AVALIAÇÃO DA IMDb
8,0/10
8,2 mil
SUA AVALIAÇÃO
O filme explora questões de identidade, justiça, beleza, significado e morte por meio de um fotógrafo experimental, um monge doente e um jovem corretor da bolsa.O filme explora questões de identidade, justiça, beleza, significado e morte por meio de um fotógrafo experimental, um monge doente e um jovem corretor da bolsa.O filme explora questões de identidade, justiça, beleza, significado e morte por meio de um fotógrafo experimental, um monge doente e um jovem corretor da bolsa.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 12 vitórias e 13 indicações no total
Aydah El-Kashef
- Aliya
- (as Aida El-Kashef)
Yogesh Shah
- Doctor
- (as Dr. Yogesh Shah)
Avaliações em destaque
"Whether the ship would remain the same if it were entirely replaced, piece by piece. What would happen if their original planks were gathered up after they were replaced, and used to build a second ship. Which ship, if either, is the Ship of Theseus'."
Ship of Theseus starts by stating the Theseus' paradox and then moves on, leaving the viewers struggling to find the answer of this paradox. SOT is based upon three stories which raises questions on Existence, Identity, Humanity and Karma.
The first story is about a girl named Aaliya Kamal (Aida El-Kashef) who took photography after she lost her eyesight to a cornea infection and when she is asked "Do you feel limited?", she replies "Uhh.. No. Why is it so amazing not to have limits and doubts?". This is the part where each and every frame of the film looks stunning and exceptionally beautiful. There is no story in this part but it's about the perception of beauty, how black and white can be the most colorful combination and how a person loses her comfort when she gets her vision back. Aida plays with her eyes and did a great job with her part. Watch out for her body movements when she hears distinct voices during her photo sessions. Pankaj Kumar (director of photography) does an excellent job and his part gives real definition to the movie's aesthetic value. The sequence where Aaliya starts seeing her photographs when she gets her vision back is another highlight of the movie. Ah!!! Those photographs were just mind blowing.
The second story shows an ailing monk, Maitreya (Neeraj Kabi) who is suffering from Liver Cirrhosis and is fighting against pharmaceutical companies which performs cruelty against animals for the sake of experiments. It's the part where questions are raised about Karma, Religions and Beliefs. The moment where Chakrava (Vinay Shukla) asks the monk, when he is restricting himself to take medications to support his protest, "What about the violence you are committing on yourself by not taking medication?. And how is your choice not different from a suicide bomber who is so convinced about the fundamentalism of his political and religious thoughts?" and so many points that he makes e.g., "what if the caterpillar's karma was to get crushed" sequence and the fungus-making- an-ant-a-zombie-to-reap-benefits-out-of-it-concept defines this part and we, the viewers get puzzled with each and every words what this character says. It apparently questions the monk's beliefs and his karma. This is a part where to some extent dullness appears just before the interval but goes to another level when it ends in the second half.Neeraj Kabi is exceptionally well in his role of a monk. Hats off to him for the workout he did for this role.
The final part takes the whole movie to another level by asking questions on humanity and why the poor always gets crushed by the rich peoples. It's a story of a stockbroker who is the recipient of a kidney, which he later discovers that it was stolen from a labor who has been part of a racket which was led by highly esteemed doctors. It changes his life's perspective and then he goes to help that poor and make things better for him. This part is totally gripping and will be highly likable by many peoples. An exceptional performance by Sohum Shah makes this part even better.
Ship Of Theseus didn't waste any time on character development. It starts from the middle of the characters' life and doesn't tell you about their ending. But it tells you the way their perception gets changed about their life.
At the start I was thinking about the title. But when the film ended I thought that this is the most appropriate title which a movie could ever have. Anand Gandhi provides us a movie of the decade and is certainly going to give Indian Cinema a new definition. He is a talent to watch out for.
I am going with 4.5 stars for Ship Of Theseus. It's not run of the mill kind of movie but if you are a movie fanatic then it's totally your cup of tea. MISS IT AT YOUR OWN RISK!.
P.S:- Twitter was heavily flooded with the praises of Ship Of Theseus, but I was skeptical regarding those.
But now the one tweet which I totally found appropriate for the movie is "After watching the movie, do a blood test. You will find the traces of the film in it".
Ship of Theseus starts by stating the Theseus' paradox and then moves on, leaving the viewers struggling to find the answer of this paradox. SOT is based upon three stories which raises questions on Existence, Identity, Humanity and Karma.
The first story is about a girl named Aaliya Kamal (Aida El-Kashef) who took photography after she lost her eyesight to a cornea infection and when she is asked "Do you feel limited?", she replies "Uhh.. No. Why is it so amazing not to have limits and doubts?". This is the part where each and every frame of the film looks stunning and exceptionally beautiful. There is no story in this part but it's about the perception of beauty, how black and white can be the most colorful combination and how a person loses her comfort when she gets her vision back. Aida plays with her eyes and did a great job with her part. Watch out for her body movements when she hears distinct voices during her photo sessions. Pankaj Kumar (director of photography) does an excellent job and his part gives real definition to the movie's aesthetic value. The sequence where Aaliya starts seeing her photographs when she gets her vision back is another highlight of the movie. Ah!!! Those photographs were just mind blowing.
The second story shows an ailing monk, Maitreya (Neeraj Kabi) who is suffering from Liver Cirrhosis and is fighting against pharmaceutical companies which performs cruelty against animals for the sake of experiments. It's the part where questions are raised about Karma, Religions and Beliefs. The moment where Chakrava (Vinay Shukla) asks the monk, when he is restricting himself to take medications to support his protest, "What about the violence you are committing on yourself by not taking medication?. And how is your choice not different from a suicide bomber who is so convinced about the fundamentalism of his political and religious thoughts?" and so many points that he makes e.g., "what if the caterpillar's karma was to get crushed" sequence and the fungus-making- an-ant-a-zombie-to-reap-benefits-out-of-it-concept defines this part and we, the viewers get puzzled with each and every words what this character says. It apparently questions the monk's beliefs and his karma. This is a part where to some extent dullness appears just before the interval but goes to another level when it ends in the second half.Neeraj Kabi is exceptionally well in his role of a monk. Hats off to him for the workout he did for this role.
The final part takes the whole movie to another level by asking questions on humanity and why the poor always gets crushed by the rich peoples. It's a story of a stockbroker who is the recipient of a kidney, which he later discovers that it was stolen from a labor who has been part of a racket which was led by highly esteemed doctors. It changes his life's perspective and then he goes to help that poor and make things better for him. This part is totally gripping and will be highly likable by many peoples. An exceptional performance by Sohum Shah makes this part even better.
Ship Of Theseus didn't waste any time on character development. It starts from the middle of the characters' life and doesn't tell you about their ending. But it tells you the way their perception gets changed about their life.
At the start I was thinking about the title. But when the film ended I thought that this is the most appropriate title which a movie could ever have. Anand Gandhi provides us a movie of the decade and is certainly going to give Indian Cinema a new definition. He is a talent to watch out for.
I am going with 4.5 stars for Ship Of Theseus. It's not run of the mill kind of movie but if you are a movie fanatic then it's totally your cup of tea. MISS IT AT YOUR OWN RISK!.
P.S:- Twitter was heavily flooded with the praises of Ship Of Theseus, but I was skeptical regarding those.
But now the one tweet which I totally found appropriate for the movie is "After watching the movie, do a blood test. You will find the traces of the film in it".
If one has got his/her basics in the right place, whatever is churned out (even if art) automatically scores good while transition from good to great is left to the creativity and imagination involved."Ship of Theseus" does exactly so and not only gets the basics right but also excels in each of them.With mind-blowing cinematography (How cud that be a DSLR?!!!!!), super-crisp editing,superb screenplay,superlative acting (Neeraj Kabi & Sohum Seth take a bow!!!!),music (that song in the monk story was simply amazing) and even comic reliefs there's not much room left for complaints. Now, coming to the gray area of creativity or whatever you call it, "Ship of Theseus" also scores (high enough) but may be not as seamless as its basics (off course IMO).The biggest positive that it has is not being either emotionally or intellectually manipulative.Its a treat to watch a film which is straight enough, with not much hidden in layers and yet so very subtle.Its left for the viewers to perceive once the film ends and continue the journey within.With so many chances that the director could have taken to succumb to push emotional epiphany he never compromises,not even in last reel.And once you know that the same man was involved behind "Kyunki Saas Bhi..." you understand what transformation/compromise(?) means as depicted in the film itself.To talk about drawbacks I found the film lacking in its background score.Not that the realtime sounds as in docu-feature style or absence of constant music is a problem.But more than often it doesn't do justice to the exemplary visuals or images that we see on screen.Those lash green grasses,the centipede movement,the array of photographs,the monk in white walking in rain or through huge sewage lines on both sides with black water flowing below-all of these scenes demanded some musical piece behind.The piece that would bind the film together.Also,of the three stories rather storeys only the first justifies the title while the other two are deeper and close.Yes,though it meets all regular and expected requirements, "Ship of Theseus" could have had a few more exciting requirements to its name.You can't complain,you can only wish and also wish more films like this gets a theatrical release and get the required backing (Thanks Kiran Rao).I am not sure whether this will be a life-changing film for all as selected by the Critics Circle,UK But as inspite of Neeraj Kabi,Aida El-Kashef,Vinay shukla,Sohum Seth and almost everyone else giving of Mr.Mehta (don't know the actor's name) that will stay with me for all as did the father in "A Separation", "Ship Of Theseus" also has every chance to stay with you for long.
Ship of Theseus is a movie which we need but didn't really deserve right now. A lot of things have already been said about it, so with the risk of sounding repetitive, however I'll try not to be so, here are some of my thoughts: 1. To begin with, Anand Gandhi has made an utterly brilliant movie. The honesty, genuineness, and intent of the director is clear from the word go which is a sheer pleasure to see in an Indian filmmaker.
2. Three stories - totally different to each others in terms of mood and narration, yet so well transitioned that you don't even notice it. Two thumbs up for the screenplay and editing.
3. Utterly brilliant cinematography, a visual delight which mesmerizes you and grips you with every scene and its details that is on the screen. After I exited the theater, I couldn't believe I watched an Indian movie looking so beautiful. In fact, I can go on and on about the imagery. Well done! 4. Superb dialogues (and the use of no dialogues) - At times, zen, and other times, so passionate that you feel like talking to your alter ego, just like, the conversations in Zen and the Art of Motorcycle Maintenance. Even the humorous and satirical parts don't make you feel like they are used as punches, except a couple times maybe.
5. Acting - Top notch by the all three protagonists. Relatively good performance by the other actors as well. But the three main actors are so good you long to see more of them. And the sympathies and your connections with them find their peaks in the penultimate scene.
6. Only thing where I felt I had issue is that some scenes and conversations were finished in a hurry. While one talk about something so powerful in detail, it should be a complete conversation, whereas, at times, it appears a lot of important things were skipped (esp. in story #2). Though I didn't find too many things wrong with the conversations in story 2 and narrations in story 2 and 3, it looked to me that something was amiss, they could have talked a little more, and so on. The movie could have been even more powerful, given the premise and ideas it began with. Actually, the idea is itself so big and extensive that any less would feel like incomplete. Such as, writing about this movie in 140 characters. But I guess I shouldn't complain as it's a movie where it's very difficult to have such kind of narration as well as a speech as long as that of John Galt. Anyways, I am more than glad that such things were talked about in a movie made in India.
Bravo, Anand Gandhi and the team! I stood and clapped for you all when the movie ended in the theater.
2. Three stories - totally different to each others in terms of mood and narration, yet so well transitioned that you don't even notice it. Two thumbs up for the screenplay and editing.
3. Utterly brilliant cinematography, a visual delight which mesmerizes you and grips you with every scene and its details that is on the screen. After I exited the theater, I couldn't believe I watched an Indian movie looking so beautiful. In fact, I can go on and on about the imagery. Well done! 4. Superb dialogues (and the use of no dialogues) - At times, zen, and other times, so passionate that you feel like talking to your alter ego, just like, the conversations in Zen and the Art of Motorcycle Maintenance. Even the humorous and satirical parts don't make you feel like they are used as punches, except a couple times maybe.
5. Acting - Top notch by the all three protagonists. Relatively good performance by the other actors as well. But the three main actors are so good you long to see more of them. And the sympathies and your connections with them find their peaks in the penultimate scene.
6. Only thing where I felt I had issue is that some scenes and conversations were finished in a hurry. While one talk about something so powerful in detail, it should be a complete conversation, whereas, at times, it appears a lot of important things were skipped (esp. in story #2). Though I didn't find too many things wrong with the conversations in story 2 and narrations in story 2 and 3, it looked to me that something was amiss, they could have talked a little more, and so on. The movie could have been even more powerful, given the premise and ideas it began with. Actually, the idea is itself so big and extensive that any less would feel like incomplete. Such as, writing about this movie in 140 characters. But I guess I shouldn't complain as it's a movie where it's very difficult to have such kind of narration as well as a speech as long as that of John Galt. Anyways, I am more than glad that such things were talked about in a movie made in India.
Bravo, Anand Gandhi and the team! I stood and clapped for you all when the movie ended in the theater.
I went for the movie with nil expectations though i was aware of the genre. But it impressed me beyond excellence at the end. The movie presents three stories seemingly different from one another but the way the different threads of the stories get intertwined at the end into one beautiful fabric is an absolute pleasure to the senses. As per me I perceived there were multiple layers to the story each layer contributing as an example in some way to the ship of theseus paradox. The way in which it subtly presents the fact that if something changes in us, we do not remain the same person from thereon. This change may be a change in the way we perceive the world, or a change in our belief system , or a change in our attitude towards other people. The next layer of the story is what amazed me most , which consists of bringing the three stories together to show how a human being is not just flesh and bones but comprises of ideas, emotions, beliefs etc. What makes each one of us different is our thought process, our ideas, our choices and many other things. A very simple example to state such theory could be a case of twins who share the same progeny, the some womb, the same features but end up completely different. I guess i have already said a lot, if your brain has a good appetite for thought this is the movie for you.
Anand Gandhi's SHIP OF THESEUS is in one sentence an amazing story, amazingly shot. One rarely came across a film where narrative is powerful but the visuals add a whole new subtext, a new dimension to the overall experience. Without being too arty, intellectual or surreal, it is an original piece of cinema, where there are moments when you wish your characters to stay silent and they get into arguments and when you expect them to say the things, they stay silent yet speak a lot. It is a classic example of a wonderful use of the language of cinema. It engages your mind provided you have not left it at your home to watch a mindless entertainer. It is intense, sensitive thus overall a rare gem of cinema. Overall Good.
Você sabia?
- CuriosidadesDirector Anand Gandhi uploaded the original film and 6-hour long extra feature online in November, 2013 asking individuals or entities to edit and carve the film as a whole to bring different interpretations. He would later conduct a festival in Mumbai for the entries.
- Erros de gravação20:50 scene is unreal. Post-op eye opening is done in a dark room so as to prevent strain on eyes.
- ConexõesFeatured in The Story of Film: A New Generation (2021)
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Корабль Тесея
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 12.000.000 (estimativa)
- Tempo de duração
- 2 h 20 min(140 min)
- Cor
- Proporção
- 2.35 : 1
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