O barco

After watching La Casa de Papel by Alex Piña, I was thrilled to find out that he previously did El Barco.

We started the series with much anticipation, the premise is about as good as it can be but after 5 episodes, reality step-in and I was starting to see what this whole series is about: a pseudo sci-fi meet colombian sunday drama gone bad.

The series had such a good premise and good start but soon after, it is clear that the writers had nothing going for it besides doing a bachelor party inside a ship with people that feels more like children than wannabe adults.

One of the worse things about this series is how they portrait the characters. They are all one-dimensional teens with emotional complexes. I am Argentinian and I know that Latin Americans are emotionals by nature but these guys/girls surpases even my wildest expectations. For no aparent reason, everyone is bound to yell at each other, scream and have sex like there is not reasoning behind it.

If this is what's left of humanity they should just sink the boat and be done with it. The level of stupidity is amazing. By the fifth chapter, the only real interesting character is Ulises. It's like he is surrounded by complete idiots that loves to insult him for no reason at all, even the captain.

To make matters worse, the screenwrite just love tits, there is no other way of saying it. The girls are lovely but they are too much PLAYBOY type to fit properly into their characters and they insist on showing up close up of their titties without much consideration. The make up make it much worse as they they all look like they came out of the styling room.

0 realism. This is not normal people, this are actors in a reality show. Bad escenography, bad sript, idiotic one-liners, unidimensional characters, playboy girls with excessive makeup, constant titties closups and dumb emotional reactions does not make for a good series. This is a crappy sunday telenovel disguised as interesting sci-fi drama.

I just can't believe the director is the same behind La Casa de Papel. This is insulting.

"El Barco" (The Boat) was a highly entertaining if somewhat illogical Spanish TV show that mixed sci-fi, suspense, action and romance in a mostly well written package. A group of about 12 carefully selected kids in their early 20s embark on what is supposed to be a 2 month experience living in the high seas along with the boat's crew. With the boat already sailing, one night strange things happen: a strong magnetic wave makes all things made of metal inside the boat to rush to the ceiling and causing the navigational instruments to go crazy. A huge tsunami/squall threatens to tip the boat on its side but miraculously survives. Through further episodes the crew and its passengers find out that the tsunami was part of a series of events that caused the complete devastation of all land mass on earth, turning the planet into a huge sea world. Apparently, the crew and passengers of the boat (named, "the Polar Star") are the only survivors on the planet. We later find out that a mass of land did survive so the boat starts to desperately head for it.

"The Boat" lasted for only 3 seasons. The first season was fast paced and mostly well written. In this season, something of grave danger threatens the boat and its crew and by the end of each episode things always get solved, no cliffhangers. Cliffhangers were used in the last 2 episodes. We get to know the main characters through flashbacks of who they were and what they did before embarking on the Polar Star. Season 2 lowers the quality of the show with distracting parallel stories that ultimately did nothing to advance the storyline, even though some of the show's best episodes are within this season. Season 3, the last one, seemed to crumble under its own weight by trying to give closure to the multiple stories the writers threw at us. As the show went on, it seems the writers felt free to use the cheapest of ploys to get the storyline moving. At this point, I hadn't seen the American TV show "LOST", but I knew 'The Boat" bore a close resemblance. In "The Boat", characters suddenly appeared to have a common past, secret abilities, ulterior motives, etc. The main characters are Ricardo Montero, the boat's captain; Ainoha, the captain's daughter; Ulises, a stowaway kid who happens to be the Captain's right hand aide, Julian De La Cuadra's estranged son: Julia, the boat's doctor and one of the few people that know what happened to the earth; Roberto "burbuja" (bubble), a kitchen aide with cerebral palsy who also happens to be the boat's most intelligent passenger; Gamboa, an infiltrated "survival teacher" with special instructions to prevent the boat from ever reaching land.

Apparently the world came to an end due to a scientific experiment with a "particle accelerator". The people behind this project were warned that this experiment had a high probability of going "wrong" and the consequences could be "catastrophic" on a worldwide scale. My logic is: why do an experiment with such a high risk of failure? What is it for? Who profits? Who loses? If you kill the entire planet, who are you going to rule over? To me, this was the whole point of the show: why did those scientists blew up the world? In season 2, we find out there is a baddie, one who was behind the project "Alexandria" (code name for a "plan B", should the project accelerator go wrong), and this baddie is the father of one of the Polar Star's passengers, the sexy Estela. All along the show, we hear about this "project Alexandria". It's odd that one should put so much emphasis on a "Plan B", instead of making the original plan work. The show never explains what was the intention of the particle accelerator, the original "Plan A".

By the end of Season 3, it was almost impossible to give a logical conclusion to the multiple storylines the show's writers entangled themselves into. The last episode was a rush job at best, leaving a ton of unanswered questions that the writers tried to explain in a cheap afterword epilogue. It's as if the writers thought a 4th season would address all the inconclusive data, but that season never came and thus they painted themselves into a corner.

For all it's worth, "The Boat" was still highly entertaining despite some obvious plot holes and a very unsatisfactory ending (at least for me). Despite all of this, it's still the best Spanish TV show I've ever seen.

And I did so, because being Spaniard, I really wanted it to do well, and I really wanted see something spectacular, as the theme is innovative. My bigger disappointment is with the writers, since in any episode that you may watch, suddenly they insert romantic scenes that are absolute "ludicracy" and spoils the thrill that could've been created, if any. Some times it seems they've run out of budget, others of ideas, qui lo sa! I am in my 70s, and besides being myself a writer, I have been divorced, widow and separated, thus, I know what I am talking about romance. The only part and actor wordy of congratulations is "Burbuja", Iván Massagué really plays not just the most difficult role of them all, but masterly, and all he does has its logic to be. So, if you are bored and have nothing else in view, watch it, if not... go for better winds. Blessings! ClearDawn*

Only two characters totally worth watching: Burbuja and Salome

Thought it was very good. Didn't care for the silly romantic scenes, Salomie using the word Carina, honey in almost every sentence, her match making efforts, trying to get everyone paired off, just seemed too much emphasis. She acted too much like " Goody Two-Shoes" Instead of working together they were too much involved in hook ups. They must've had stock in Coke , always drinking it, just seemed unreal. Too much emphasis on Valeries fantasy land. In general I liked it and would recommend.