходах
- Locações de filme
- 35 Clarendon Square, Leamington Spa, Warwickshire, Inglaterra, Reino Unido(exterior: 165 Eaton Place)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente