Quase um ano após um trabalho fracassado, um assassino aceita um trabalho com a promessa de uma grande recompensa por três assassinatos. O que começa como uma tarefa fácil logo se desfaz, en... Ler tudoQuase um ano após um trabalho fracassado, um assassino aceita um trabalho com a promessa de uma grande recompensa por três assassinatos. O que começa como uma tarefa fácil logo se desfaz, enviando o assassino para o coração da escuridão.Quase um ano após um trabalho fracassado, um assassino aceita um trabalho com a promessa de uma grande recompensa por três assassinatos. O que começa como uma tarefa fácil logo se desfaz, enviando o assassino para o coração da escuridão.
- Prêmios
- 3 vitórias e 18 indicações no total
- Shel
- (as Myanna Buring)
- Hotel Waitress
- (as Zoe Thomas)
- High Priest
- (as Bob Hill)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's a difficult film to describe. Suffice it to say, it's been tagged a horror film and that the "similar" films referenced in other reviews give too much away. Let me just attempt to give you some idea of what you might experience if you choose to take a chance and seek out this film.
Before I begin, it must be said that this is a British film, and some of the accents are thicker than the Great Grimpen Mire. Sit back, and let your ears adjust.
The first third of the film might give you the impression it's a family drama. It isn't.
The second third of the film might give you the impression that it's a crime drama. It isn't.
Then comes the final third. It will make you question everything you've seen up to that point and either infuriate you or cause you to manually lift your jaw off the sticky theatre floor. It's out there. Waaaay out there.
The film does a terrific job of building a mood and layering suspense with discomfort. It is an incredibly violent film, graphic in a way I haven't seen since Gasper Noes' "Irreversible." The violence is intrinsic to the film and to its protagonist, but that doesn't make it any easier to watch.
This film bothered me, and except for the extreme violence, I can't really explain why. It left me feeling uneasy and uncomfortable - but I couldn't stop watching. I have so many questions about what I just watched that I will probably watch it again – and I will probably still be bothered.
When's the last time you said that about a film that wasn't a documentary?
www.worstshowontheweb.com
You can read the other reviews and such to get the plot line and all of that. This is not a movie where you get all the details of what the hell is going on. It's very intimate, close shots, overlapping audio, use of sound to create a very uncomfortable atmosphere. The movie is about human psychology and plays on psychology to get you to feel a certain way. There are no jumps and scare tactics. But this film is brutal and unforgiving.
I loved it.
Comprising fine performances for a low budget flick, you'll wonder what on earth you've missed when you get to the end and try to reform what you've witnessed into a whole - which you probably won't, as the numbers are irregular and don't add up.
This certainly won't be for everybody. It is brutally violent at times; this is done in a disturbingly realistic manner with nothing stylised or humorous to make it easier to watch. The change of genres comes as a genuine surprises even though there are earlier hints that something strange is going on; notably how the victims react as they are about to be murdered. Thankfully it isn't entirely bleak; some of Jay and Gal's conversations are quite funny. The cast does a fine job; most notably Neil Maskell and Michael Smiley as Jay and Gal and MyAnna Buring as Shel. The cinematography is great giving the early sections of the film a very real feel while the conclusion is made to feel like a nightmare. Overall I'd definitely recommend this to anybody who doesn't mind being disturbed and enjoys a conclusion that leave them thinking about what they have just watched.
Você sabia?
- CuriosidadesShel's phone-call (in Swedish) was entirely improvised by MyAnna Buring. The filmmakers had no idea what she said until much later.
- Erros de gravaçãoIn one of the scenes where the Jay, Shel, Gal and Fiona are drinking, there is a close up of a wine bottle and some glasses. The bottle says it is a pinot grigio, but the wine in the glasses is red and they are only ever shown drinking red wine.
- Citações
Jay: You're giving me indigestion.
Justin: Oh, sorry.
Jay: Apology accepted.
Justin: Sometimes God's love can be hard to swallow.
Jay: Not as hard as a dinner plate.
Justin: God loves you.
Jay: Does he? Well, tell God from me if you're the kind of people he hangs about with, stay out of my way. No more guitar, mate. Not in restaurants. There is a time and a place. And your time and place is in a very isolated location, where no-one is likely to be for about a fucking hundred years. Ok? Because Jimmy Hendrix you ain't.
Gal: Very sorry about my friend, please accept my most humble apologies. And if you are speaking to the big man, put a word in for us, will you? Get them all a drink, love. Double orange juices all around.
- ConexõesFeatured in WatchMojo: Top 10 Brutal Movie Beatings (2014)
- Trilhas sonorasIt Could Have Been Better
Written by Joan Armatrading and Pam Nestor
Published by Onward Music Ltd./Bucks Music Group Ltd.
Courtesy of Tuesday Productions Ltd./Onward Music Ltd.
Principais escolhas
- How long is Kill List?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Danh Sách Tử Thần
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 29.063
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.838
- 5 de fev. de 2012
- Faturamento bruto mundial
- US$ 452.155
- Tempo de duração1 hora 35 minutos
- Cor
- Proporção
- 2.35 : 1